Torelli's articles have been translated into English to form a unified treatment of the subject to provide a summa of recent work on a topic of major interest and relevance to all students and scholars of ancient Italy.
Ever since the archaeological rediscovery of the Ancient Near East, generations of scholars have attempted to reconstruct the "real Babylon,” known to us before from the evocative biblical account of the Tower of Babel. After two centuries of excavations and scholarship, Mario Liverani provides an insightful overview of modern, Western approaches, theories, and accounts of the ancient Near Eastern city.
In The Laws of Late Medieval Italy Mario Ascheri examines the features of the Italian legal world and explains why it should be regarded as a foundation for the future European continental system. The deep feuds among the Empire, the Churches unified by Roman papacy and the flourishing cities gave rise to very new legal ideas with the strong cooperation of the universities, beginning with that of Bologna. The teaching of Roman law and of the new papal laws, which quickly spread all over Europe, built up a professional group of lawyers and notaries which shaped the new, 'modern', public institutions, including efficient courts (like the Inquisition). Politically divided, Italy was partly unified by the legal system, so-called (Continental) common law (ius commune), which became a pattern for all of Europe onwards. Early modern Europe had for long time to work with it, and parts of it are still alive as a common cultural heritage behind a new European law system.
When The Birth of Fascist Ideology was first published in 1989 in France and at the beginning of 1993 in Italy, it aroused a storm of response, positive and negative, to Zeev Sternhell's controversial interpretations. In Sternhell's view, fascism was much more than an episode in the history of Italy. He argues here that it possessed a coherent ideology with deep roots in European civilization. Long before fascism became a political force, he maintains, it was a major cultural phenomenon. This important book further asserts that although fascist ideology was grounded in a revolt against the Enlightenment, it was not a reactionary movement. It represented, instead, an ideological alternative to Marxism and liberalism and competed effectively with them by positing a revolt against modernity. Sternhell argues that the conceptual framework of fascism played an important role in its development. Building on radical nationalism and an "antimaterialist" revision of Marxism, fascism sought to destroy the existing political order and to uproot its theoretical and moral foundations. At the same time, its proponents wished to preserve all the achievements of modern technology and the advantages of the market economy. Nevertheless, fascism opposed every "bourgeois" value: universalism, humanism, progress, natural rights, and equality. Thus, as Sternhell shows, the fascists adopted the economic aspect of liberalism but completely denied its philosophical principles and the intellectual and moral heritage of modernity.
Bruno Maderna was one of the most influential composers in the twentieth century. He was the eldest of the group of Italian composers born in the 1920s (along with Berio, Nono, Donatoni, and others) who began their career shortly before the second World War and were able to exploit the opportunities offered by the new world that emerged in the post-war years. Maderna’s story is quite unique. He rose to fame early in life as a child prodigy and his exceptional talent was soon noticed by Gian Francesco Malipiero, who stimulated his interest in ancient music, a passion that remained constant even when the European avant-garde insisted that new music should start from year zero. After first approaching “classic” dodecaphony, his musical style then tended toward total serialism and “open form.” In his last years he developed a particular interest for the theater. Satyricon was born in Tanglewood in a short version and later achieved notable success worldwide. His work as a conductor made him particularly sensitive to the reaction of the public, leading him to carefully calibrate his approach to composition without being swayed by fashionable ideals or philosophies. Despite his warm and outgoing nature, Maderna rarely expressed his personal views in writing or in interviews. Many of the biographical details given here are taken from his correspondence and from reports of his travels and engagements across the world, which took him as far as the United States, Iran South America, and Japan.
This book constitutes the refereed proceedings of the 9th International Conference on Theoretical Computer Science, ICTCS 2005, held at the Certosa di Pontignano, Siena, Italy, in October 2005. The 29 revised full papers presented together with an invited paper and abstracts of 2 invited talks were carefully reviewed and selected from 83 submissions. The papers address all current issues in theoretical computer science and focus especially on analysis and design of algorithms, computability, computational complexity, cryptography, formal languages and automata, foundations of programming languages and program analysis, natural computing paradigms (quantum computing, bioinformatics), program specification and verification, term rewriting, theory of logical design and layout, type theory, security, and symbolic and algebraic computation.
This magnificent book presents 82 masterpieces of Greek vase painting and sculpture in terrocotta, stone, and bronze from the eight great museum collections of the South of Italy and Sicily. 170 colour illustrations
The aim of the book is to present the path the Romans followed in shaping the culture of the ruling classes of the Allies between the years of the conquest in the 4th and 3rd centuries BC and the age of Augustus, when a unified culture of Italy emerges as a pillar of imperial power. Taking ananthropological approach, Mario Torelli places special emphasis on the religious values and cult traditions that developed during the archaic period and the early attempts to colonize Latium, and which were subsequently spread by the Romans throughout Italy by means of Latin colonies. Formaltemples of Latin (or, in south Italy, Greek) tradition enjoyed a special prestige among the Italic tribes and played a fundamental role in the construction of the urban ideal, one of the main principles of cultural transformation. The book also puts under scrutiny the survival of indigenous peoplesin particular areas, such as Daunia and Lucania, and great attention is given to the evidence provided by such ethnic groups of resistance and counter-acculturation in Etruria, Lucania, and elsewhere in Italy.
Torelli's articles have been translated into English to form a unified treatment of the subject to provide a summa of recent work on a topic of major interest and relevance to all students and scholars of ancient Italy.
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