Art and its Shadow is an extraordinary analysis of the state and meaning of contemporary art and film. Ranging across the work of Andy Warhol, cyberpunk, Wim Wenders, Derek Jarman, thinking on difference and the possibility of a philosophical cinema, Mario Perniola examines the latest and most disturbing tendencies in art.Perniola explores how art - notably in posthumanism, psychotic realism and extreme art - continues to survive despite the hype of the art market and the world of mass communication and reproduction. He argues that the meaning of art in the modern world no longer lies in aesthetic value (above the art work), nor in popular taste (below the art work), but beside the artwork, in the shadow created by both the art establishment and the world of mass communications. In this shadow is what is left out of account by both market and mass media: the difficulty of art, a knowledge that can never be fully revealed, and a new aesthetic future.
What do we fear most? Repetition or difference? The return of a barbarism that is remote and prehistoric or the advent of a barbarism that is technological as post-human?
In our contemporary age aesthetics seems to crumble and no longer be reducible to a coherent image. And yet given the vast amount of works in aesthetics produced in the last hundred years, this age could be defined “the century of aesthetics”. 20th Century Aesthetics is a new account of international aesthetic thought by Mario Perniola, one of Italy's leading contemporary thinkers. Starting from four conceptual fields – life, form, knowledge, action - Perniola identifies the lines of aesthetic reflection that derive from them and elucidates them with reference to major authors: from Dilthey to Foucault (aesthetics of life), from Wölfflin to McLuhan and Lyotard (aesthetics of form), from Croce to Goodman (aesthetics and knowledge), from Dewey to Bloom (aesthetics and action). There is also a fifth one that touches on the sphere of affectivity and emotionality, and which comes to aesthetics from thinkers like Freud, Heidegger, Wittgenstein, Lacan, Derrida and Deleuze. The volume concludes with an extensive sixth chapter on Japanese, Chinese, Indian, Islamic, Brazilian, South Korean and South East Asian aesthetic thought and on the present decline of Western aesthetic sensibility.
Art and its Shadow is an extraordinary analysis of the state and meaning of contemporary art and film. Ranging across the work of Andy Warhol, cyberpunk, Wim Wenders, Derek Jarman, thinking on difference and the possibility of a philosophical cinema, Mario Perniola examines the latest and most disturbing tendencies in art.Perniola explores how art - notably in posthumanism, psychotic realism and extreme art - continues to survive despite the hype of the art market and the world of mass communication and reproduction. He argues that the meaning of art in the modern world no longer lies in aesthetic value (above the art work), nor in popular taste (below the art work), but beside the artwork, in the shadow created by both the art establishment and the world of mass communications. In this shadow is what is left out of account by both market and mass media: the difficulty of art, a knowledge that can never be fully revealed, and a new aesthetic future.
In our contemporary age aesthetics seems to crumble and no longer be reducible to a coherent image. And yet given the vast amount of works in aesthetics produced in the last hundred years, this age could be defined “the century of aesthetics”. 20th Century Aesthetics is a new account of international aesthetic thought by Mario Perniola, one of Italy's leading contemporary thinkers. Starting from four conceptual fields – life, form, knowledge, action - Perniola identifies the lines of aesthetic reflection that derive from them and elucidates them with reference to major authors: from Dilthey to Foucault (aesthetics of life), from Wölfflin to McLuhan and Lyotard (aesthetics of form), from Croce to Goodman (aesthetics and knowledge), from Dewey to Bloom (aesthetics and action). There is also a fifth one that touches on the sphere of affectivity and emotionality, and which comes to aesthetics from thinkers like Freud, Heidegger, Wittgenstein, Lacan, Derrida and Deleuze. The volume concludes with an extensive sixth chapter on Japanese, Chinese, Indian, Islamic, Brazilian, South Korean and South East Asian aesthetic thought and on the present decline of Western aesthetic sensibility.
What do we fear most? Repetition or difference? The return of a barbarism that is remote and prehistoric or the advent of a barbarism that is technological as post-human?
According to the artist, "ENDLESS is an open book, a shared portrait that will be composed over time, recounting stories, relationships and visions through the different experiences of my life". With texts and contributions by Caroline Corbetta, Maria Paola Fimiani, Gilbert & George, Liam Gillick, Corrado Levi, Jean-Luc Nancy, Valerio Rocco Orlando, Mario Perniola, Ugo Rondinone and Luigi Zoja.
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