A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
To better understand the contemporary world, the world of innovation and technology, science should try to synthesize and assimilate social science in the development of our civilization. Does the new era require new knowledge? Does the age of globalization demand new education, new human attitudes? This books tries to clarify these questions. The book New Knowledge in a New Era of Globalization consists of 16 chapters divided into three sections: Globalization and Education; Globalization and Human Being; Globalization and Space. The Authors of respective chapters represent a great diversity of disciplines and methodological approaches as well as a variety of academic culture. This book is a valuable contribution and it will certainly be appreciated by a global community of scholars.
‘Whenever I look at him, it is as though the Messiah has returned.’ That's how Jimmy Murphy, manager of Wales’ 1958 World Cup side, described John Charles. In Italy, where he played for Juventus and Roma, Charles was known as Il Gigante Buono – the Gentle Giant – because of his placid temperament. One of the greatest footballers Britain has ever produced, Charles left his native Swansea at 16 to join Leeds United, where his phenomenal strike rate helped the club reach the First Division for the first time in its history. His goal-scoring exploits at Ellan Road then attracted the attention of Juventus, who paid a British record of £65,000 to take him to Turin in 1957. Charles went on to score an incredible 105 goals in 178 appearances for I Bianconeri – the Black and Whites – and helped them to win three Series A titles in five years. In contrast to his humble upbringing in South Wales, he enjoyed a glamorous lifestyle in Italy. However, it was not all glory. A disasterous return to Leeds United in 1962 was followed by a spell at Roma, where he struggled to recapture his past form. The man who was treated as a god in Turin wound down his playing career with Cardiff City before turning to management in the Southern League. This detailed and engrossing biography contains candid interviews with former teammates and family members and follows Charles’ life after football, detailing his failed business ventures and his brave fight against cancer.
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