As a mother and parent of multiple children, you learn to navigate through life based on the experiences of your children and their personalities. No child is alike nor is each parenting style but with understanding and love we can learn from our experiences to help us make better choices. This book is just that. It’s a mother who sees her children as their favorite animal and as they navigate through childhood, offers them encouragement to keep moving forward despite their difficulties and differences. In the end we may look different on the outside but it’s our hearts that make us all the same.
Zoologist "Snake" Jones and her wolf-biologist friend Gina discover four wolf carcasses in the woods near Wolf Lake, Gina swears vengeance against the shooter. When a cantankerous local man with outspoken anti-wolf sentiments is murdered, Gina falls under suspicion.
A highly evolved civilization, almost unknown to history, thrived in North America for centuries long before the coming of Europeans.The Camp of God's Tears is a tragic tale about this civilization as it ended. This story is grounded in fact according to archeological, genetic, and linguistic data as reflected in the Afterward which presents supportive information and a bibliography of nearly 400 sources. This saga is told as a narrative by Gray Wolf who begins his story during his late adolescence and follows through six generations until he becomes a great-grandfather.The Camp of God's Tears reveals the high level of sophistication of this culture which was far more advanced than many cultures of the same time period, circa 300 AD. More importantly, it articulates the depth of their spirituality and moral codes by which these people lived. While the mysterious ending of a great culture is heart-rendering, the story ends on a note of hope for contemporary times. The story came to me in a dream. It was told to me by Falling Star. She answered a myriad of questions I asked. She showed me the locations of where the events in the story took place. She showed me her People who wore exotic clothes made of finely woven textiles decorated with pearls, copper and other artistic ornaments. She showed me strongly built homes, their villages, and their expansive farms. I saw their social organization was powerful yet simple, a few shaman, elders, and no real leaders. She intrigued me with their immense earthworks which demonstrate accurate astronomical alignments to the Sun, Moon, stars, and galaxies. The organization of labor, engineering skills, mathematical and astronomical knowledge required to build these phenomenal earthworks amazes modern researchers. I asked Falling Star why she showed me all of this. She said her People wanted their story told and asked me if I would tell it. Of course, I said, and then I asked her why. She said her People were so deeply spiritual, so in tune and in touch with the Creator that they actively lived the principles of Oneness. Their ways demonstrated what being one and at one with the One . . . looked like in real life. She said the people of my time need to know these principles and to learn to live them, because humankind is struggling to regain balance in a troubled world.
Eagerly offering to help his patient father with the gardening chores, a young wolf cub is unaware that his well-meant assistance is more of a hindrance than a help, in a delightful cumulative rhyme. By the author of Is It Time?
This is a study of the forms and institutions of print - newspapers, books, scholarly editions, publishing, libraries - as they relate to and are changed by emergent digital forms and institutions. In the early 1990s hypertext was briefly hailed as a liberating writing tool for non-linear creation. Fast forward no more than a decade, and we are reading old books from screens. It is, however, the newspaper, for around two hundred years print's most powerful mass vehicle, whose economy persuasively shapes its electronic remediation through huge digitization initiatives, dominated by a handful of centralizing service providers, funded and wrapped round by online advertising. The error is to assume a culture of total replacement. The Internet is just another information space, sharing characteristics that have always defined such spaces - wonderfully effective and unstable, loaded with valuable resources and misinformation; that is, both good and bad. This is why it is important that writers, critics, publishers and librarians - in modern parlance, the knowledge providers - be critically engaged in shaping and regulating cyberspace, and not merely the passive instruments or unreflecting users of the digital tools in our hands.
The years immediately preceding World War II in Italy were full of social changes, the phenomenal growth of Fascism and the confusing death of old ideas, values and classes. New dangers and challenges burgeoned until it seemed as if the frantic energy of a masquerade ball prevailed with everyone wearing fancy uniforms and dreaming of conquest. In neighboring Germany, the ranting and rampaging birth of Nazi ideas was followed by Hitlers lightning-strike invasions of European neighbors. These strikes were aimed to gain land and power, change old ideas, entrench and strengthen pure Aryan racially-grounded Nazi values, as well as destroy anything or anyone not compatible with the goals of the glorious Third Reich. Aware that artworks embody ideals and educate people through their symbolic power, the Nazis engaged in a multi-faceted program dedicated to destroy all artworks inconsistent with their views, and to substitute only art and architecture that idealized Aryan purity and Nazidom. To that end, they developed organizations and programs, built museums, filled them with carefully vetted art, outlawed all avant garde and non-Aryan artists, and proceeded to loot desirable artworks from occupied countries. They then stored or displayed their loot in their palaces or museums as fodder for propaganda and self-aggrandizement. Hitler, Goring and many other high-ranking Nazi leaders were deeply involved with these efforts, as well as the rewriting of history to conform to their putative glory through adopted symbols. Meanwhile, when the war continued to drag its bloody traces over occupied countries, Italians discovered just how terrifying it was to be a Nazi ally. Fascism faded as battles and air strikes continued, and victories faltered for the Axis. Italians suffered from a lack of life-supporting supplies or shelter, many youths and old men were conscripted into German work camps, hungry and homeless refugees swarmed into the cities and partisans gathered in the hills ready to become guerilla warriors against the Nazis. Slowly at first and hedged about with lies, information about Nazi art thefts in other countries seeped into the consciousness of concerned Italians. As they became increasingly worried about reports of forced sales and actual looting of Italys artistic heritage, a small band of dedicated Italians, self-named the Salvatores, made a pact to engage in a series of dangerous acts and subterfuges in order to hide Italian artworks in ricoveri and save them from German theft. Because Florence was a center of much Renaissance art and architecture, and because it did not have a Vatican in which to store artworks safely, the Salvatores struggled on independently with their clandestine rescue efforts to inventory and hide artworks. The little band comprised an odd group: wealthy Duke di Bergolini, his adoptive son Ortolani, a castrato opera singer, Ortolanis Benedictine brother, two young women of talent, two Tuscan museum officials who were art historians, a few helpful Italians and even two German officials who became virtual double-agents. Against difficult odds and in the face death threats or potential seizure and torture, they struggled and continued to inventory and shelter artworks, to track their trails when stolen, and to prevail until peace returned. By August of 1944, after Mussolini was dethroned and German-backed neo-Fascism was only a Nazi puppet government, it was apparent to everyone but the most rabid Nazis that Germany had lost the war. Even then, SS Officers and contingents from Gorings brigades loaded art from discovered ricoveri into trucks and drove them to northern Italy, which was under complete German control and occupation. The storage locations for the looted art were kept secret from the Italians until the war ended. As the Allies approached the great city of Florence, the withdrawing Nazis mined and destroyed some of the most precious medieval and renaissance buildings and bridges
Phonics for Kids presents the English Alphabetic System in a series of graded lessons. It includes twenty traditional graded stories to give enjoyment and develop reading fluency. The book is essentially a graded reading course for the first three years of primary school. Phonics for Kids was written for parents and care givers of primary school age children. Using the contents systematically will ensure a child establishes the necessary core reading skills.
Smith’s Recognizable Patterns of Human Malformation has long been known as the source to consult on multiple malformation syndromes of environmental and genetic etiology as well as recognizable disorders of unknown cause. This esteemed medical reference book provides you with complete and authoritative, yet accessible guidance to help accurately diagnose these human disorders, establish prognoses, and provide appropriate management and genetic counseling. Consult this title on your favorite e-reader, conduct rapid searches, and adjust font sizes for optimal readability. Recognize the visual signs of each environmental and genetic abnormality by consulting more than 1,500 full-color photographs and illustrations, many from the personal collections of Drs. Smith and Jones. Find all the answers you need about normal and abnormal morphogenesis, minor anomalies and their relevance, clinical approaches to specific diagnoses, and normal standards of measurement for the entire spectrum of human malformation syndromes. Efficiently identify genetic disorders in your patients with the inclusion of nearly 20 recently recognized entities/syndromes, as well as new chapters on Microdeletions and Microduplication Syndromes. Available digitally for the first time! You can now access Smith’s as an eBook or online at Expert Consult.
Undying Gratitude is a book about true facts out lining most Indians. Journey in life through the hands of the government. It touches their walk along The Trail of Tears the hardship and survival to move forward and come out winners after such abuse. All nationalities have had their own struggle but the Indians were the first. Most White Americans often feared and resented the Native Americans because of their ignorance. Along the long journey on the Trail of Tears many died and the ones who survived went on to rebuild their worlds. Yet in an instance the White men once again up root their homes and start killing family members. From there the book takes a total turn from the reality of their peaceful existence and turns into a nightmare of disbelief. Indians are very spiritual people and I do hope after reading Undying Gratitude your spirit is renewed.
How does recent scholarship on ethnicity and race speak to the Jewish dimension of James Joyces writing? What light has Joyce himself already cast on the complex question of their relationship? This book poses these questions in terms of models of the other drawn from psychoanalytic and cultural studies and from Jewish cultural studies, arguing that in Joyce the emblematic figure of otherness is "the Jew. The work of Emmanuel Levinas, Sander Gilman, Gillian Rose, Homi Bhabha, among others, is brought to bear on the literature, by Jews and non-Jews alike, that has forged the representation of Jews and Judaism in this century. Joyce was familiar with this literature, like that of Theodor Herzl. Joyce sholarship has largely neglected even these sources, however, including Max Nordau, who contributed significantly to the philosophy of Zionism, and the literature on the "psychobiology of race--so prominent in the fin de siècle--all of which circulates around and through Joyces depictions of Jews and Jewishness. Several Joyce scholars have shown the significance of the concept of the other for Joyces work and, more recently, have employed a variety of approaches from within contemporary deliberations of the ideology of race, gender, and nationality to illuminate its impact. The author combines these approaches to demonstrate how any modern characterization of otherness must be informed by historical representations of "the Jew and, consequently, by the history of anti-Semitism. She does so through a thematics and poetics of Jewishness that together form a discourse and method for Joyces novel.
Portfolios have often been used as a way for teachers to monitor and assess their students' progress, but this book picks up on the current trend of using portfolios to assess teachers themselves as part of their degree requirements. As a professional development tool, portfolios are also useful for classroom teachers in evaluating their practice, and in showcasing their skills and accomplishments for use in interviews. Veteran teacher educators Marianne Jones and Marilyn Shelton provide practical and comprehensive guidance specific to the needs of pre- and in-service teachers of young children. This thoroughly revised and updated new edition features: A flexible and friendly approach that guides students at varying levels of experience through the portfolio process. New material on the portfolio planning stage and additional coverage on the importance of developing a personal philosophy. A companion website with additional instructor materials such as printable templates, exercises for improving portfolio skills, and more. Both theoretical and practical, the book addresses issues and mechanics related to process and product, instruction and guidance techniques, the role of reflection, and assessment strategies. With concrete examples, rubrics, tips, and exercises, this book will provide a step-by-step guide to creating a professional teaching portfolio.
Weirdbook #32 presents a selection of great fantasy and horror tales by current and upcoming masters of the genre. Included are: Childhood's Dread, by Taye Carrol The Other Neighbors, by Daniel Davis Rare Air, by Mark Slade The Children, by J.E. Álamo The Radiant Boy, by Kevin Wetmore The Whisperer in the Woods, by Peter Schranz Sweet Oblivion, by Andrew Darlington An Unsolicited Lucidity, by Lee Clark Zumpe Black Carnival, by Bobby Cranestone The Howard Family Tradition, by P. R. O'Leary Hell in a Boxcar, by Scott A. Cupp Jorōgumo, by Kelda Crich Clay Baby, by Jack Lee Taylor The Corpse and the Rat: A Story of Friendship, by Joshua L. Hood Getting Thin, by DJ Tyrer Maybe Next Door, by Richard LaPore Containment Protocol, by Leeman Kessler Under a Rock, by Lori R. Lopez The Children Must Be Hungry, by L.F. Falconer The Road to Hell, by Kevin L. O'Brien Maggot Coffee, by Roy C. Booth and Axel Kohagenv Baby Mine, by Marilyn "Mattie" Brahen In Blackwalk Wood, by Adrian Cole My Longing to See Tamar, by Jessica Amanda Salmonson Gust of Wind Made by Swinging a Blade, by Molly N. Moss Necromancer's Lair, by Chad Hensley The Helm, by Chad Hensley Ex Arca Sepulcrali, by Wade German The Laughter of Ghouls, by K.A. Opperman Ode to Ashtoreth, by K.A. Opperman The Necro-Conjuring Sorceress, by Ashley Dioses What Dark Gods Are Friends to Me? by Chad Hensley Scarlet Succubus Shrine, by Frederick J. Mayer Penelope, Sleepless, by Darrell Schweitzer
Author's unique combination of spirituality and psychological expertise helps us resolve deep inner trauma and clear the residue of soul distress from this and other lives. Learn about different therapies and techniques to see what is right for you.
Fragments is an event—an unforgettable book that will redefine one of the greatest icons of the twentieth century and that, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity. Marilyn's image is so universal that we can't help but believe we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety—and by the way the camera fell helplessly in love with her. Beyond the headlines—and the too-familiar stories of heartbreak and desolation—was a woman far more curious, searching, witty, and hopeful than the one the world got to know. Now, for the first time, readers can meet the private Marilyn and understand her in a way we never have before. Fragments is an unprecedented collection of written artifacts—notes to herself, letters, even poems—in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. Jotted in notebooks, typed on paper, or written on hotel letterhead, these texts reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny, and impossibly charming. The easy grace and deceptive lightness that made her performances indelible emerge on the page, as does the simmering tragedy that made her last appearances so affecting.
Who was Mary De Morgan and why should she be dragged out of the shadows cast by her illustrious parents, her male siblings and the members of the Arts and Crafts circle in which she moved? Why should the academic spotlight be shone onto her life and works? De Morgan (1850–1907) was undoubtedly a woman of her time: she was unmarried and therefore one of the million or so “odd” women who had to earn their own living, which she did mainly by writing. She was one of the many who took part in the great effort to “improve” the lives of the poor in the East End of London; she was caught up in the spiritualist phenomena, not only because her mother was an ardent supporter and practitioner, but also because De Morgan herself was considered to be a “seer”; she, like many Victorians, suffered from the curse of tuberculosis but despite going to live in Egypt for health reasons, she then became the directress of a girls’ reformatory until her death. Through the analysis of her fairy tales, her sole novel, her non-fictional articles and her unpublished short stories, De Morgan is revealed to be an early feminist and “New Woman,” an advocate of William Morris’s philosophies and a social reformer, but also a rather disappointed and disillusioned woman. Letters to and from her family and friends paint a colourful picture of family life during the second half of the nineteenth century, and extracts from well-known people’s biographies, reminiscences and diaries flesh out De Morgan’s character and help explain why George Bernard Shaw considered her to be a “devil incarnate.”
As the season of Pentecost approaches, Berdie Elliott's husband, the vicar for the Aidan Kirkwood village prepares for the Whitsun Long Weekend Regatta boat race. But one amongst them is in a van explosion that puts Berdie right in it. The shock of the blast sends her whirling and when the Yard arrives, fingers point to a profiled suspect that ignites village fears. Who would think that business vans, one heroic dog, mistaken identity, an evocative book, and enduring friendships could help solve the crime? Berdie must recapture her investigative brilliance, sift the ashes, and ascertain who is responsible. Will the enigma of fire be laid bare? This mystery sizzles.
This book analyzes Hollywood storytelling that features an American crimefighter—whether cop, detective, or agent—who must safeguard society and the nation by any means necessary. That often means going “rogue” and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savagery—first personified by “Dirty” Harry Callahan—and later dispatched in global interventions to vanquish threats to national security. America as the world’s “policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat.
This story takes place in the eighteen hundreds at the home of Beth Miller and her family. Life on the farm is often eventful with the love they have for each other reflected in how they live their lives. Follow the story of Beth Miller, her daughter and son-in-law, Margaret and Ben Smith and their children, Esther, Tim, Betsy, and Johnny, as they experience life in the late 1800's.
Reading for pleasure urgently requires a higher profile to raise attainment and increase children’s engagement as self-motivated and socially interactive readers. Building Communities of Engaged Readers highlights the concept of ‘Reading Teachers’ who are not only knowledgeable about texts for children, but are aware of their own reading identities and prepared to share their enthusiasm and understanding of what being a reader means. Sharing the processes of reading with young readers is an innovative approach to developing new generations of readers. Examining the interplay between the ‘will and the skill’ to read, the book distinctively details a reading for pleasure pedagogy and demonstrates that reader engagement is strongly influenced by relationships between children, teachers, families and communities. Importantly it provides compelling evidence that reciprocal reading communities in school encompass: a shared concept of what it means to be a reader in the 21st century; considerable teacher and child knowledge of children’s literature and other texts; pedagogic practices which acknowledge and develop diverse reader identities; spontaneous ‘inside-text talk’ on the part of all members; a shift in the focus of control and new social spaces that encourage choice and children’s rights as readers. Written by experts in the literacy field and illustrated throughout with examples from the project schools, it is essential reading for all those concerned with improving young people’s enjoyment of and attainment in reading.
Psychic Soap: 4 parts Lemongrass + 3 parts Bay + 1 part Cinnamon Come and See Me Oil 5 drops Patchouli oil + 2 drops Cinnamon oil + Olive oil base. Over the years, Wiccan High Priestess Marilyn Daniel has collected hundreds of recipes for her craft. Responding to repeated requests for her secrets, she has compiled them here for the first time in this comprehensive reference of more than 400 magical tips and recipes - covering everything from beauty treatments to healing salves to tasty treats. In addition to advice for buying, storing, and blending essential oils (always stir clockwise), Marilyn reveals her secrets for making incense, bath salts, soaps, ointments, potpourri, ink, and more. Readers will learn how to make a Tuberose Bouquet for attracting love and Air Oil for clear thinking and overcoming addiction, as well as how to incorporate their pets into spellcraft. Kitchen Witchery includes a wide variety of cookies, breads, wines, and other magical foods, and Marilyn serves up her famous recipes for goodies like Sabbat Cakes and Wiccan Handfasting Cake, and drinks such as Nettle Ale and the Milk of Isis. And should a witch find herself in the middle of a recipe with a missing ingredient, she can find a worthy substitute in the extensive list provided. Kitchen Witchery also includes a helpful reference list of magical correspondences and a glossary of herbs and their folk names.
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