This book explores the visual narratives of a group of decorated tombs from Ptolemaic and Roman Egypt (c.300 BCE-250 CE). The author contextualizes the tombs within their social, political, and religious context and considers how the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.
The fragment poem, long regarded as a peculiarly Romantic phenomenon, has never been examined outside the context of thematic and biographical criticism. By submitting the unfinished poems of the English Romantics to both a genetic investigation and a reception study, Marjorie Levinson defines the fragment's formal character at various moments in its historical career. She suggests that the formal determinancy of these works, hence their expressive or semantic affinities, is a function of historical conditions and projections. The English Romantic fragment poems share not so much a particular mode of production as a myth of production. Levinson pries apart these two dimensions and analyzes each independently to consider their relationship. By reconstructing the contemporary reception of such works as Wordsworth's "Nutting," Coleridge's "Christabel" and "Kubla Khan," Shelley's "Julian and Maddalo," and Keats's Hyperion fragments, and juxtaposing this model against dominant twentieth-century critical paradigms, Levinson discriminates layers, phases, and kinds of intentionality in the poems and considers the ideological implications of this diversity. This study is the first to investigate the English Romantic fragment poem by identifying the assumptions -- contemporary and belated -- that govern interpretative procedures. In a substantial summary chapter, Levinson reflects upon the meaning and effects of these assumptions with respect to the facts and fictions of literary production in the period and to the processes of canon formation. Originally published in 1986. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This is the first full-length biography of British historian Frances Yates, author of such acclaimed works as Giordano Bruno and The Hermetic Tradition and The Art of Memory, one of the most influential non-fiction books of the twentieth century. Jones's book explores Yates' remarkable life and career and her interest in the mysterious figure of Giordano Bruno and the influence of the Hermetic tradition on the culture of the Renaissance. Her revolutionary way of viewing history, literature, art, and the theater as integral parts of the cultural picture of the time period did much to shape modern interdisciplinary approaches to history and literary criticism. Jones focuses not only on the particulars of Yates' life, but also sheds light on the tradition of female historians of her time and their contributions to Renaissance scholarship. In addition to her insightful commentary on Yates' academic work, Jones quotes from Frances? diaries and the writings of those who were close to her, to shed light on Yates' private life. This biography is significant for those with an interest in literary criticism, women's history, scientific history, or the intellectual atmosphere of post-war Britain, as well as those interested in the Hermetic tradition.
Today, 70 percent of the American public supports reforms that would limit the number of terms a state legislator may serve, and the advocacy group U.S. Term Limits promotes this reform at all levels of government. But are advocates correct that term limits ensure citizens dedicated to the common good—rather than self-serving career politicians—run government? Or does the enforced high rate of turnover undermine the legislature’s ability to function? In Implementing Term Limits, Marjorie Sarbaugh-Thompson and Lyke Thompson bring thirteen years of intensive research and 460 interviews to assess changes since Michigan’s implementation of term limits in 1993 and explore their implications. Paying special attention to term limits’ institutional effects, they also consider legislative representation, political accountability, and the role of the bureaucracy and interest groups in state legislatures. Their thorough study suggests that legislators are less accessible to officials and that there is a larger gap between legislators and their voters. Moreover, legislators become much more politically ambitious after term limits and spend more time on political activities. The selection of top chamber leaders is complicated by newcomers’ lack of knowledge about and experience working with the leaders they elect before being sworn in. As a result, term limits in Michigan fail to deliver on many of the “good government” promises that appeal to citizens. Implementing Term Limits makes a unique and valuable contribution to the debate over the best means by which to obtain truly democratic institutions.
Autofiction, or works in which the eponymous author appears as a fictionalized character, represents a significant trend in postwar American literature, when it proliferated to become a kind of postmodern cliché. The Story of “Me” charts the history and development of this genre, analyzing its narratological effects and discussing its cultural implications. By tracing autofiction’s conceptual issues through case studies and an array of texts, Marjorie Worthington sheds light on a number of issues for postwar American writing: the maleness of the postmodern canon—and anxieties created by the supposed waning of male privilege—the relationship between celebrity and authorship, the influence of theory, the angst stemming from claims of the “death of the author,” and the rise of memoir culture. Worthington constructs and contextualizes a bridge between the French literary context, from which the term originated, and the rise of autofiction among various American literary movements, from modernism to New Criticism to New Journalism. The Story of “Me” demonstrates that the burgeoning of autofiction serves as a barometer of American literature, from modernist authorial effacement to postmodern literary self-consciousness.
John R Leigh, born in Bolton, Lancashire, and educated in Cambridge, was musical, mathematical, scientific and literary. At school in the 1930s, his headmaster told him there would be no more wars and no need for more scientists. His life then ranged first from languages teacher, radar technician and RAF flight lieutenant in WWII, to marriage with a talented and literary American wife. After the war, John changed career to retrain in engineering—for a married man, a brave decision. Over the years, the keen theatre-going couple saw many diverse plays. Convinced that he had found an original approach to seeing Shakespearean dramas, he spent happy years describing and refining his thoughts: what ideas, prejudices and religious beliefs would surface in the minds of Shakespeare’s own audience, the groundlings and nobles? In our day, we cannot help but react with our own beliefs and social customs; yet in Globe Theatre, how would people have responded to seeing a ghost in the early sixteenth century? Rather differently than nowadays, John thought. (Hamlet studies form the greater part of his collected work.) Suppose you were seeing Hamlet for the first time: hence the title ‘The Naïve Shakespearean’.
The untold story of Shakespeare's profound influence on Virginia Woolf and the rest of the Bloomsbury Group "A spirited dance of minds."--Chris Vognar, Boston Globe For the men and women of the Bloomsbury Group, Shakespeare was a constant presence and a creative benchmark. Not only the works they intended for publication--the novels, biographies, economic and political writings, stage designs and reviews--but also their diaries and correspondence, their gossip and small talk turned regularly on Shakespeare. They read his plays for pleasure in the evenings, and on sunny summer afternoons in the country. They went to the theater, discussed performances, and speculated about Shakespeare's mind. As poet, as dramatist, as model and icon, as elusive "life," Shakespeare haunted their imaginations and made his way, through phrase, allusion, and oblique reference, into their own lives and art. This is a book about Shakespeare in Bloomsbury--about the role Shakespeare played in the lives of a charismatic and influential cast, including Virginia and Leonard Woolf, Vanessa Bell, Clive Bell, Roger Fry, Duncan Grant, Lytton Strachey, John Maynard Keynes and Lydia Lopokova Keynes, Desmond and Molly MacCarthy, and James and Alix Strachey. All are brought to sparkling life in Marjorie Garber's intimate account of how Shakespeare provided them with a common language, a set of reference points, and a model for what they did not hesitate to call genius. Among these brilliant friends, Garber shows, Shakespeare was in effect another, if less fully acknowledged, member of the Bloomsbury Group.
Written by a globally prominent entomologist, Agricultural Acarology: Introduction to Integrated Mite Management provides tools for developing integrated mite management programs for agriculture, including management of plant-feeding mites, mites attacking bees and livestock, and stored products. Emphasizing the biology, ecology, behavior, and dive
Another book of selections from plays, by Marjorie Seligman and Sonya Fogle. The great success of the same editors--booklet of Solo Readings made imperative the issue of a companion volume. The book includes selections from THE LITTLE FOXES, ARSENIC AND OL
Struck with the desire to see and do more with her life, a young South Dakota woman left the family home in Redfield to go to work for Senator Peter Norbeck in Washington, D.C. When the position ended, she quickly found she had grown accustomed to the bright lights of the capital and soon joined the War Department as a civilian secretary. With World War II in full swing, she found herself traversing the globe en route to Ankara, Turkey.
Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of sight, to an active reality, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.
Be prepared for the growing opportunities in community and population health practice with the 3rd Edition of this groundbreaking resource. The New Edition reflects the convergence of community and population health practice with expanded content on health promotion, well-being, and wellness. Drs. Scaffa and Reitz present the theories underpinning occupational therapy practice in community and population health. Then, the authors provide practical guidance in program needs assessment, program development, and program evaluation. Both new practitioners and students will find practice-applicable coverage, including expanded case examples, specific strategies for working in the community, and guidance on securing funding for community and population health programs.
We are proud to introduce seven powerful, original, and irresistible novels coming in 2013 from Simon & Schuster: The Love Song of Jonny Valentine, Y, Middle Men, Motherland, The Why of Things, The Gravity of Birds, and Snow Hunters. This sample features exclusive excerpts, interviews with the writers, and commentary from the books’ editors. · In The Love Song of Jonny Valentine by Teddy Wayne, an eleven-year-old pop megastar searches for his identity in the dark heart of America's monstrous obsession with fame. · Marjorie Celona’s highly acclaimed and exquisitely rendered debut, Y, follows a wise-beyond-her-years foster child abandoned as a newborn on the doorstep of the local YMCA. · From an Academy Award-nominated screenwriter, Motherland is a powerful story of a love triangle set in England, France, India, and Jamaica against the backdrop of World War II. · In Middle Men, Stegner Fellow and New Yorker contributor Jim Gavin delivers a hilarious and panoramic vision of California, portraying a group of men, from young dreamers to old vets, as they make valiant forays into middle-class respectability. · Tracy Guzeman's compelling debut novel, The Gravity of Birds, follows the ordeal of an art authenticator and an art historian employed by a famous, reclusive painter to sell a never-before-seen portrait, leading them to discover devastating secrets two sisters have kept from each other, and from the artist. · In Snow Hunters, an elegant, haunting, and highly anticipated debut novel from 5 Under 35 National Book Foundation honoree Paul Yoon, a North Korean war refugee confronts the wreckage of his past. · From the critically acclaimed author of December comes The Why Of Things, a buoyant and beautiful new novel about a family struggling in the aftermath of a suicide. Each author is an accomplished artist and has created a lasting work you’ll want to read and relish and talk about.
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