When impoverished miss Cara becomes a notorious masked thief, she soon meets her match in a handsome earl who knows her secret. Determined to teach her a lesson in deception, Julius sets the scene for a seductive masquerade of his own. . . . Regency Romance.
Since the 1960s, in comparison to other ethnic and gender groups, a higher rate of depression and suicide ideation has been documented for Latina girls. This Brief offers a concise summary of contemporary research on this critical topic. Among the considerations are the influence of bullying, families, immigration, and culture on Latina adolescent mental health. Presenting cutting-edge multiracial feminist frameworks for new and existing empirical findings, this book serves to guide the future research agenda on this topic. Clinical recommendations are also included.
Just in time for Mother's Day comes A Mother's Joy--a captivating selection of six short stories by beloved Regency authors. Includes "The Dower House" by Carola Dunn, "A Betting Affair" by Marissa Edwards, "Lord Chartley's Lesson" by Jo Ann Ferguson, "The Present" by Cindy Holbrook, "A Change of Heart" by Lynn Kerstan, and "Christening Day" by Joy Reed.
Since the 1960s, in comparison to other ethnic and gender groups, a higher rate of depression and suicide ideation has been documented for Latina girls. This Brief offers a concise summary of contemporary research on this critical topic. Among the considerations are the influence of bullying, families, immigration, and culture on Latina adolescent mental health. Presenting cutting-edge multiracial feminist frameworks for new and existing empirical findings, this book serves to guide the future research agenda on this topic. Clinical recommendations are also included.
Young widow Annabel Chalfont, Countess of Fellbridge, has two small sons to raise, a mountain of her late husband’s debts to pay off, and a secret: she’s a shadow-shaper, able to manipulate shadow as anyone else might clay. She and six other high-born ladies with equally extraordinary abilities defend England against supernatural crime—but the world knows them only as the Lady Patronesses of Almack’s, Regency London’s most exclusive social venue. This volume includes the fourth, fifth, and sixth installments of the series: The Cursed Canvases: Who is magically vandalizing the pictures at the Royal Exhibition? When art becomes artillery, the Ladies take notice. Turmoil on the Thames: When the King’s birthday celebration at Eton is crashed by uninvited guests who threaten to eat the students, it’s a good thing that the Ladies of Almack’s are at hand... An Event at Epsom: A horse is a horse, of course—or is it? Annabel and the Ladies must attend the races at Epsom to investigate a very unusual steed.
Eton, or eaten? This picnic is turning out to be no picnic… Annabel and her parents are off to Eton to join her sons for the students’ annual celebration of the King’s birthday, observed with boat races on the Thames, fireworks, and a picnic by the river—which the boys seem to be especially looking forward to, considering the number of cakes and sandwiches they’ve begged Annabel to bring. She’s secretly pleased when they’re joined unexpectedly by the Marquis of Quinceton—but much less happy when some less-welcome unexpected guests threaten to turn the party into a funeral. Thanks to a platter of pastries and some quick thinking by the marquis, tragedy is averted…but the Ladies of Almack’s are concerned by what happened on the river, and why… Turmoil on the Thames is the fifth installment of The Ladies of Almack’s series by Marissa Doyle. CLICK ‘BUY NOW’ TO READ ABOUT THE LADY PATRONESSES’ WATERY ADVENTURE!
When impoverished miss Cara becomes a notorious masked thief, she soon meets her match in a handsome earl who knows her secret. Determined to teach her a lesson in deception, Julius sets the scene for a seductive masquerade of his own. . . . Regency Romance.
Maine meets Girls in White Dresses in this Globe and Mail bestseller about three very different sisters, their feminist mother, and what it takes to love someone—whether it be family, friends, or spouses—for life. Former folk singer Helen Sear was a feminist wild child, raising three daughters, Liane, Ilsa and Fiona (each by different fathers) largely on her own. Now in her sixties, Helen has fallen in love with a traditional man who desperately wants to marry her—and while she’s fearful of losing him, she’s equally afraid she’ll betray everything she’s ever stood for if she goes through with it. Her youngest daughter, Liane, is in the heady early days of a relationship with the love of her life. But he has an ex-wife and two daughters—and her new role as “step-something” doesn’t come with an instruction manual. Ilsa, an artist, is fervently hoping her second marriage will stick. Yet her world feels like it is slowly shrinking, and she realizes she may need to break free again, even if it means disrupting the lives of her two young children. And then there’s Fiona, the eldest sister, who discovers her husband has been harboring a huge secret, which makes her own past harder to ignore. To regain stability, she must face some hard truths, and alter her impossibly high expectations. Through these alternating perspectives, and with pitch-perfect honesty and heartwarming humor, Stapley explores sex, marriage, and how the many roles that women play are often at odds with each other. Ultimately a celebration of the redemptive power of love in all its forms, Mating for Life is a stunning, memorable debut.
Biology and engineering meet in this groundbreaking and growing discipline Biomedical engineering is an established interdisciplinary research and training area, combining various aspects of physiology, biology, materials science and engineering. Biomedical engineering programs and courses are integral parts of pertinent curricula, generating an urgent need for textbooks which can introduce this fundamental subject to new generations of students, researchers and practicing professionals. The textbook Concepts of Tissue-Biomaterial Interactions meets this need with an introduction to the subject. Beginning with various, key, fundamental concepts of cellular biology and the physiology of tissue wound healing (required to understand interactions of tissues and implants) it offers essential information and insight regarding the design of successful biomaterial implants. Concluding with a look at the current forefront and future of the field, it is an indispensable introduction for fundamental and cutting-edge aspects of biomedical engineering applications. Concepts of Tissue-Biomaterial Interactions readers will also find: Introduction to biological aspects such as cell-extracellular matrix interactions and cell-substrate interactions Details regarding various aspects of the process of normal tissue wound healing Current knowledge of tissue wound healing in the presence of implants Examples of pathological complications, including infection Design criteria for biocompatible implants The process of obtaining regulatory approval of new biomaterials and implantable medical devices by pertinent regulatory agencies Implant biomaterial and medical devices: past, present, and future Concepts of Tissue-Biomaterial Interactions is recommended for advanced undergraduate and for graduate students interested in biomedical engineering, biomaterials, tissue engineering, and implantable biomaterials/medical devices, as well as a reference for practicing biomedical engineering professionals.
Breaking new ground in the study of tragedy, early modern theatre, and literary London, Metropolitan Tragedy demonstrates that early modern tragedy emerged from the juncture of radical changes in London’s urban fabric and the city’s judicial procedures. Marissa Greenberg argues that plays by Shakespeare, Milton, Massinger, and others rework classical conventions to represent the city as a locus of suffering and loss while they reflect on actual sources of injustice in sixteenth- and seventeenth-century London: structural upheaval, imperial ambition, and political tyranny. Drawing on a rich archive of printed and manuscript sources, including numerous images of England’s capital, Greenberg reveals the competing ideas about the metropolis that mediated responses to theatrical tragedy. The first study of early modern tragedy as an urban genre, Metropolitan Tragedy advances our understanding of the intersections between genre and history.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.
In Spiritualism's Place, four friends and scholars who produce the acclaimed Dig: A History Podcast, share their curiosity and enthusiasm for uncovering stories from the past as they explore the history of Lily Dale. Located in western New York State, the world's largest center for Spiritualism was founded in 1879. Lily Dale has been a home for Spiritualists attempting to make contact with the dead, as well as a gathering place for reformers, a refuge for seekers looking for alternatives to established paths of knowledge, and a target for skeptics. This intimate history of Lily Dale reveals the role that this fascinating place has played within the history of Spiritualism, as well as within the development of the women's suffrage and temperance movements, and the world of New Age religion. As an intentional community devoted to Spiritualist beliefs and practices, Lily Dale brings together multiple strands in the social and religious history of New York and the United States over the past 150 years: feminism, social reform, utopianism, new religious movements, and cultural appropriation. Podcasters and historians alike, Averill Earls, Sarah Handley-Cousins, Elizabeth Garner Masarik, and Marissa C. Rhodes each identify one site in Lily Dale and one theme that its history illuminates. They use those sites and themes to approach Lily Dale not as debunkers but as inquisitive researchers and storytellers. At the same time, they also reflect on their own relationships contending that it's never quite possible to separate grief, hope, faith, and friendship from understandings of the past. Spiritualism's Place breaks myths, unveils unexpected stories, and finds new ways to contemplate Spiritualism's role in American history.
Over the years many transnational labor alliances have succeeded in improving conditions for workers, but many more have not. In The New Politics of Transnational Labor, Marissa Brookes explains why this dichotomy has occurred. Using the coordination and context-appropriate (CCAP) theory, she assesses this divergence, arguing that the success of transnational alliances hinges not only on effective coordination across borders and within workers' local organizations but also on their ability to exploit vulnerabilities in global value chains, invoke national and international institutions, and mobilize networks of stakeholders in ways that threaten employers' core, material interests. Brookes uses six comparative case studies spanning four industries, five countries, and fifteen years. From dockside labor disputes in Britain and Australia to service sector campaigns in the supermarket and private security industries to campaigns aimed at luxury hotels in Southeast Asia, Brookes creates her new theoretical framework and speaks to debates in international and comparative political economy on the politics of economic globalization, the viability of private governance, and the impact of organized labor on economic inequality. From this assessment, Brookes provides a vital update to the international relations literature on non-state actors and transnational activism and shows how we can understand the unique capacities labor has as a transnational actor.
Higher education internationally is in a state of transition and transformation, leading to an increase in the level of participation, and a consequent increase in number of non traditional and underprepared students. The appearance of these students provides a particular challenge in the sciences where adequate grounding is crucial. One response to this challenge has been the provision of access, foundation or "second chance programmes" which operate on different models internationally. In South Africa, where the push for equity is strong in the wake of the apartheid era, programmes have generally been established at all tertiary institutions with some of the most successful of these programmes based at universities characterised by a high research output. Consequently in the last decade there has been a great deal of research into the effectiveness of these programmes both at a micro and macro level. Similar research in other countries exists, but is patchy and often based on small groups of students. This book provides valuable information on what research has to say about disadvantaged and under prepared science students and how they learn - what works and what does not work. It provides an examination of issues related to the programmes, their structure, student selection and adjustment. Issues such the learning of these students, their communicative ability and laboratory work come under the spotlight. Although examining the issue internationally, the book draws heavily on lessons from South Africa where there has been considerably experience of such programmes.
Powerful Frequencies details the central role that radio technology and broadcasting played in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. In Intonations, Marissa J. Moorman examined the crucial relationship between music and Angolan independence during the 1960s and ’70s. Now, Moorman turns to the history of Angolan radio as an instrument for Portuguese settlers, the colonial state, African nationalists, and the postcolonial state. They all used radio to project power, while the latter employed it to challenge empire. From the 1930s introduction of radio by settlers, to the clandestine broadcasts of guerrilla groups, to radio’s use in the Portuguese counterinsurgency strategy during the Cold War era and in developing the independent state’s national and regional voice, Powerful Frequencies narrates a history of canny listeners, committed professionals, and dissenting political movements. All of these employed radio’s peculiarities—invisibility, ephemerality, and its material effects—to transgress social, political, “physical,” and intellectual borders. Powerful Frequencies follows radio’s traces in film, literature, and music to illustrate how the technology’s sonic power—even when it made some listeners anxious and frightened—created and transformed the late colonial and independent Angolan soundscape.
An innovative contemporary history that blends insights from a variety of disciplines to highlight how a storied African cancer institute has shaped lives and identities in postcolonial Uganda. Over the past decade, an increasingly visible crisis of cancer in Uganda has made local and international headlines. Based on transcontinental research and public engagement with the Uganda Cancer Institute that began in 2010, Africanizing Oncology frames the cancer hospital as a microcosm of the Ugandan state, as a space where one can trace the lived experiences of Ugandans in the twentieth century. Ongoing ethnographic fieldwork, patient records, oral histories, private papers from US oncologists, American National Cancer Institute records, British colonial office reports, and even the architecture of the institute itself show how Ugandans understood and continue to shape ideas about national identity, political violence, epidemics, and economic life. Africanizing Oncology describes the political, social, technological, and biomedical dimensions of how Ugandans created, sustained, and transformed this institute over the past half century. With insights from science and technology studies and contemporary African history, Marissa Mika’s work joins a new wave of contemporary histories of the political, technological, moral, and intellectual aspirations and actions of Africans after independence. It contributes to a growing body of work on chronic disease and situates the contemporary urgency of the mounting cancer crisis on the continent in a longer history of global cancer research and care. With its creative integration of African studies, science and technology studies, and medical anthropology, Africanizing Oncology speaks to multiple scholarly communities.
Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation art Racial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo. Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.
This book provides an overview of pain mechanisms as currently understood, and details a variety of approaches to pain management used across a wide range of complementary disciplines. A final chapter integrates these body-based and mind-body approaches, and helps the clinician offer the most effective care for the patient. The first part of the book discusses pain symptoms and the ways in which pain is experienced by individual patients. This section deals with the anatomy and pathology of pain, and describes present views of what causes pain to occur and persist. Integrative care concepts are presented, emphasizing multi-disciplinary approaches to addressing pain. In the second part, expert contributors describe therapeutic approaches to addressing pain conditions and implementing self-care management options, specific to the various disciplines. When available, research supporting the evidence for these interventions is incorporated. In the last chapter, the editors model various care pathways based on these approaches to assist healthcare practitioners in deciding how to effectively co-manage pain, including guidance on when and where to refer.
You've heard of Ted Bundy and John Wayne Gacy. But have you heard of Amy Archer-Gilligan? Or Belle Gunness? Or Nannie Doss? Women have committed some of the most disturbing serial killings ever seen in the United States. Yet scientific inquiry, criminal profiling, and public interest have focused more on their better-known male counterparts. As a result, female serial killers have been misunderstood, overlooked, and underestimated. In this riveting account, Dr. Marissa A. Harrison draws on original scientific research, various psychological perspectives, and richly detailed case studies to illuminate the stark differences between female and male serial killers' backgrounds, motives, and crimes. She also emphasizes the countless victims of this grisly phenomenon to capture the complexity and tragedy of serial murder. Meticulously weaving data-based evidence and insight with intimate storytelling, Just as Deadly reveals how and why these women murder—and why they often get away with it.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.