This book provides an overview of pain mechanisms as currently understood, and details a variety of approaches to pain management used across a wide range of complementary disciplines. A final chapter integrates these body-based and mind-body approaches, and helps the clinician offer the most effective care for the patient. The first part of the book discusses pain symptoms and the ways in which pain is experienced by individual patients. This section deals with the anatomy and pathology of pain, and describes present views of what causes pain to occur and persist. Integrative care concepts are presented, emphasizing multi-disciplinary approaches to addressing pain. In the second part, expert contributors describe therapeutic approaches to addressing pain conditions and implementing self-care management options, specific to the various disciplines. When available, research supporting the evidence for these interventions is incorporated. In the last chapter, the editors model various care pathways based on these approaches to assist healthcare practitioners in deciding how to effectively co-manage pain, including guidance on when and where to refer.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.
A serial killer hunts prostitutes in Seattle during the summer of 1981, and Monti Jackson flirts with a life on the streets while trying to navigate the mysteries of true love.
Explores the how, why, and what of contemporary Chicanx culture, including punk rock, literary fiction, photography, mass graves, and digital and experimental installation art Racial Immanence attempts to unravel a Gordian knot at the center of the study of race and discourse: it seeks to loosen the constraints that the politics of racial representation put on interpretive methods and on our understanding of race itself. Marissa K. López argues that reading Chicanx literary and cultural texts primarily for the ways they represent Chicanxness only reinscribes the very racial logic that such texts ostensibly set out to undo. Racial Immanence proposes to read differently; instead of focusing on representation, it asks what Chicanx texts do, what they produce in the world, and specifically how they produce access to the ineffable but material experience of race. Intrigued by the attention to disease, disability, abjection, and sense experience that she sees increasing in Chicanx visual, literary, and performing arts in the late-twentieth century, López explores how and why artists use the body in contemporary Chicanx cultural production. Racial Immanence takes up works by writers like Dagoberto Gilb, Cecile Pineda, and Gil Cuadros, the photographers Ken Gonzales Day and Stefan Ruiz, and the band Piñata Protest to argue that the body offers a unique site for pushing back against identity politics. In so doing, the book challenges theoretical conversations around affect and the post-human and asks what it means to truly consider people of color as writersand artists. Moving beyond abjection, López models Chicanx cultural production as a way of fostering networks of connection that deepen our attachments to the material world.
One of 2021's Most Highly Anticipated New Books—Newsweek One of The 20 Leadership Books to Read in 2020—Adam Grant One of The Best New Wellness Books Hitting Shelves in January 2021—Shape.com A Top Business Book for January 2021—Financial Times A Next Big Idea Club Nominee Social Chemistry will utterly transform the way you think about “networking.” Understanding the contours of your social network can dramatically enhance personal relationships, work life, and even your global impact. Are you an Expansionist, a Broker, or a Convener? The answer matters more than you think. . . . Yale professor Marissa King shows how anyone can build more meaningful and productive relationships based on insights from neuroscience, psychology, and network analytics. Conventional wisdom says it's the size of your network that matters, but social science research has proven there is more to it. King explains that the quality and structure of our relationships has the greatest impact on our personal and professional lives. As she shows, there are three basic types of networks, so readers can see the role they are already playing: Expansionist, Broker, or Convener. This network decoder enables readers to own their network style and modify it for better alignment with their life plans and values. High-quality connections in your social network strongly predict cognitive functioning, emotional resilience, and satisfaction at work. A well-structured network is likely to boost the quality of your ideas, as well as your pay. Beyond the office, social connections are the lifeblood of our health and happiness. The compiled results from dozens of previous studies found that our social relationships have an effect on our likelihood of dying prematurely—equivalent to obesity or smoking. Rich stories of Expansionists like Vernon Jordan, Brokers like Yo-Yo Ma, and Conveners like Anna Wintour, as well as personal experiences from King's own world of connections, inform this warm, engaging, revelatory investigation into some of the most consequential decisions we can make about the trajectory of our lives.
This book offers a practical, methodological guide to conducting arts-based research with children by drawing on five years of the authors’ experience carrying out arts-based research with children in Australia and the UK. Based on the Australian Research Council-funded Interfaith Childhoods project, the authors describe methods of engaging communities and making data with children that foreground children’s experiences and worldviews through making, being with, and viewing art. Framing these methods of doing, seeing, being, and believing through art as modes of understanding children’s strategies for negotiating personal identities and values, this book explores the value of arts-based research as a means of obtaining complex information about children’s life worlds that can be difficult to express verbally.
Almack’s admits only the crème de la crème of Regency society. At least, it used to… Annabel Chalfont, Countess of Fellbridge, has two young sons to raise, a mountain of her late husband’s debts to repay, and a country to defend — such is the lot of the newest Lady Patroness of Almack’s. To the rest of the world, the Lady Patronesses are the gatekeepers of London’s most exclusive venue. But when they aren’t dispensing vouchers to the worthy few, they’re secretly using their extraordinary magical abilities to defend king and country against supernatural crime. When someone starts forging entrance vouchers to Almack’s in Annabel’s name, dozens of upstarts and social climbers flood the Wednesday night balls. To save her honor and preserve Almack’s reputation, Annabel must uncover the mysterious forger soon. If only she didn’t have to do it under the unnerving hungry wolf stare of the Marquis of Quinceton… The Forgery Furore is the first installment in The Ladies of Almack's series by Marissa Doyle. CLICK ‘BUY NOW’ TO SOLVE THE MYSTERY OF THE FORGED VOUCHERS TODAY!
A horse of a different color. A surfeit of suitors. Who will come in first? It’s June, which means that the fashionable of London are off to Epsom Downs for the annual horse races—and that includes Annabel and the Lady Patronesses of Almack’s. They’re investigating a mysterious filly who came from seemingly nowhere to win all the spring races; her obnoxious owner, Sir Oswald Broxley, is encouraging heavy betting on her to win. Is she just a very talented horse, or something more? Also in Epsom are the two men vying for Annabel’s attention. The Marquis of Glenrick is constantly underfoot, but it’s Lord Quinceton who helps Annabel out of a dangerous situation. Has she finally found her match? An Event at Epsom is the sixth installment in The Ladies of Almack’s series by Marissa Doyle. CLICK ‘BUY NOW’ TO READ ABOUT THE LADY PATRONESSES’ LATEST EXCITING INVESTIGATION!
You've heard of Ted Bundy and John Wayne Gacy. But have you heard of Amy Archer-Gilligan? Or Belle Gunness? Or Nannie Doss? Women have committed some of the most disturbing serial killings ever seen in the United States. Yet scientific inquiry, criminal profiling, and public interest have focused more on their better-known male counterparts. As a result, female serial killers have been misunderstood, overlooked, and underestimated. In this riveting account, Dr. Marissa A. Harrison draws on original scientific research, various psychological perspectives, and richly detailed case studies to illuminate the stark differences between female and male serial killers' backgrounds, motives, and crimes. She also emphasizes the countless victims of this grisly phenomenon to capture the complexity and tragedy of serial murder. Meticulously weaving data-based evidence and insight with intimate storytelling, Just as Deadly reveals how and why these women murder—and why they often get away with it.
It’s the classic TV sitcom. Thirty years after it first aired, The Golden Girls is one of the most popular shows in syndication and available to view on multiple streaming services. The show ran for seven seasons, collecting a staggering 58 Emmy nominations and 11 wins along the way, and over the years, this hit comedy about four fierce and sassy 50+ roommates in Miami charmed millions of viewers with its incomparable wit. Above all, The Golden Girls celebrated the strength and depth of the friendship between its four iconic characters - Dorothy, Blanche, Rose, and Sophia- who have been adopted by multiple generations and attracts both gay and straight viewers. It’s a comfort food. It’s one of the best shows to have on when you’re sick. And it’s endlessly quotable with your girlfriends. It’s the Steel Magnolias of TV shows. The Binge Watcher's Guide to The Golden Girls is meant to be a companion as you binge, giving you a quick recap of each episode and where it fits in the series, with a favorite quote, notable goofs and inconsistencies, and some behind-the-scenes drama.
Every once in a while somebody has to get the bureaucracy by the neck and shake it loose and say, 'Stop doing what you're doing.'" —Ronald Reagan How did senior career civil servants react to Ronald Reagan's attempt to redirect policy and increase presidential control over the bureaucracy? What issues molded their reactions? What motivates civil servants in general? How should they be managed and how do they affect federal policies? To answer these questions, Marissa Martino Golden offers us a glimpse into the world of our federal agencies. What Motivates Bureaucrats? tells the story of a group of upper-level career civil servants in the Reagan administration at the Environmental Protection Agency, the Justice Department's Civil Rights Division, the Food and Nutrition Service, and the National Highway Traffic Safety Administration. The book reveals that most career civil servants were usually responsive to executive direction—even with a president attempting to turn agency policy 180 degrees from its past orientation. By delving deeply into the particular details of Reagan's intervention into the affairs of upper-level career civil servants, Golden also fulfills her broader mission of improving our understanding of bureaucratic behavior in general, explaining why the bureaucracy is controllable and highlighting the limits of that control.
Book summary: Have you ever watched the sun set and been taken by its magnificence? Or closely studied a small, common flower and marveled at the detail? Have you ever sat and thought about the goodness of God, and been amazed? This is a collection of original Christian poems written to express faith in the Lord. They were inspired by reflections on nature, and on the goodness and faithfulness of God in the circumstances of life. Some were penned for special occasions, but all are the overflow of a heart touched by the love of God.
Young widow Annabel Chalfont, Countess of Fellbridge, has two small sons to raise, a mountain of her late husband’s debts to pay off, and a secret: she’s a shadow-shaper, able to manipulate shadow as anyone else might clay. She and six other high-born ladies with equally extraordinary abilities defend England against supernatural crime—but the world knows them only as the Lady Patronesses of Almack’s, Regency London’s most exclusive social venue. This volume includes the fourth, fifth, and sixth installments of the series: The Cursed Canvases: Who is magically vandalizing the pictures at the Royal Exhibition? When art becomes artillery, the Ladies take notice. Turmoil on the Thames: When the King’s birthday celebration at Eton is crashed by uninvited guests who threaten to eat the students, it’s a good thing that the Ladies of Almack’s are at hand... An Event at Epsom: A horse is a horse, of course—or is it? Annabel and the Ladies must attend the races at Epsom to investigate a very unusual steed.
Young widow Annabel Chalfont, Countess of Fellbridge, has two small sons to raise, a mountain of her late husband’s debts to pay off, and a secret: she’s a shadow-shaper, able to manipulate shadow as anyone else might clay. She and six other high-born ladies with equally extraordinary abilities defend England against supernatural crime—but the world knows them only as the Lady Patronesses of Almack’s, Regency London’s most exclusive social venue. Annabel reluctantly goes to Brighton to investigate the suspicious behavior of her fellow Lady Patroness, Frances, and evade the advances of Lord Glenrick, now the Duke of Carrick. Once there, she finds herself even more reluctantly chaperoning a royal teenager through the high season in the most sophisticated town in England. But keeping a spoiled princess out of trouble is nothing compared to uncovering treason, as the Ladies will discover…
Vandalized art. An unsuited suitor. And the summer’s only beginning… The Ladies of Almack’s are shocked to discover that someone is vandalizing the pictures at the Royal Academy’s Summer Exhibition: the portraits and landscapes are being subtly altered to make malicious fun of the head of the Exhibition, Sir Henry Hebbly, and his wife. Annabel knows the Hebblys: Sir Henry is a bit of a bully, but who could wish to hurt his darling wife? The Ladies’ talents—especially her shadow-shaping abilities—will solve the case, but are the culprits Annabel catches the ones truly at fault? And magical art sabotage isn’t the only thing on her mind. Surely she should be delighted that the attentions of a new admirer, the Marquis of Glenrick, are becoming marked: after all, he’s heir to a dukedom. But she’s beginning to think she might prefer the attentions of a different marquis… The Cursed Canvases is the fourth installment of The Ladies of Almack’s series by Marissa Doyle. CLICK ‘BUY NOW’ TO READ ABOUT THE LADY PATRONESSES’ ARTFUL INVESTIGATION!
This anthology includes short stories from five fierce young adult authors! Inside, you'll find a magical mermaid tale from Anna Banks, a fantastical Russian-influenced story from Leigh Bardugo, an electric thriller from Jennifer Bosworth, a post-apocalyptic drama from Emmy Laybourne, and a cybernetic fairytale from Marissa Meyer. This free anthology will give you an exciting taste of the fierceness of these authors' debut novels. For more information about Fierce Reads, visit the Facebook page.
Young widow Annabel Chalfont, Countess of Fellbridge, has two small sons to raise, a mountain of her late husband’s debts to pay off, and a secret: she’s a shadow-shaper, able to manipulate shadow as anyone else might clay. She and six other high-born ladies with equally extraordinary abilities defend England against supernatural crime—but the world knows them only as the Lady Patronesses of Almack’s, Regency London’s most exclusive social venue. This volume includes the first three installments of the series: The Forgery Furore: Who is forging vouchers to Almack’s…in Annabel’s name? The Vanishing Volume: When book fandom in Regency London is foiled by magic, the Ladies come to the rescue. Lyrics and Larceny: Annabel’s cousin is in love, and London’s jewels are being spirited away…might there be a connection?
Girl gangs reigning terror at Facebook, narcissistic overlords at Google . . . this is the backdrop of Lean Out, which takes readers on the journey of Marissa Orr, a single mom of three trying to find success in her fifteen-year career at the world’s top tech giants. Orr delivers an ambitious attempt to answer the critical question: What have we gotten wrong about women at work? “This book is a must-read for insights on the impact that reversing systemic gender biases can have on creating more diverse, healthier workplaces for both women and men.” --Joanne Harrell, Senior Director, USA Citizenship, Microsoft “This book will make you think differently about what it will take for women to succeed at the highest levels in American business.” --Rishad Tobaccowala, Chief Growth Officer, Publicis Groupe Lean Out offers a new and refreshingly candid perspective on what it’s really like for today’s corporate underdogs. Based on both in-depth research and personal experiences, Orr punctures a gaping hole in today’s feminist rhetoric and sews it back up with compelling new arguments for the reasons more women don’t make it to the top and how companies can better incentivize women by actually listening to what they have to say and by rewarding the traits that make them successful. In Lean Out, Orr uncovers: Why our pursuit to close the gender gap has come at the expense of female well-being. The need to redefine success and change the way corporations choose their leaders. The way most career advice books targeting professional women seek to change their behavior rather than the system. Why modern feminism has failed to make any progress on its goals for equality. More than fifty years since the passage of the Equal Pay Act, the wage gap still hovers at 80 percent, and only 5 percent of CEOs in the Fortune 500 are women. Today, rising up the ranks in many companies still often means cutthroat, win-at-all-costs tactics, where being the loudest voice in the room is more important than being the person with the best ideas for moving the company forward. Not surprisingly, most women don’t want to play this game. An everyday working woman with a sardonic sense of humor, Orr is an endearing antihero who captures the voice for a new generation of women at work. Lean Out presents a revolutionary path forward, to change the life trajectories of women in the corporate world and beyond.
After three soul-destroying years of teaching unenthusiastic middle-schoolers, Theodora Fairchild is thrilled to be a student again, pursuing her doctorate in Latin. She’s sure John Winthrop University will be the intellectual home she’s always longed for, the place where she’ll finally fit in. But her teaching days aren’t quite over: Theo starts giving "humanities" lessons to sweetly nerdy post-doc Grant Proctor--and loses her heart. But nobody in the Classics Department is quite who they seem . . . not even Grant. Theo's arrival rekindles an ancient rivalry between two powerful enemies, and Theo herself is the prize. After she unwittingly betrays Grant to his oldest foe, she’s determined to rescue him—and herself— before it’s too late. Because even gods can die—or wish they were dead.
Caravaggio was on a defiant mission to change the art world. Before him, there were pastel-colored idealized visions, polite paintings for a polite society. After him, there were slews of imitators, trying to grasp his brilliant slashes of light and dark, his people who looked more like your neighbor than a model of perfection. Bold with his brush, the young rebel was equally brash in his life, picking fights and getting arrested for things as silly as throwing a plate of artichokes in a waiter's face. Until he faced the ultimate punishment, condemned for a murder he didn't commit—at least not intentionally.
A best-selling author. A missing manuscript. The readers of London are raging... The popular but reclusive author E.C. Spruce has outdone himself with a delicious new three-volume novel, The Fifty Shades of Udolpho, and all of London—including Annabel and the Lady Patronesses of Almack’s—are devouring it. That is, until the third volume begins vanishing from bookshops and bedside tables alike, leaving readers desperate to know how the story ends. Suspecting supernatural forces are at play, Annabel and her fellow Lady Patronesses investigate the literary loss. A clever trap reveals an unexpected (and smelly) culprit, but it appears that plot twists aren’t always reserved for the page. Will they be able to bring the thieving mastermind to justice? And could the Marquis of Quinceton actually be more of a help than a disconcerting hindrance? The Vanishing Volume is the second book in The Ladies of Almack's series by Marissa Doyle. CLICK ‘BUY NOW’ TO FOLLOW THE LADY PATRONESSES ON THEIR NEXT INVESTIGATION!
Growing up in a household of food-loving Italian-Americans, Marissa Landrigan was always a black sheep—she barely knew how to boil water for pasta. But at college, she thought she’d found her purpose. Buoyed by animal rights activism and a feminist urge to avoid the kitchen, she transformed into a hardcore vegan activist, complete with shaved head. But Landrigan still hadn’t found her place in the world. Striving to develop her career and maintain a relationship, she criss-crossed the U.S. Along the way, she discovered that eating ethically was far from simple—and cutting out meat was no longer enough. As she got closer to the source of her food, eventually even visiting a slaughterhouse and hunting elk, Landrigan realized that the most ethical way of eating was to know her food and prepare it herself, on her own terms, to eat with family and friends. Part memoir and part investigative journalism, The Vegetarian’s Guide to Eating Meat is as much a search for identity as it is a fascinating treatise on food.
Breaking new ground in the study of tragedy, early modern theatre, and literary London, Metropolitan Tragedy demonstrates that early modern tragedy emerged from the juncture of radical changes in London’s urban fabric and the city’s judicial procedures. Marissa Greenberg argues that plays by Shakespeare, Milton, Massinger, and others rework classical conventions to represent the city as a locus of suffering and loss while they reflect on actual sources of injustice in sixteenth- and seventeenth-century London: structural upheaval, imperial ambition, and political tyranny. Drawing on a rich archive of printed and manuscript sources, including numerous images of England’s capital, Greenberg reveals the competing ideas about the metropolis that mediated responses to theatrical tragedy. The first study of early modern tragedy as an urban genre, Metropolitan Tragedy advances our understanding of the intersections between genre and history.
It’s 1901—a brave new century—and seventeen-year-old Grace Boisvert thinks it’s high time to forget that she’s a dryad; being able to talk to trees just doesn’t seem very useful in the automobile age. A little hair dye to touch up her green roots, and she’s off to join her best friend Alice Roosevelt for a visit to glamorous Newport, RI, with her family’s warnings not to fall for any human boys ringing in her ears. As it happens, the only interesting boy in Newport, Kit Rookwood, clearly prefers Alice to her. But that changes when he and his family unexpectedly follow them to a secluded Adirondack camp to join Alice’s family. Grace finds herself falling in love—and not just with the breathtaking forests. But sometimes stern family warnings really should be heeded and ancient magical heritages not forgotten, especially when it turns out that not everything—and everyone—are quite what they seem...
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