The artist recalls her life in Omaha, NE, scholarship to Kansas City Art Institute, and working as a Hallmark girl before World War II. Illustrations of forty of Hill's watercolor paintings are included.
Marjorie Moyer as a child stood for her faith, winning over her sisters, mother and brothers. She taught school, went to college, married (becoming Marjorie Scism), became a pastor's wife, then missionary to India. In all this she overcame amazing obstacles first of poverty, then of difficulty and opposition, through her faith, love and devotion to God, her family and the cause. Here she tells her straight-forward story of dedication in Colorado, Oregon, California, Washington, Idaho, India, Tennessee and retirement, supplying an example of inspiration and accomplishment.
Dale Winters rode in the great charge at Beersheba in the final months of The Great War and has never forgiven himself for surviving. His younger brother did not. As a result, guilt-ridden, Dale gives up the passion in his life ? horses. If his brother could no longer ride the animals he loved so much, then neither would he. A shattered man, Dale returns to his home in Western Australia. Emily Castle, late of Arizona, inherited one-half of the Castle Winters Sheep Station in Western Australia when her Uncle Charles passed away. For years, through his letters, her uncle had regaled Emily with tales of the exploits of the boys he had fostered. With a heart full of hope and happiness, she moves to her new home and an inevitable meeting with the amazing and adventurous Dale Winters. But the man who comes home from the war is not the one she envisioned in her dreams. Broken promises and a vow made to a dead man have stolen away his joy of life. Then Emily wagers her share of the station, and herself, on a horse race and becomes unable to ride. Will Dale learn, before it?s too late, that some promises are meant to be broken?
Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.
Founder of Henry Street Settlement on New York's Lower East Side as well as the Visiting Nurse Service of New York, Lillian Wald (1867-1940) was a remarkable social welfare activist. She was also a second-generation German Jewish immigrant who developed close associations with Jewish New York even as she consistently dismissed claims that her work emerged from a fundamentally Jewish calling. Challenging the conventional understanding of the Progressive movement as having its origins in Anglo-Protestant teachings, Marjorie Feld offers a critical biography of Wald in which she examines the crucial and complex significance of Wald's ethnicity to her life's work. In addition, by studying the Jewish community's response to Wald throughout her public career from 1893 to 1933, Feld demonstrates the changing landscape of identity politics in the first half of the twentieth century. Feld argues that Wald's innovative reform work was the product of both her own family's experience with immigration and assimilation as Jews in late-nineteenth-century Rochester, New York, and her encounter with Progressive ideals at her settlement house in Manhattan. As an ethnic working on behalf of other ethnics, Wald developed a universal vision that was at odds with the ethnic particularism with which she is now identified. These tensions between universalism and particularism, assimilation and group belonging, persist to this day. Thus Feld concludes with an exploration of how, after her death, Wald's accomplishments have been remembered in popular perceptions and scholarly works. For the first time, Feld locates Wald in the ethnic landscape of her own time as well as ours.
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