A beautifully ingenious memoir, saturated in the history of the European 20th century, and made all the more compelling by Ann Goldstein’s luminous translation.” —Vivian Gornick, author of Fierce Attachments This singular autobiography unfurls from author Marina Jarre’s native Latvia during the 1920s and '30s and expands southward to the Italian countryside. In distinctive writing as poetic as it is precise, Jarre depicts an exceptionally multinational and complicated family: her elusive, handsome father—a Jew who perished in the Holocaust; her severe, cultured mother—an Italian Protestant who translated Russian literature; and her sister and Latvian grandparents. Jarre tells of her passage from childhood to adolescence, first as a linguistic minority in a Baltic nation and then in traumatic exile to Italy after her parents’ divorce. Jarre lives with her maternal grandparents, French-speaking Waldensian Protestants in the Alpine valleys southwest of Turin, where she finds fascist Italy a problematic home for a Riga-born Jew. This memoir—likened to Speak, Memory by Vladimir Nabokov or Annie Ernaux’s The Years and now translated into English for the first time—probes questions of time, language, womanhood, belonging and estrangement, while asking what homeland can be for those who have none, or many more than one.
A harrowing, culturally rich memoir."—Kirkus Reviews Building upon her celebrated autobiography Distant Fathers, Italian author Marina Jarre returns to her native Latvia for the first time since she left as a ten-year-old girl in 1935. In Return to Latvia—a masterful collage-like work that is part travelogue, part memoir, part ruminative essay—she looks for traces of her murdered father whom she never bid farewell. Jarre visits the former Jewish ghetto of Riga and its southern forest where tens of thousands were slaughtered in a 1941 mass execution by Nazi death squads with active participation by Latvian collaborators. Here she attempts to reconcile herself with her past, or at least to heal the wounds of a truncated childhood. Piecing together documents and memories, Return to Latvia explores immense guilt, repression, and the complicity of Latvians in the massacres of their Jewish neighbors, highlighting vast Holocaust atrocities that occurred outside the confines of death camps and in plain view.
A beautifully ingenious memoir, saturated in the history of the European 20th century, and made all the more compelling by Ann Goldstein’s luminous translation.” —Vivian Gornick, author of Fierce Attachments This singular autobiography unfurls from author Marina Jarre’s native Latvia during the 1920s and '30s and expands southward to the Italian countryside. In distinctive writing as poetic as it is precise, Jarre depicts an exceptionally multinational and complicated family: her elusive, handsome father—a Jew who perished in the Holocaust; her severe, cultured mother—an Italian Protestant who translated Russian literature; and her sister and Latvian grandparents. Jarre tells of her passage from childhood to adolescence, first as a linguistic minority in a Baltic nation and then in traumatic exile to Italy after her parents’ divorce. Jarre lives with her maternal grandparents, French-speaking Waldensian Protestants in the Alpine valleys southwest of Turin, where she finds fascist Italy a problematic home for a Riga-born Jew. This memoir—likened to Speak, Memory by Vladimir Nabokov or Annie Ernaux’s The Years and now translated into English for the first time—probes questions of time, language, womanhood, belonging and estrangement, while asking what homeland can be for those who have none, or many more than one.
Using real stories, expert opinion, politics, psychology and the author’s own insights, Forgiveness explores the messy, complex and gripping subject of forgiveness. 'Cantacuzino's gift for empathy shines through her conversations... She tackles her complex [message] with clear prose and an open heart... This nuance feels like a cool breeze in a heatwave. If there is a message here, it's to listen more, think more and preach less' Sunday Times ‘This is an utterly memorable book – beautifully written, fascinating in its insights, and extraordinarily moving. We all need to forgive, and this book, through its recounting of the stories of people who have something really significant to forgive, will be an inspiration to help us reach a state of forgiveness. This is a book that will stay with the reader for a very long time’ Alexander McCall Smith I forgive you. Three simple words behind which sits a gritty, complex concept that is so often relevant to our ordinary, everyday lives. These words can be used to absolve a meaningless squabble, or said to someone who has caused you great harm. They can liberate you from guilt, or consciously place blame on your shoulders. Marina Cantacuzino seeks to investigate, unpick and debate the limits and possibilities of forgiveness, exploring the subject from every angle – presenting it as an offering, never a prescription. Through real stories, expert opinion and the author’s experiences, the reader gets to better understand what forgiveness is and what it most definitely isn’t, how it can be an important element in breaking the cycle of suffering, and ultimately how it might help transform fractured relationships and mend broken hearts. Forgiveness is a blueprint for how to live a more harmonious, richer life. 'Tender, valuable, and often beautiful, Forgiveness shows how we can get tabled up in hate, and how we might cut ourselves free' Gavin Francis
Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema's various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
Algorithms and Theory of Computation Handbook, Second Edition: General Concepts and Techniques provides an up-to-date compendium of fundamental computer science topics and techniques. It also illustrates how the topics and techniques come together to deliver efficient solutions to important practical problems. Along with updating and revising many
A harrowing, culturally rich memoir."—Kirkus Reviews Building upon her celebrated autobiography Distant Fathers, Italian author Marina Jarre returns to her native Latvia for the first time since she left as a ten-year-old girl in 1935. In Return to Latvia—a masterful collage-like work that is part travelogue, part memoir, part ruminative essay—she looks for traces of her murdered father whom she never bid farewell. Jarre visits the former Jewish ghetto of Riga and its southern forest where tens of thousands were slaughtered in a 1941 mass execution by Nazi death squads with active participation by Latvian collaborators. Here she attempts to reconcile herself with her past, or at least to heal the wounds of a truncated childhood. Piecing together documents and memories, Return to Latvia explores immense guilt, repression, and the complicity of Latvians in the massacres of their Jewish neighbors, highlighting vast Holocaust atrocities that occurred outside the confines of death camps and in plain view.
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