By taking the literary traveler on seven preplanned tours—through the Delta, along Highway 61, to the heart of Faulkner’s Yoknapatawpha country, to sites near Interstate 55 and the Natchez Trace, to the piney woods of East and South Mississippi, and along the sun-struck Gulf Coast—this book captures the phenomenal abundance and diversity of Mississippi literature. More than a guidebook, this book includes capsule biographies and well over a hundred photographs of writers, their residences, and their literary environments. It also provides maps and gives explicit directions to writers’ homes and other literary sites. The sheer number of writers discovered, recovered, and claimed by Mississippi will astonish travelers both from within and from without the state. Included are not only such major figures in the pantheon of American literature as William Faulkner, Eudora Welty, Tennessee Williams, and Richard Wright but also the less well-known. Every nook and cranny of the state claims a piece of Mississippi’s literary heritage. Literature pervades Yazoo City, Jackson, Greenville, Oxford, Natchez, the Gulf Coast, and the Delta Blues country. Willie Morris, Richard Ford, and Beverly Lowry have declared that a famous writer’s presence in their hometowns convinced them that they too could be writers. As the locations bring to life the connection of ordinary rituals with the stuff of fiction, poetry, and memoir, these hands-on tours make evident the special cross-pollination of writer and community in Mississippi.
In this poignant and introspective dual memoir, Marion Garrard Barnwell embarks on a deeply personal journey. Inspired by the memoir of her maternal grandmother, Mary DuBose Trice Clark, affectionately known as “Ganny,” the narratives, though separated by decades, are brought together to offer readers a unique and moving exploration of growing up in Mississippi and the intersections of family, motherhood, and self-discovery. Clark’s memoir, penned in 1956, offers readers a glimpse into the past, telling the story of her life in Mississippi with unwavering commitment to “just plain facts.” Her narrative traverses the landscapes of Okalona, Nettleton, Verona, and Tupelo, revealing their histories and the vibrant tapestry of her life while artfully sidestepping the complexities of her relationships and emotional vulnerabilities. Reflecting on an era when discussions of emotion and self-awareness were often shrouded in reticence, Clark’s story leaves a void in which Barnwell seeks to uncover the unspoken truths that shaped their family dynamics. Written at the age of seventy-seven, the same age as her grandmother when she wrote her memoir, Barnwell’s writing emerges as a response to the enigmatic silence within her grandmother’s narrative. It paints a vivid and expansive picture of her own life in the Mississippi Delta while also addressing profound themes of alcoholism, racism, shared family history, and the intricate dynamics between generations of women. As Barnwell weaves her own memoir into the fabric of this book, she takes readers on her emotional journey of self-discovery and truth-telling that leads to healing. All the Things We Didn’t Say: Two Memoirs is a testament to the power of storytelling and a captivating ode to the enduring human spirit and the timeless pursuit of understanding the intricate threads that connect us across generations.
More than a guidebook, this travelogue includes capsule biographies and over 100 photos of writers, their residences, and their literary environments. Photos. Maps.
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