This practical guide to exterior decorating features 25 weatherproof paint effects, with options for five surfaces: plaster, cement, wood, metal, and stone. Step-by-step projects are provided for a wide variety of decorative finishes including stucco treatment, faux tiles, frescos, lime washing, verdigris, moss effects, and more.
A practical guide to weatherproof paint effects including stucco treatment, faux tiles, limewashing, verdigris and moss effects. The effects are arranged by project: for walls, floors, windows, planters and are in step-by-step format with photographic instructions for ease of reference. Both challenging techniques and basic skills are covered but the reader is left to create the required result or take the inspiration into their own direction.
Use paint to create a personal decorating statement. This book teaches not only the basics of paint use and color, but walks readers through the techniques (such as dragging, ragging, sponging, stippling and splattering) needed for a wide range of room altering finishes. Photos & illustrations.
An inspirational and practical home decorating guide aimed at both the curious newcomer and the more practised home decorator. It features more than 20 special paint effects including faux finishes such as malachite and lapis lazuli, as well as essential techniques such as ragging and sponging. The authors, both of whom are professional decorative paint finishers, share the tricks of their trade.
This practical guide to exterior decorating features 25 weatherproof paint effects, with options for five surfaces: plaster, cement, wood, metal, and stone. Step-by-step projects are provided for a wide variety of decorative finishes including stucco treatment, faux tiles, frescos, lime washing, verdigris, moss effects, and more.
In 1958, mankind's centuries-long flirtation with space flight became a torrid love affair. For a decade, tens of millions of people were enraptured -- first, by the U.S.-Soviet race to the moon, and finally, as America outstripped its rival, by Project Apollo alone. It is now more than three decades since the last man walked on the moon...more time than between the first moonwalk and the beginning of World War II. Apollo did not, as had been promised by a generation of visionaries, herald the beginning of the Space Age, but its end. Or did it? Project Apollo, like a cannonball, reached its apogee and returned to earth, but the trajectory of that return was complex. America's atmosphere -- its economic, scientific, and cultural atmosphere -- made for a very complicated reentry that produced many solutions to the trajectory problem. Rocket Dreams is about those solutions...about the places where the space program landed. In Rocket Dreams, an extraordinarily talented young writer named Marina Benjamin will take you on a journey to those landing sites. A visit with retired astronauts at a celebrity autograph show is a starting point down the divergent paths taken by the pioneers, including Edgar Mitchell, founder of the "church" of Noëtic Sciences. Roswell, New Mexico is a landing site of a different order, the "magnetic north" of UFO belief in the United States -- a belief that began its most dramatic growth precisely at the time that the path of the space program began its descent. In the vernacular, the third law of motion states that what goes up, must come down. Thus the tremendous motive force that energized the space program didn't just vanish; it was conserved and transformed, making bestsellers out of fantasy literature, spawning Gaia, and giving symbolism to the environmental movement. Everything from the pop cultural boom in ufology to the worldwide Search for Extra-Terrestrial Intelligence (SETI) feeds on the energy given off by America's leap toward space. Rocket Dreams is an eloquent tour of this Apollo-scarred landscape. It is also an introduction to some of the most fascinating characters imaginable: Some long dead, like the crackpot visionary Alfred Lawson, who saw in space flight a new stage of human evolution ("Alti-Man"), or Robert Goddard, the father of rocketry, whose workshop in Roswell stands only half a mile from shops selling posters of alien visitors. Others are very much alive -- like Stewart Brand, creator of the Whole Earth Catalog and partner with Gerard O'Neill in the drive to build free-floating space colonies, and SETI astronomer Seth Shostak, who has spent decades listening to the skies, hoping for the first contact with another intelligent species. Perceptive, original, and wonderfully written, informed by history, science, and an acute knowledge of popular culture, Rocket Dreams is a brilliant book by a remarkable talent.
Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema's various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
A practical guide to weatherproof paint effects including stucco treatment, faux tiles, limewashing, verdigris and moss effects. The effects are arranged by project: for walls, floors, windows, planters and are in step-by-step format with photographic instructions for ease of reference. Both challenging techniques and basic skills are covered but the reader is left to create the required result or take the inspiration into their own direction.
THE SUNDAY TIMES BESTSELLER Relive the delusional fever-dream of the modern era. 'Thank f*ck for Marina Hyde: the most lethal, vital, screamingly funny truth-teller of our time.' PHOEBE WALLER-BRIDGE 'The most brilliantly funny columnist of our time.' GARY LINEKER 'It's a scientific FACT: Marina Hyde is Britain's funniest writer.' CAITLIN MORAN No other writer is more suited to chronicling the absurd times in which we live. In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson. Marvel at the sights, from Trumpian WTF-ery to celebrity twattery. And boggle at the cast of characters: Hollywood sex offenders, populists, sporting heroes (and villains), dastardly dukes, media barons, movie stars, reality TV monsters, billionaires, police officers, various princes and princesses, wicked advisers, philanthropists, fauxlanthropists, telly chefs, and (naturally) Gwyneth Paltrow. It's the full state banquet of crazy - and you're most cordially invited. Drawn from her spectacularly funny Guardian columns, What Just Happened?! is a welcome blast of humour and sanity in a world where reality has become stranger than fiction. 'A joyous rallying voice in British journalism.' GRAYSON PERRY 'An infinite number of gag-writers, working all day in a gag factory, couldn't come up with any of the perfectly-formed one-liners that populate Marina Hyde's hilarious writing . . . But behind the wit lurks real anger, argument, exasperation and intelligence. Her writing is more than a gentle poke in the ribs: it's a well-wrought and deftly aimed smash in the teeth.' ARMANDO IANNUCCI
Since the beginning of her career in Belgrade in the late 1960s, Marina Abramovic has been a pioneer of performance art, creating some of the most important works in the field. Marina Abramovic: The Artist is Present accompanies an exhibition at The Museum of Modern Art that documents approximately fifty of the artist's ephemeral, time- and media-based works from throughout her career. The book will also discuss a unique element of the Museum's retrospective, live performance: a new work created for the occasion, and performed by the artist herself; and recreations of Abramovic's works by other performers - the first such to be undertaken in a museum setting. The book spans over four decades of Abramovic's early interventions, and sound pieces, video works, installations, photographs, solo performances and collaborative performances made with the Dutch artist Ulay (Uwe Laysiepen). Its essays examine Abramovic's ideas of time, duration, and the reperformance of performance art as a way to extend it into posterity. Marina Abramovic also includes a CD, an audio recording of the artist's own voice, guiding the reader through the publication. The artist is present not only in the exhibition but also in the experience of the book.
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