Series: Pericope, 2 The Book of Ruth reads like a novel. Scholars agree on the literary virtuosity of its author, but are deeply divided about the way she or he has structured the work. For the first time ever, The Structure of the Book of Ruth makes use of hitherto neglected evidence from ancient Hebrew, Greek, Syriac and Latin manuscripts in an attempt to create a more objective basis for discussions about the book's structure. This type of structural analysis is a powerful new tool in the hands of Bible scholars. Structural irregularities appear to elucidate the redactional history of the Book of Ruth. Structural breaks and links appear to function as markers indicating a certain understanding of the text to the exclusion of other possibilities. The question of divine justice comes out as the central theme of the book. Is it justified to accuse God of injustice, as Naomi did? The time when this problem was most virulent was the exilic and post-exilic period. Naomi appears to stand for the old Zion, the embittered widow of Lamentations 1. Ruth is a personification of the new Zion, the bride whom her divine husband will marry again. The remarkable openness to an active role of foreigners and women in the restoration of Israel is a deliberate protest against the draconic measures of Ezra and Nehemiah against marriages with foreign women.
Like the biblical Job, many people suffer under the silence of God. This book shows that it is enlightening to retrace the origins of the concept of divine speech and silence in the ancient Near East and Greece.
Delimitation of structural units has always been a controversial subject in Old Testament exegesis. Yet all translation and interpretation depends on it. In this work hitherto largely unexplored, but highly relevant, evidence found in ancient Hebrew, Greek and Syriac manuscripts is evaluated.
Delimitation of structural units has always been a controversial subject in Old Testament exegesis. Yet all translation and interpretation depends on it. In this work hitherto largely unexplored, but highly relevant, evidence found in ancient Hebrew, Greek and Syriac manuscripts is evaluated.
In this book the authors develop an intriguing theory about the Canaanite origin of the biblical traditions concerning the origin of the cosmos and the creation of humankind. Adam, Eve, and the Devil tells a new story about human beginnings and at the same time proposes a fresh start for biblical research into primordial traditions. A number of clay tablets from Ugarit, dating from the late thirteenth century BCE, throw new light, Korpel and de Moor argue, on the background of the first chapters of Genesis and the myth of Adam. In these tablets, El, the creator deity, and his wife Asherah lived in a vineyard or garden on the slopes of Mt Ararat, known in the Bible as the mountain where Noah's ark came to rest. The first sinner was not a human being, but an evil god called Horon who wanted to depose El. Horon was thrown down from the mountain of the gods, and in revenge he transformed the Tree of Life in the garden into a Tree of Death and enveloped the whole world in a poisonous fog. Adam was sent down to restore life on earth, but failed because Horon in the form of a huge serpent bit him. As a result Adam and his wife lost their immortality. This myth found its way into the Bible, the Apocrypha and the Pseudepigraphical literature, though it was often transformed or treated critically. Adam, Eve, and the Devil traces the reception of the myth in its many forms, and also presents the oldest pictures of Adam and Eve ever identified (one of them on the front cover of the book).
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