A novel of second love between Americans abroad—“a monumental achievement” from the New York Times–bestselling author of The Women’s Room (Cosmopolitan). Dolores Durer, a divorced English professor and the mother of two adult children, has sworn off love after a series of disastrous affairs. Electronics executive Victor Morrissey is in England to open a branch office. He has four children and is unhappily married. From the moment they meet—on a train—their connection is instant and passionate. The two Americans abroad embark on an affair that will have consequences in both their lives. Each carries baggage. Dolores is haunted by family tragedy; Victor is tormented by marital estrangement. Driven by an impending sense of urgency, knowing their time together is finite, they struggle to transform their pasts into a hopeful future.
Three powerful novels about family and the female experience from the multimillion-selling author of The Women’s Room. A collection of three works of fiction by a New York Times–bestselling author who “write[s] about the inner lives of women with insight and intimacy” (The New York Times Book Review). Her Mother’s Daughter: In this life-affirming saga that celebrates the love and sacrifices of four generations of Polish-American mothers and daughters, Stacey, a divorced feminist New York photographer, struggles to understand the experience of her mother, a child of Polish immigrants who clawed her way out of poverty and settled into a middle-class existence—while at the same time managing her tempestuous relationship with her own daughter, Arden. Our Father: As distinguished presidential adviser Stephen Upton lies mortally ill in a Massachusetts hospital, four women gather at his lavish mansion. Half sisters Elizabeth, Mary, Alex, and Ronnie have painful and poignant memories of their childhoods—and their dying father. They haven’t seen each other in years, but as they open up to each other about the man they both love and hate, they will discover the terrible secret that binds them all together. The Bleeding Heart: Dolores Durer, a divorced professor and mother of two adult children, has sworn off love after a series of disastrous affairs. Meanwhile, electronics executive Victor Morrissey is in England to open a branch office. He has four children and is unhappily married. When Victor and Dolores meet—on a train—their connection is instant and passionate. In this New York Times–bestselling novel about love and marriage, two Americans abroad embark on an affair that will have consequences in both their lives.
Aster Mackenzie wants to go home. But she's trapped in the Earth's core, where advanced humanoids mine a rare energy source for their home planet, Norona. Worse, she's triggered the Noronian mating fever in Romulus Locke, Innerworld's Chief Administrator. Romulus intends to be Governor of Innerworld but the moment he touches Aster, the fever takes hold, bonding them as soul-mates. Never has the fever affected a Terran, and intimacy between the races is forbidden; a conundrum Romulus has no time to explore. The asteroid heading toward Earth is about to destroy both their worlds. Risking everything, Romulus takes Aster with him to Outerworld to warn Earth's scientists and is captured. Now Aster must face her destiny and convince the powers of Norona to accept a long-hidden secret if her soul-mate is to survive. Previously titled: Pyramid of Dreams REVIEWS: "First of a landmark series... provocative concepts... will fascinate and charm romance fans." ~Romantic Times "The fiery passion will singe your heart... You will be mesmerized by this exceptional reading adventure!" ~Rendezvous THE INNERWORLD AFFAIRS SERIES, in order Romulus Falcon Gallant Gabriel Logan Roman Blaze
Life is lived in the little things. Marilyn Beckwith In the early 1970s, after a year of unemployment, Marilyn Beckwith was in desperate need for change in her life. With her characteristic joie de vivre, she started a new life on a new continentand didnt look back. In 1971, she and her husband moved to Africa with their four children, armed with not much more than a penchant for adventure and a sense of humor. They started their African adventures in Kenya, and they tried life in Zaire (now Congo). Marilyn was called to build a home for her family on the local economy, unsupported by any embassy or company. While steadfastly holding on to her values, she faced a steep learning curve in adjusting to the African rhythms of life. She gamely coped with challenges, from the mundane to the miraculous, including bridging food shortages, navigating the fringes of diplomatic life, outsmarting a mischievous chimpanzee, and adapting to new languages: Madame, you speak French like a Zairean. Oh, thank you." Madame, that was not a compliment! Journey with this American mother as she discovers that everyday life can become extraordinarily entertaining when circumstances are unusual.
As your essential guide to Microsoft’s new SQL Server 2005 certification (exam 70-442), this book offers you practical and in-depth coverage. Full coverage of all exam objectives is presented in a systematic approach so you can be confident you’re getting the instruction you need for the exam. Plus, practical hands-on exercises reinforce critical skills and real-world scenarios put what you’ve learned in the context of actual job roles. Finally, challenging review questions in each chapter prepare you for exam day.
In 1939 Hazard, Kentucky a rural family tries to cope with the loss of their twelve-year-old son Stephan. The Juniper Circus Line brings a sinister Ringmaster to town who threatens disaster on the Meadows family. While their father, John, is away Katie, Grace, and Danny all go missing. Their mother Sarah is driven to communicate with Stephan through riddled dreams to find her children. Stephan battles the Ringmaster in the spirit world to protect his family while the Ringmaster uses his power to hold him at bay....
More than twenty years after Ernst Jünger's death in 1998, the controversial German writer's work continues to compel the attention of readers, critics, and scholars. In early 2019, Jünger's diaries, the Strahlungen, written while he was an officer in occupied Paris during World War II, were published in English to wide acclaim. These intimate accounts, of high literary and philosophical quality, reveal Jünger negotiating compliance with acts of subversion and resistance against the Nazi regime. His life is evidence that history can be both real and unrealistic at once, crystallising something essential about a twentieth century that witnessed the rise of total mobilisation, global war, and unprecedented technologies of mass extermination.This volume presents four new essays by established and emerging scholars on Jünger's work and legacy. Together, they provide biographical, philosophical, psychological, and aesthetic access-points to a major twentieth century German intellectual who, like few others, invites us to investigate the ambiguities, constraints, and imperatives of our own times.
What kind of a makeover has the power to change a person, inside and out? These stories, specially written for this collection, delve into our culture’s fascination with beauty and present different views about all kinds of makeovers. Sometimes funny, sometimes serious, and always thought provoking, this anthology will open eyes and minds. Authors include Joseph Bruchac, Marina Budhos, Evelyn Coleman, Peni R. Griffin, Margaret Peterson Haddix, Norma Howe, Jess Mowry, René Saldaña, Jr., Marilyn Singer, Joyce Sweeney, and Terry Trueman.
From the international bestselling authors of MIDNIGHT EXPRESS, NOT WITHOUT MY DAUGHTER and FREEFALL comes LUKE RULES, the adventures and misadventures of Luke Wilde, former Marine Corps sniper turned wily and often contrary PI.What starts out as a routine peek-the-sheets adultery investigation escalates into a series of bizarre murders. As the bodies pile up Luke knows that to crack this case, he'll have to toss the legal playbook into the crapper and play by LUKE RULES. WARNING: Luke has a bit of an attitude problem!
Social participation naturally occues in everyday life in combination with daily occupations, such as when people interact while eating, playing , carpooling, and working. This book provides information on social participation for different occupations.
Before the First World War, Winnipeg was Canada's third-largest city and the undisputed metropolis of the West. Rapid growth had given the city material prosperity, but little of its wealth went to culture or the arts. Despite the city's fragile cultural veneer, the enthusiasm and dedication of members of the arts community and a grpup of public-spirited citizens led to the establishment of the Winnipeg Art Gallery in 1912 and the Winnipeg School of Art in 1913.This volume is a history in words and illustration of the early years of the Winnipeg School of Art, its hopes and ideals and its struggles for survival. Its story is in large part a record of art and artists in Winnipeg during the period. The growth of the School is described through the terms of its first four principals: Alexander Musgrove, Frank Johnston, Keith Gebbhardt, and L. LeMoine Fitzgerald. Biographical sketches on artists involved with the School as teachers or students from 1913 to 1934 are also included.Reproductions of over 80 selected works from the exhibition marking the seventieth anniversary of the founding of the School, eight in full colour, present the most vital and provocative arrt of the period.
In 1969 twelve-year-old Mimi and her family move to an all-white town in Vermont, where Mimi's mixed-race background and interest in "boyish" topics like astronomy make her feel like an outsider.
The revolutionary boy at the barricades was memorably envisioned in Eugène Delacroix’s painting Liberty Leading the People (1830) and Victor Hugo’s novel Les Misérables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father’s symbolic role, and the intensification of the brotherly urchin’s psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation.
Improve your reading - Improve your life. Are you bored by bestsellers you can't remember a week later? Is your book group ready for more meaningful discussions? Have TV and movies got your brain on autopilot? Back to the Best Books explores 36 great works of literature, some that you know (Twain, Bronte) and some you might not (Undset, Cronin) that will bring you new insights about your own life. Inside you'll find:- Jane Austen - Looking for love in all the wrong places- Betty Smith - Recession lessons from the depression- William Faulkner - Road trips and self-discovery- Anne Tyler - Putting the fun into dysfunctional- Charles Dickens - Changing the world one child at a timeThe perfect guide for book groups, students, and casual readers who are ready to take it up a notch! If you're feeling the need to get your brain in gear, your relationships in order and your life on track, then it's time to get Back to the Best Books.
Spectral and monstrous mothers populate the cultural and literary landscape of the eighteenth century, overturning scholarly assumptions about this being an era of ideal motherhood. Although credited with the rise of domesticity, eighteenth-century British culture singularly lacked narratives of good mothers, ostensibly the most domestic of females. With startling frequency, the best mother was absent, disembodied, voiceless, or dead. British culture told tales almost exclusively of wicked, surrogate, or spectral mothers—revealing the defects of domestic ideology, the cultural fascination with standards and deviance, and the desire to police maternal behaviors. Monstrous Motherhood analyzes eighteenth-century motherhood in light of the inconsistencies among domestic ideology, narrative, and historical practice. If domesticity was so important, why is the good mother’s story absent or peripheral? What do the available maternal narratives suggest about domestic ideology and the expectations and enactment of motherhood? By focusing on literary and historical mothers in novels, plays, poems, diaries, conduct manuals, contemporary court cases, realist fiction, fairy tales, satire, and romance, Marilyn Francus reclaims silenced maternal voices and perspectives. She exposes the mechanisms of maternal marginalization and spectralization in eighteenth-century culture and revises the domesticity thesis. Monstrous Motherhood will compel scholars in eighteenth-century studies, women’s studies, family history, and cultural studies to reevaluate a foundational assumption that has driven much of the discourse in their fields.
The paradox of progressivism continues to fascinate more than one hundred years on. Democratic but elitist, emancipatory but coercive, advanced and assimilationist, Progressivism was defined by its contradictions. In a bold new argument, Marilyn Lake points to the significance of turn-of-the-twentieth-century exchanges between American and Australasian reformers who shared racial sensibilities, along with a commitment to forging an ideal social order. Progressive New World demonstrates that race and reform were mutually supportive as Progressivism became the political logic of settler colonialism. White settlers in the United States, who saw themselves as path-breakers and pioneers, were inspired by the state experiments of Australia and New Zealand that helped shape their commitment to an active state, women’s and workers’ rights, mothers’ pensions, and child welfare. Both settler societies defined themselves as New World, against Old World feudal and aristocratic societies and Indigenous peoples deemed backward and primitive. In conversations, conferences, correspondence, and collaboration, transpacific networks were animated by a sense of racial kinship and investment in social justice. While “Asiatics” and “Blacks” would be excluded, segregated, or deported, Indians and Aborigines would be assimilated or absorbed. The political mobilizations of Indigenous progressives—in the Society of American Indians and the Australian Aborigines’ Progressive Association—testified to the power of Progressive thought but also to its repressive underpinnings. Burdened by the legacies of dispossession and displacement, Indigenous reformers sought recognition and redress in differently imagined new worlds and thus redefined the meaning of Progressivism itself.
Raoul Walsh (1887--1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors -- along with John Ford and Howard Hawks -- who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith's The Birth of a Nation (1915). In the same year, under Griffith's tutelage, Walsh began to direct on his own. Soon he left Griffith's company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker "the one-eyed bandit." During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.
Dust and Drama is a lighthearted look at the memories of people who acted, directed, and were otherwise connect to Broken Hill Repertory Society. Wherever there is theater, there are funny stories, and these snippets of memories have been collected into this book. There are many other stories. Some people were unable to be contacted, and some stories were unsuitable for print. We hope you enjoy reminiscing as you read.
The veteran Wall Street Journal science reporter Marilyn Chase’s fascinating account of an outbreak of bubonic plague in late Victorian San Francisco is a real-life thriller that resonates in today’s headlines. The Barbary Plague transports us to the Gold Rush boomtown in 1900, at the end of the city’s Gilded Age. With a deep understanding of the effects on public health of politics, race, and geography, Chase shows how one city triumphed over perhaps the most frightening and deadly of all scourges.
Suspecting that the U.S.-supported successor to Cuba's Fidel Castro is actually a Soviet puppet, Senator Bob Grant must prove that his suspicions are well-founded and attempt to encourage a military uprising in Cuba.
Talk about irreconcilable differences! Juliet believes her brother has been kidnapped. Mac believes he's running guns in Jamaica. Mac is tough-and-tumble. Juliet is every inch a lady. If they don't kill each other first, they may make a surprising discovery. Juliet and Mac are forced to work together to avoid the curse of a native medicine man, hack their way through steamy jungles, cope with the mysteries of a groaning stone statue found deeply underground in a cave grotto, and come to grips with a mutual growing attraction. The problem is that they aren't right for each other. Mac has Rastafari friends, for heaven's sake, and Juliet wouldn't trust him with the weather forecast. When they find Juliet's brother, the plot only thickens. In a life or death struggle, the stone statue points to the answer.
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