Who was Mary De Morgan and why should she be dragged out of the shadows cast by her illustrious parents, her male siblings and the members of the Arts and Crafts circle in which she moved? Why should the academic spotlight be shone onto her life and works? De Morgan (1850–1907) was undoubtedly a woman of her time: she was unmarried and therefore one of the million or so “odd” women who had to earn their own living, which she did mainly by writing. She was one of the many who took part in the great effort to “improve” the lives of the poor in the East End of London; she was caught up in the spiritualist phenomena, not only because her mother was an ardent supporter and practitioner, but also because De Morgan herself was considered to be a “seer”; she, like many Victorians, suffered from the curse of tuberculosis but despite going to live in Egypt for health reasons, she then became the directress of a girls’ reformatory until her death. Through the analysis of her fairy tales, her sole novel, her non-fictional articles and her unpublished short stories, De Morgan is revealed to be an early feminist and “New Woman,” an advocate of William Morris’s philosophies and a social reformer, but also a rather disappointed and disillusioned woman. Letters to and from her family and friends paint a colourful picture of family life during the second half of the nineteenth century, and extracts from well-known people’s biographies, reminiscences and diaries flesh out De Morgan’s character and help explain why George Bernard Shaw considered her to be a “devil incarnate.”
A story of the physical, emotional and artistic journey of Hannah Russell as she travels from the back streets of the East End of London to the noisy bazaars and sandy wastes of Egypt, and back to the family home in Kent. Hannah meets and becomes friends with fairy tale author Mary De Morgan, believing she has found love in their relationship. But Hannah discovers that where there is devotion there is also deceit, and with hope also dwells despair.
Fragments is an event—an unforgettable book that will redefine one of the greatest icons of the twentieth century and that, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity. Marilyn's image is so universal that we can't help but believe we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety—and by the way the camera fell helplessly in love with her. Beyond the headlines—and the too-familiar stories of heartbreak and desolation—was a woman far more curious, searching, witty, and hopeful than the one the world got to know. Now, for the first time, readers can meet the private Marilyn and understand her in a way we never have before. Fragments is an unprecedented collection of written artifacts—notes to herself, letters, even poems—in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. Jotted in notebooks, typed on paper, or written on hotel letterhead, these texts reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny, and impossibly charming. The easy grace and deceptive lightness that made her performances indelible emerge on the page, as does the simmering tragedy that made her last appearances so affecting.
Fulfilling Marilyn Monroe's dream of putting together a picture book-autobiography, the author, a personal friend of Marilyn's, provides a fascinating glimpse into her life, in this stunning tribute to one of America's most beloved celebrities, who would have been seventy-five years old on June 1, 2001. Reprint.
Little known and long unavailable, this autobiography, written by actress and starlet Marilyn Monroe (1926-1962), describes her early adolescence, her rise in the film industry from bit player to celebrity, and her marriage to Joe DiMaggio, and more.
Who was Mary De Morgan and why should she be dragged out of the shadows cast by her illustrious parents, her male siblings and the members of the Arts and Crafts circle in which she moved? Why should the academic spotlight be shone onto her life and works? De Morgan (1850–1907) was undoubtedly a woman of her time: she was unmarried and therefore one of the million or so “odd” women who had to earn their own living, which she did mainly by writing. She was one of the many who took part in the great effort to “improve” the lives of the poor in the East End of London; she was caught up in the spiritualist phenomena, not only because her mother was an ardent supporter and practitioner, but also because De Morgan herself was considered to be a “seer”; she, like many Victorians, suffered from the curse of tuberculosis but despite going to live in Egypt for health reasons, she then became the directress of a girls’ reformatory until her death. Through the analysis of her fairy tales, her sole novel, her non-fictional articles and her unpublished short stories, De Morgan is revealed to be an early feminist and “New Woman,” an advocate of William Morris’s philosophies and a social reformer, but also a rather disappointed and disillusioned woman. Letters to and from her family and friends paint a colourful picture of family life during the second half of the nineteenth century, and extracts from well-known people’s biographies, reminiscences and diaries flesh out De Morgan’s character and help explain why George Bernard Shaw considered her to be a “devil incarnate.”
Marilyn Monroe's image is so universal that we can't help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety -- and the way the camera fell helplessly in love with her. But what of the other Marilyn? Beyond the headlines -- and the too-familiar stories of heartbreak and desolation -- was a woman far more curious, searching and hopeful than the one the world got to know. Even as Hollywood studios tried to mold and suppress her, Marilyn never lost her insight, her passion, and her humour. To confront the mounting difficulties of her life, she wrote. Now, for the first time, we can meet this private Marilyn and get to know her in a way we never have before. Fragments is an unprecedented collection of written artifacts -- notes to herself, letters, even poems -- in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. These bits of text--jotted in notebooks, typed on paper or written on hotel letterhead -- reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny and impossibly charming. The easy grace and deceptive lightness that made her performances so memorable emerge on the page, as does the simmering tragedy that made her last appearances so heartbreaking. Fragments is an event -- an unforgettable book that will redefine one of the greatest stars of the twentieth century and which, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity.
The Quick Escapes TM series offers guides with complete, preplanned itineraries for one- to three-night minivacations within driving distance of the base city.
Sequel to the critically acclaimed Call To Glory. Leroy W. Wiley a rugged Texas Ranger just returned from the horrors of the civil war. Following the death of his brother at the hands of the Comanche Indians, Leroy leads his company of Texas Rangers as they seek to avenge his brother.
Unstuffy, hip, and often funny, The Copyeditor’s Handbook has become an indispensable resource both for new editors and for experienced hands who want to refresh their skills and broaden their understanding of the craft of copyediting. This fourth edition incorporates the latest advice from language authorities, usage guides, and new editions of major style manuals, including The Chicago Manual of Style. It registers the tectonic shifts in twenty-first-century copyediting: preparing text for digital formats, using new technologies, addressing global audiences, complying with plain language mandates, ensuring accessibility, and serving self-publishing authors and authors writing in English as a second language. The new edition also adds an extensive annotated list of editorial tools and references and includes a bit of light entertainment for language lovers, such as a brief history of punctuation marks that didn’t make the grade, the strange case of razbliuto, and a few Easter eggs awaiting discovery by keen-eyed readers. The fourth edition features updates on the transformation of editorial roles in today’s publishing environment new applications, processes, and protocols for on-screen editing major changes in editorial resources, such as online dictionaries and language corpora, new grammar and usage authorities, online editorial communities, and web-based research tools When you’re ready to test your mettle, pick up The Copyeditor’s Workbook: Exercises and Tips for Honing Your Editorial Judgment, the essential new companion to the handbook.
What do Louise Sneed Hill, May Bonfils Stanton, Justina L. Ford, Helen Bonfils, Mary Coyle Chase, and Caroline Bancroft have in common? They are all a vital part of Colorado's history--and no one has ever written a book-length biography about any of them. While some of the names will be more familiar than others to Colorado residents, all of the women will come to live for the readers of this exciting book. Whether you are interested in the first black female physician licensed in Colorado, the ruler of Denver's social elite, the battling Bonfils sisters, the woman who brought the first Pulitzer Prize for drama to Colorado, or the self-proclaimed grande dame of Colorado history, you will find it all here. Marilyn Riley has combined some of the most fascinating (and sometimes lesser known) of Colorado's women. This is a must read for those interested in Colorado history, women's history, and in reading stories about interesting and dynamic individuals.
′The authors who have contributed to this book bring a wealth of expertise and a wide range of research findings. This gives the reader the opportunity to link theory with practice in a helpful and illuminating way′ - Early Years Update Praise for the first edition: `...represents an enormously rich body of research and expertise focused on the objective of taking into account the social, historical and cultural dimensions of everyday activities in order to better understand children. ...will undoubtedly be of interest and value to anyone with a similar concern′ - Early Years Journal `...an international state-of-the-art early childhood education publication that sets out research-based evidence and critically links this with theory and practice. It is pitched at the graduate level and beyond. Readers will gain more from the book if they have a thorough base understanding of relevant learning and social-cultural theories and an open-mind to appreciate the perspectives presented in this book′ - Childforum, New Zealand This fully revised and up-to-date edition examines sociocultural and historical approaches to current theories of learning in early childhood education. It sets out research-based evidence linking theory and practice in early childhood settings. Written by leading figures in the field, the book extends a strong and traditional theme - the importance of the child′s perspective and respect for each child′s individual background. Within the context of early years settings, the book is structured around four overall themes: - the dynamics of learning and teaching - the nature of knowledge - assessment - evaluation and quality. This book is essential reading for undergraduate and advanced courses in early childhood studies.
Emphasizing the recursive nature of the composing process, this exciting, new developmental text focuses on five keys to successful essay writing -- purpose, focus, material, structure, and style. Journal writing, critical thinking, and collaborative learning opportunities reflect important trends in the field.
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