Compiled and edited by Reyna Young (horror host Miss Misery), features stories by Boo Rhodes, Lindsey Goddard, Debra Lamb, Maureen Whelan, Rie Sheridan Rose, Margaret Elizabeth Brook, Tiffany Blem, Marjorie DeHey, and Danni Winn. Last Doorway Productions and Black Bed Sheet Books celebrate women in horror fiction again by partnering to bring another chilling, all-female horror anthology, A Scream in the Night 3! Horror Host Miss Misery (Reyna Young) has for a third time brought together short stories from female voices in horror today. A compilation of terrifying tales written by women within the horror genre that will undoubtedly send shivers down your spine. Brace yourself for an exhilarating journey, as flipping through the pages of this book will inevitably leave you craving more, your screams echoing through the night and of course, loss of sleep. Take heed, for the novel you clutch within your grasp is not for the feeble-hearted. Within its very pages, an adult world looms, raw and unfiltered. Brace yourself for the shocks it delivers, and just like the first two books it will leave you panting and yearning and screaming for more…
The artist recalls her life in Omaha, NE, scholarship to Kansas City Art Institute, and working as a Hallmark girl before World War II. Illustrations of forty of Hill's watercolor paintings are included.
Marjorie Holmes, America's favorite inspirational writer, relates her spirit-lifting and heart-warming philosophy on the hazards, pains, and joys of living in this collection of three volumes of her best works. Contents: Love and Laughter; To Help You Through the Hurting; and Lord, Let Me Love.
This is the first full-length biography of British historian Frances Yates, author of such acclaimed works as Giordano Bruno and The Hermetic Tradition and The Art of Memory, one of the most influential non-fiction books of the twentieth century. Jones’s book explores Yates’ remarkable life and career and her interest in the mysterious figure of Giordano Bruno and the influence of the Hermetic tradition on the culture of the Renaissance. Her revolutionary way of viewing history, literature, art, and the theater as integral parts of the cultural picture of the time period did much to shape modern interdisciplinary approaches to history and literary criticism. Jones focuses not only on the particulars of Yates’ life, but also sheds light on the tradition of female historians of her time and their contributions to Renaissance scholarship. In addition to her insightful commentary on Yates’ academic work, Jones quotes from Frances’ diaries and the writings of those who were close to her, to shed light on Yates’ private life. This biography is significant for those with an interest in literary criticism, women’s history, scientific history, or the intellectual atmosphere of post-war Britain, as well as those interested in the Hermetic tradition.
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