We all know the stereotype of the Jewish mother: Hectoring, guilt-inducing, clingy as a limpet. In Mamaleh Knows Best, Tablet Magazine columnist Marjorie Ingall smashes this tired trope with a hammer. Blending personal anecdotes, humor, historical texts, and scientific research, Ingall shares Jewish secrets for raising self-sufficient, ethical, and accomplished children. She offers abundant examples showing how Jewish mothers have nurtured their children’s independence, fostered discipline, urged a healthy distrust of authority, consciously cultivated geekiness and kindness, stressed education, and maintained a sense of humor. These time-tested strategies have proven successful in a wide variety of settings and fields over the vast span of history. But you don't have to be Jewish to cultivate the same qualities in your own children. Ingall will make you think, she will make you laugh, and she will make you a better parent. You might not produce a Nobel Prize winner (or hey, you might), but you'll definitely get a great human being.
“I’m sorry, but Sorry, Sorry, Sorry means that you no longer have an excuse for delivering anything other than a pitch-perfect apology. Ingall and McCarthy break down thorny questions…with grace and humor.” —Peggy Orenstein, bestselling author of Boys & Sex, Girls & Sex, and Cinderella Ate My Daughter It’s a truth universally acknowledged that terrible apologies are the worst. We’ve all been on the receiving end, and oh, how they make us seethe. Horrible public apologies—excuse-laden, victim blame-y, weaselly statements—often go viral instantaneously, whether they’re from a celebrity, a politician, or a blogger. We all recognize bad apologies when we hear them. So why is it so hard to apologize well? How can we do better? How could they do better? Marjorie Ingall and Susan McCarthy show us the way. Drawing on a deep well of research in psychology, sociology, law, and medicine, they explain why a good apology is hard to find and why it doesn’t have to be. Alongside their six (and a half)-step formula for apologizing beautifully, Ingall and McCarthy also delve into how to respond to a bad apology; why corporations, celebrities, and governments seldom apologize well; how to teach children to apologize; how gender and race affect both apologies and forgiveness; and most of all, why good apologies are essential, powerful, and restorative. A good apology can do so many things—mend fences, heal wounds, and bring more harmony into ourselves and our society at large. With wit, deep introspection, and laugh-out-loud humor, Ingall and McCarthy’s guidance will help make the world a better place, one apology at a time.
It's a truth universally acknowledged that terrible apologies are the worst. We've all been on the receiving end, and oh, how they make us seethe. Horrible public apologies-excuse-laden, victim blame-y, weaselly statements-often go viral instantaneously, whether they're from a celebrity, a politician, or a blogger. We all recognize bad apologies when we hear them. So why is it so hard to apologize well? How can we do better? How could they do better? Marjorie Ingall and Susan McCarthy show us the way. Drawing on a deep well of research in psychology, sociology, law, and medicine, they explain why a good apology is hard to find and why it doesn't have to be. Alongside their six (and a half)-step formula for apologizing beautifully, Ingall and McCarthy also delve into how to respond to a bad apology; why corporations, celebrities, and governments seldom apologize well; how to teach children to apologize; how gender and race affect both apologies and forgiveness; and most of all, why good apologies are essential, powerful, and restorative. A good apology can do so many things-mend fences, heal wounds, and bring more harmony into ourselves and our society at large. With wit, deep introspection, and laugh-out-loud humor, Ingall and McCarthy's guidance will help make the world a better place, one apology at a time"--
We all know the stereotype of the Jewish mother: Hectoring, guilt-inducing, clingy as a limpet. In Mamaleh Knows Best, Tablet Magazine columnist Marjorie Ingall smashes this tired trope with a hammer. Blending personal anecdotes, humor, historical texts, and scientific research, Ingall shares Jewish secrets for raising self-sufficient, ethical, and accomplished children. She offers abundant examples showing how Jewish mothers have nurtured their children’s independence, fostered discipline, urged a healthy distrust of authority, consciously cultivated geekiness and kindness, stressed education, and maintained a sense of humor. These time-tested strategies have proven successful in a wide variety of settings and fields over the vast span of history. But you don't have to be Jewish to cultivate the same qualities in your own children. Ingall will make you think, she will make you laugh, and she will make you a better parent. You might not produce a Nobel Prize winner (or hey, you might), but you'll definitely get a great human being.
Examines the origins of the En Yaaqov in the tumultuous medieval period and the motivations of its creator, exiled Spanish rabbi Jacob ibn Habib. After his expulsion from Spain in 1492, Jacob ibn Habib created the En Yaaqov, a collection of Talmudic aggadah (non-legal material), by removing the majority of the Talmud’s legal portions but preserving the chapter order of the remaining material and adding his own introduction and running commentary. In The En Yaaqov: Jacob ibn Habib’s Search for Faith in the Talmudic Corpus author Marjorie Lehman argues that the En Yaaqov’s anthologizer, Jacob ibn Habib, purposely sought to create a Talmud "look-alike" in order to prove that Judaism’s foundational legal tract could also be seen as a theological document. By considering the factors that influenced ibn Habib, Lehman argues that his En Yaaqov was a reaction to the way that the Talmud was perceived and studied during the late medieval period among Spanish Jewry. In four chapters, Lehman explores the first printed edition of the En Yaaqov, delving into the intellectual culture and theological intricacies surrounding its creation and elaborating on the contributions of the En Yaaqov to the development of faith. Chapter 1 considers the political turmoil and challenges of resettlement that ibn Habib encountered after expulsion and that prompted him to produce the En Yaaqov. Chapter 2 focuses on the intellectual framework within which ibn Habib’s attitude toward Talmudic aggadah developed and explains why few running commentaries on the aggadot of the Talmud existed prior to his work. Chapter 3 discusses ibn Habib’s editorial decisions in choosing to construct the En Yaaqov as a Talmud "look-alike." In Chapter 4, Lehman analyzes key passages in ibn Habib’s commentary to the En Yaaqov to examine how he integrated text and context to provide a resource that Jews could utilize for spiritual growth and continuity of faith. In her conclusion, Lehman addresses the evolving printing history of the collection, which was quite different from that of the Talmud. Lehman argues that ibn Habib’s experiences as a Spanish Jew who was forced to flee Spain prompted him to make decisions not only about how the Talmud should be studied in the name of spiritual restoration but also about how Jews could survive future expulsions by cultivating a sustainable faithful relationship with God. This insightfully researched book will be informative to scholars of Talmud and Rabbinic Literature, late-medieval intellectual history and culture, Sephardic history, and the history of the Jewish book as well as to readers interested in the still-popular En Yaaqov.
“If you have yet to add Liu to your must-read list, you’re doing yourself a disservice.” —Booklist When it comes to bold originality and pure storytelling skill, few authors of popular fiction can compare with the remarkable Marjorie M. Lui—and in the realm of paranormal romance, no one is better! With Soul Song, the sensational New York Times bestselling superstar brings readers another marvelous tale of passion and otherworldly occurrences centered around the mysterious Dirk and Steele Detective Agency—as a tormented young woman with the precognitive power to foresee terrible futures must place her own fate in the hands of a mesmerizing prince of the sea. A master at creating unforgettable love stories featuring shapeshifters, telekinetics, and extraordinary supernatural beings, Lui has earned herself a legion of fans, and Soul Song will merely add to their ranks. Christine Feehan, author of Dark Prince and one of the biggest names in paranormal romance, promises that, “anyone who loves my work should love hers.”
Using vivid word portraits, the author blends scripture, tradition, and creative imagination into a fictional re-creation of the courtship of Mary and Joseph.
For those who need help up front in making the right buying decision, The Video Camcorder Handbook provides valuable shopping tips about the most popular models and leading brands of camcorders currently available. 150 photographs.
This is a unique full-colour presentation of yoga movements, breathing exercises and meditations, specifically designed for that special quiet relaxing bath-time. The asanas (postures) are patterned on the fluid movements of sea creatures and are based on the seven chakras, or energy centres, of the human body.
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