Understanding and experiencing the diversity of languages and cultures is both an aim of and a resource for quality education Plurilingual and intercultural education is a response to the needs and requirements of quality education, covering the acquisition of competences, knowledge and attitudes, diversity of learning experiences, and construction of individual and collective cultural identities. Its aim is to make teaching more effective and increase the contribution it makes both to school success for the most vulnerable learners and to social cohesion. This guide is intended to facilitate improved implementation of the values and principles of plurilingual and intercultural education in the teaching of all languages – foreign, regional or minority, classical and language(s) of schooling.
Il risveglio degli Eletti è il primo libro della trilogia “Il tatuaggio di fuoco”. Tutti noi abbiamo sentito parlare delle profezie Maya che periodicamente annunciano grandi cambiamenti per il genere umano. Nella Bibbia e nel Corano addirittura predicono la fine del mondo, con lo scontro apocalittico tra il Bene e il Male. E se questi eventi stessero per compiersi realmente, ma su un altro pianeta? Se la resa dei conti fosse giunta per altri popoli, dando l’ inizio al conto alla rovescia dell’ultima battaglia? Allora ognuno di loro sarà chiamato a prendervi parte, scegliendo dove schierarsi. Anche le divinità si prepareranno per darsi battaglia. Il vincitore avrà il dominio del pianeta solo fino al prossimo scontro, poiché per il mantenimento degli equilibri necessitano entrambe le parti: Luce e Oscurità, come in tutte le cose, altrimenti regnerebbe il caos.
An edgy, glitzy, addictive romance - be careful what you wish for... Young, naïve and stunning, Katrina is trying to make it as a model in Paris, sharing a tiny, run-down dorm and only just scraping a living. She's about to cut her loses and head back to London when she's spotted one night and asked out by THE ultimate movie heart-throb, actor Dominic Cayley. She knows not to get too excited though - his girlfriends never last longer than a few dates. But when he keeps turning up on her doorstep, whisking her off for super-glam party weekends in Monaco, showering her in expensive jewels and designer clothes, she's more than happy to be swept off her feet...
In the early nineties, riot grrrl exploded onto the underground music scene, inspiring girls to pick up an instrument, create fanzines, and become politically active. Rejecting both traditional gender roles and their parents' brand of feminism, riot grrrls celebrated and deconstructed femininity. The media went into a titillated frenzy covering followers who wrote "slut" on their bodies, wore frilly dresses with combat boots, and talked openly about sexual politics. The movement's message of "revolution girl-style now" soon filtered into the mainstream as "girl power," popularized by the Spice Girls and transformed into merchandising gold as shrunken T-shirts, lip glosses, and posable dolls. Though many criticized girl power as at best frivolous and at worst soulless and hypersexualized, Marisa Meltzer argues that it paved the way for today's generation of confident girls who are playing instruments and joining bands in record numbers. Girl Power examines the role of women in rock since the riot grrrl revolution, weaving Meltzer's personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.
Tired? Grumpy? Feeling insecure? Then what you really need to feel better about yourself is... a supermodel coming to live next door. Tanya knows that in life there will be depressingly beautiful super-beings crawling around somewhere. But why do they have to become her neighbour? The problem is, stunning newcomer Alice (very famous in Japan) seems to have taken firmly against Tanya. Which means that when Tanya gets her first assignment in her dream job as a stylist, she?s horrified to be working with Alice. But not as horrified as she would be if she knew what Alice really had in store for her...
How today’s questions surrounding monuments and the ways we commemorate our past first arose in Rembrandt’s time Monuments occupy a controversial place in nations founded on principles of freedom and self-governance. It is no accident that when we think of monuments, we think of statues modeled on legacies of conquest, domination, and violence. The Monument’s End reveals how the artists, architects, poets, and scholars of the early modern Netherlands contended with the profound disconnect between the public monument and the ideals of republican government. Their experiences offer vital lessons about the making, reception, and destruction of monuments in the present. In the seventeenth century, the newly formed Dutch Republic dominated world trade and colonized vast overseas territories even as it sought to shed the trappings of its imperial past. Marisa Anne Bass describes the frustrated attempts by figures such as Rembrandt van Rijn and playwright and poet Joost van den Vondel to reimagine public memory for their emergent nation. She shows how the most celebrated age of Dutch art was more an age of bronze than of gold, one in which the pursuit of freedom from domination was constantly challenged by the commercial ambitions of empire. Exploring how the artists and intellectuals of this vibrant century asked questions that still resonate today, this beautifully illustrated book discusses works by contemporary artists such as Spencer Finch and Thomas Hirschhorn and offers new perspectives on monuments like the 9/11 Memorial and Museum and events such as the Unite the Right rally in Charlottesville.
A captivating selection of images by the world’s leading photographers celebrating one of the most recognized faces in fashion and film. Dubbed an “It Girl” by Yves Saint Laurent in the early 1970s, Marisa Berenson is the original modern muse-inspiring fashion designers, photographers, stylists, and fashion editors for over thirty years. Born of noble lineage-and the granddaughter of the famed fashion designer Elsa Schiaparelli-Berenson’s meteoric rise began formally at age sixteen, leading to numerous covers and editorials in Vogue, Harper’s Bazaar, and countless other high-end fashion and society magazines. Her timeless beauty and chameleonlike talent for transformation soon led to her entry into film, where she landed leading roles in the period films Cabaret, Death in Venice, and Stanley Kubrick’s lavish production of Barry Lyndon. This captivating collection of fashion editorials, magazine covers, film stills, and candid photos were captured by the leading photographers and filmmakers of the day, including Richard Avedon, Irving Penn, David Bailey, Hiro, Helmut Newton, Henry Clarke, Norman Parkinson, Robert Mapplethorpe, and Steven Meisel, among many others. This lavish yet intimate volume details a visual biography of Berenson, and demonstrates the lasting resilience that continues to make her an enthralling and legendary visage.
This is the first in-depth historical study of Jan Gossart (ca. 1478–1532), one of the most important painters of the Renaissance in northern Europe. Providing a richly illustrated narrative of the Netherlandish artist's life and art, Marisa Anne Bass shows how Gossart’s paintings were part of a larger cultural effort in the Netherlands to assert the region’s ancient heritage as distinct from the antiquity and presumed cultural hegemony of Rome. Focusing on Gossart’s vibrant, monumental mythological nudes, the book challenges previous interpretations by arguing that Gossart and his patrons did not slavishly imitate Italian Renaissance models but instead sought to contest the idea that the Roman past gave the Italians a monopoly on antiquity. Drawing on many previously unused primary sources in Latin, Dutch, and French, Jan Gossart and the Invention of Netherlandish Antiquity offers a fascinating new understanding of both the painter and the history of northern European art at large.
How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.
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