A truck driver on a lonely stretch of road, a hitchiker, and an ancient curse—"The Burned Tower" is a brilliant and moving tale, steeped in folklore, by the masters of modern fantasy, Sergey and Marina Dyachenko. In 1999, "The Burned Tower" was awarded the "Interpresscon" as the best short story of the year on the international SF-convention in St-Petersburg. Includes a sample chapter of The Scar. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Disfigured and cursed by a mysterious man after killing an innocent student in a duel, Egert, an egotistical member of an elite guard, embarks on an odyssey to undo the damage he has caused and seeks forgiveness from the student's grief-stricken fiancee.
In this extraordinary stand-alone novel, the authors and translator of Vita Nostra—a "dark Harry Potter on steroids with a hefty dose of metaphysics" (award-winning author Aliette de Bodard)—return with a story about creation, music, and companionship filled with their hallmark elements of subtle magic and fantasy. Late one night, fate brings together DJ Aspirin and ten-year-old Alyona. After he tries to save her from imminent danger, she ends up at his apartment. But in the morning sinister doubts set in. Who is Alyona? A young con artist? A plant for a nefarious blackmailer? Or perhaps a long-lost daughter Aspirin never knew existed? Whoever this mysterious girl is, she now refuses to leave. A game of cat-and-mouse has begun. Claiming that she is a musical prodigy, Alyona insists she must play a complicated violin piece to find her brother. Confused and wary, Aspirin knows one thing: he wants her out of his apartment and his life. Yet every attempt to get rid of her is thwarted by an unusual protector: her plush teddy bear that may just transform into a fearsome monster. Alyona tells Aspirin that if he would just allow her do her work, she’ll leave him—and this world. He can then return to the shallow life he led before her. But as outside forces begin to coalesce, threatening to finally separate them, Aspirin makes a startling discovery about himself and this ethereal, eerie child.
Vita nostra brevis est, brevi finietur... « Notre vie est brève, elle finira bientôt... » « Bienvenue sur Raa, dit un homme émacié d’une quarantaine d’années, un moustachu au teint hâlé. Je suis l’officier des services de l’immigration. » Et Krokodile, Andreï Stroganov pour l’état civil, d’apprendre qu’à sa demande il a été « soustrait » à son existence sur Terre par un mystérieux Bureau universel de migration. À sa demande vraiment ? Et pourquoi ? Il ne se souvient de rien. Reste qu’il va lui falloir s’adapter dans une société dont il ignore les codes. S’adapter... ou plutôt s’affirmer. En commençant par revendiquer le statut de citoyen à part entière alors qu’il est sommé d’accepter celui de « dépendant » comme tous les migrants. Le temps des choix est venu. Jusqu’à celui qui l’engagera pour la survie de ce monde qui n’est pas le sien, un monde suspect de dépendre lui-même d’êtres ou de forces qui le régiraient à leur gré. Après Vita nostra et Numérique, Migrant clôt le triptyque des Ukrainiens Marina & Sergueï Diatchenko inspiré des Métamorphoses d’Ovide. Ils y confirment leur confondante maîtrise de l’ambiguïté, une valeur rarement cultivée en science-fiction avec tant d’adresse.
We construct a new, comprehensive instrument-level database of sovereign debt for 18 advanced and emerging countries over the period 1913–46. The database contains data on amounts outstanding for some 3,800 individual debt instruments as well as associated qualitative information, including instrument type, coupon rate, maturity, and currency of issue. This information can provide unique insights into various policies implemented in the interwar period, which was characterized by notoriously high debt levels. We document how interwar governments rolled over debts that were largely unsustainable and how the external public debt network contributed to the collapse of the international financial system in the early 1930s.
The first reports seemed absurd. A Russian dissident, formerly an employee of the KGB and its successor, the FSB, had seemingly been poisoned in a London hotel. As Alexander Litvinenko's condition worsened, however, and he was transferred to hospital and placed under armed guard, the story took a sinister turn. On 23 November 2006, Litvinenko died, apparently from polonium-210 radiation poisoning. He himself, in a dramatic statement from his deathbed, accused his former employers at the Kremlin of being responsible for his murder. Who was Alexander Litvinenko? What had happened in Russia since the end of the Cold War to make his life there untenable, and even in severe jeopardy in Britain? How did he really die, and who killed him? In his spokesman and close friend, Alex Goldfarb, and widow Marina, we have two people who know more than anyone about the real Sasha Litvinenko, and about his murder. Their riveting book sheds astonishing light not just on these strange and troubling events but also on the biggest crisis in relations with Russia since the fall of the Berlin Wall.
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