Presents the distinguished poet talking about herself and her work and reading from her poems, with a section of poems accompanied by the poet's commentary on each.
Introduction: The Politics of Memory in the Post-9/11 Era -- Monuments and Voids: The Proliferation of 9/11 Memory -- The Objects That Lived, the Voices That Remain: The 9/11 Museum -- Global Architecture, Patriotic Skyscrapers, and a Cathedral Shopping Mall: The Rebuilding of Lower Manhattan -- Visibility and Erasure: Memory and the "Global War on Terror" -- The Memory of Racial Terror: The National Memorial for Peace and Justice and the Legacy Museum.
A 2018 NAACP Image Award nominee and an NPR Best Book of 2017, a moving African-American family drama of love, devotion, and Alzheimer’s disease. Diane Tate never expected to slowly lose her talented husband to the debilitating effects of early-onset Alzheimer’s disease. As a respected family court judge, she’s spent her life making tough calls, but when her sixty-eight-year-old husband’s health worsens and Diane is forced to move him into an assisted living facility, it seems her world is spinning out of control. As Gregory’s memory wavers and fades, Diane and her children must reexamine their connection to the man he once was—and learn to love the man he has become. For Diane’ daughter Lauren, it means honoring her father by following in his footsteps as a successful architect. For her son Sean, it means finding a way to repair the strained relationship with his father before it’s too late. Supporting her children in a changing landscape, Diane remains resolute in her goal to keep her family together—until her husband finds love with another resident of the facility. Suddenly faced with an uncertain future, Diane must choose a new path—and discover her own capacity for love.
In her long-awaited fifth novel, acclaimed writer Marita Golden takes another unflinching look into the face of family, race, love and identity. For twelve years Carson Blake inhabited a world of his own creation. Scorned by the father who was incapable of showing him affection and nearly consumed by the mean streets of Prince George’s County, Maryland, Carson did what no one else could: he saved himself. After joining the police force and building a family with his wife, Bunny, Carson is finally in control of his life in the enclave where African American wealth and privilege shares the same zip code with black American crime and tragedy. Both Carson and his wife have great careers and three beautiful children: Roslyn, Roseanne, and Juwan. Carson is a devoted father, determined not to be the father that Jimmy Blake was to him. But while Juwan’s astounding artistic talent is his father’s pride, the boy’s close relationship with classmate Will conjures up emotions and questions in Carson that threaten to spill over and poison the entire Blake family. And then, one night in March, nearing the end of a routine shift, Carson stops a young black man for speeding. He orders Paul Houston to exit the car and drop to his knees. But when Houston retrieves something from his waistband and turns to face Carson, three shots are fired, one man loses his life and two families are wrenched from everything that came before and hurled into the haunting future of everything that will come after. When it is revealed that Paul, a son of educators and a teacher in Southeast D.C., was only holding a cell phone, Carson’s carefully woven world begins to unravel. After is a penetrating work of discovery for a man whose life careens more than once off the edge of disaster. Golden’s astounding prose will stay with you long after you’ve turned the last page.
In Tourists of History, the cultural critic Marita Sturken argues that over the past two decades, Americans have responded to national trauma through consumerism, kitsch sentiment, and tourist practices in ways that reveal a tenacious investment in the idea of America’s innocence. Sturken investigates the consumerism that followed from the September 11th attacks; the contentious, ongoing debates about memorials and celebrity-architect designed buildings at Ground Zero; and two outcomes of the bombing of the Alfred P. Murrah Federal Building in Oklahoma City: the Oklahoma City National Memorial and the execution of Timothy McVeigh. Sturken contends that a consumer culture of comfort objects such as World Trade Center snow globes, FDNY teddy bears, and Oklahoma City Memorial t-shirts and branded water, as well as reenactments of traumatic events in memorial and architectural designs, enables a national tendency to see U.S. culture as distant from both history and world politics. A kitsch comfort culture contributes to a “tourist” relationship to history: Americans can feel good about visiting and buying souvenirs at sites of national mourning without having to engage with the economic, social, and political causes of the violent events. While arguing for the importance of remembering tragic losses of life, Sturken is urging attention to a dangerous confluence—of memory, tourism, consumerism, paranoia, security, and kitsch—that promulgates fear to sell safety, offers prepackaged emotion at the expense of critical thought, contains alternative politics, and facilitates public acquiescence in the federal government’s repressive measures at home and its aggressive political and military policies abroad.
At a time when women were denied opportunity, the lavish parlors of Storyville offered advancement for women who welcomed the vice. Mary Deubler, the Storyville madam who called herself Josie Arlington, more than welcomed carnal enterprise ... Her palace, the brothel she named the Arlington, cemented her legacy. An establishment filled with exotic girls who added a rare air of refinement to its proffered debauchery, it allowed Josie to become something even rarer for her time: a self-made woman of vast wealth and influence. Author Marita Woywod Crandle charts Josie's rise while painting a ... picture of New Orleans's red-light district"--Back cover.
Based on the highly regarded Walls Manual of Emergency Airway Management and part of the Manual of Emergency Medicine series envisioned by leading authority in emergency medicine, Dr. Ron M. Walls, Manual of Eye, Ear, Nose, and Throat Emergencies provides evidence-based, easy-to-read coverage of these commonly seen emergencies. Through the direction and expertise of lead editor Dr. Daniel J. Egan and associate editors Drs. Gareth M.C. Lema, Di (Fan) Coneybeare, and Marita S. Teng, this reference is a practical guide to approaching the patient with an EENT complaint in a systematic way, providing a hands-on framework for clinical decision making and therapeutic interventions.
Partiality and Justice in Nursing Care examines the conflicting normative claims of partiality and impartiality in nursing care, looking in depth at how to reconcile reasonable concerns for one particular patient with equally important concerns for the maximisation of health-related welfare for all with relevant nursing-care needs, in a resource-limited setting. Drawing on moral philosophy, this book explores how discussions of partiality and impartiality in moral philosophy can have relevance to the professional context of clinical nursing care as well as in nursing ethics in general. It develops a framework for normative nursing ethics that incorporates a notion of permissible partiality, and specifies which concerns an ethics of nursing care should entail when balancing partialist and impartialist concerns. At the same time, Nordhaug argues that this partiality must also be constrained by both principled and context-sensitive assessments of patients’ needs, as well as of the role-relative deontological restriction of minimising harm, something that could be mitigated by institutional and organisational arrangements. This thought-provoking volume is an important contribution to nursing ethics and philosophy.
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