Arranged alphabetically, this work lists the names and counties of residence of approximately 18,000 Texas taxpayers. (A "poll" tax of one dollar was levied on every white male resident over the age of twenty-one and on women who were heads of household.) By 1846, when Texas became the thirty-sixth state in the Union, there were sixty-seven county governments already organized as functioning units of the state, yet no authorized census of the state was undertaken until 1850. This 1846 poll list, compiled from the original tax rolls housed in the Texas State Archives, is actually the nearest thing we have to a complete census of the period.
Kelsey's observations range from descriptions of the Battle of Britain from the ground, bombing raids on civilian populations, and a meeting with a possible German spy, to more personal accounts of the difficulties of obtaining a bath. She and her husband were reunited on his quarterly leaves and the journal records their travels through much of England, Ireland and Scotland amid air raids, bombings, and machine-gun fire, providing a unique travelogue of Britain in the 1940s. Through Kelsey's depiction of life the Women's Land Army the reader discovers -- as Kelsey came to realize -- that agricultural work was vital to the overall war effort in Britain.
A young girl, brown-haired, blue-eyed, with a sweet seriousness that was neither joy nor sorrow upon her fair pale face, leaned against the mast on theÊMayflower'sÊdeck watching the bustle of the final preparations for setting sail westward. A boy somewhat older than she stood beside her whittling an arrow from a bit of beechwood, whistling through his teeth, his tongue pressed against them, a livelier air than a pilgrim boy from Leyden was supposed to know, and sullenly scorning to betray interest in the excitement ashore and aboard. A little girl clung to the pretty young girl's skirt; the unlikeness between them, though they were sisters, was explained by their being but half sisters. Little Damaris was like her mother, Constance's stepmother, while Constance herself reflected the delicate loveliness of her own and her brother Giles's mother, dead in early youth and lying now at rest in a green English churchyard while her children were setting forth into the unknown. Two boysÑone older than Constance, Giles's age, the other younger than the girlÑcame rushing down the deck with such impetuosity, plus the younger lad's head used as a battering ram, that the men at work stowing away hampers and barrels, trying to clear a way for the start, gave place to the rough onslaught. Several looked after the pair in a way that suggested something more vigorous than a look had it not been that fear of the pilgrim leaders restrained swearing. Not a whit did the charging lads care for the wrath they aroused. The elder stopped himself by clutching the rope which Constance Hopkins idly swung, while the younger caught Giles around the waist and nearly pulled him over.
Tells a story of injustice and passionate resistance to religious persecution in the last years of Queen Elizabeth's reign. Through an analysis of a sensational series of demonic possessions and exorcisms, this book highlights the existence of controversies in print in the late Elizabethan period of the kind that would one day lead to civil war.
Born in 1929, just in time to welcome the collapse of the world's economy, the author lived on her grandfather's wheat farm on the Canadian side of the north Red River Valley. The day she celebrated her tenth birthday, Canada declared war on The Axis Powers. That year, her mother took her, her brother, and sister to live in Rapid City, South Dakota in the United States of America, forever. In 1951 she graduated from Yankton College, married Richard Eskelson on Bastille Day and moved to Texas. Richard, Marion, and their children moved to San Diego, California a few years later. There, in a house purchased in 1957, everyone grew up and now lives happily ever after. Somewhat remodeled, the house remains home to this day.
Born in Dublin into the Anglo-Irish gentry, Anna Maria Hall moved to London when she was fifteen where she became famous for her books, plays and travel writing. It was her book, Sketches of Irish Character (1829) which made her a household name. This modern critical edition is based on Hall's third, revised edition of 1844.
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