Pidge and Jamie grew up in the peaceful last days of the Victorian Age. Each thought their ordered lives would follow a predictable future. But with the onset of World War I their lives were drastically changed. Intensely patriotic, both were determined to join the war effort. Pidge went first, to the war zone of north-eastern France. Living eight miles behind the firing line, through a bitter winter, she experienced conditions of heartbreak and destruction she never could have imagined. Interwoven with her relief work is the story of her involvement in the capture of two German spies. Shortly after Pidge's return, Jamie was sent to the same war-torn north-eastern part of France, where some of the heaviest fighting was taking place. He too, was overwhelmed by the total destruction the Germans had left behind. Home again Jamie and Pidge picked up their lives together and put into practice much of what the war had taught them, principally the value of devoting one's life to the public service of others.
This book provides the most comprehensive examination of the Normans available, examining the emergence of the Normans, their characteristics as a group, and their various achievements in war, culture and civilization.
Jack Shadbolt was inspired in his formative years by his contact with Emily Carr and with her brooding works portraying the remnants of Indian villages against the overwhelming wilderness. He made sketches of Indian artefacts and the Cowichan Reserve in the 1930s, but it was only after World War II that elements of Indian art began to show up in his style. Marjorie Halpin finds in the changes in the way Indian forms occur in Shadbolt's paintings an appropriate expression of the changing attitudes of British Columbians to Native society and the political will the Native people now manifest. The place of Indian motifs in Shadbolt's painting can be broadly correlated with the cultural quickening of Indian society in recent years. They reveal his emotional sympathy with Kwagiutl, Haida, and Tlingit forms and his deep response to the Indians' spiritual and historic presence in the British Columbia environment.
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