In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet’s published work. She explores the ways Bishop’s lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry—the ways she translated her bodily experiences into poetic form. A cornerstone of The Body and the Song is the poet’s thirty-year correspondence with her physician, Dr. Anny Baumann, who was both friend and surrogate mother to Bishop. The letters reveal Bishop’s struggles to understand the relation between her physical and creative drives. "Dr. Anny" also helped Bishop unravel the connections in her life between psychosomatic illness and early maternal deprivation—her mother was declared incurably insane and institutionalized in 1916, when Bishop was five years old. Effectively an orphan, she spent the rest of her childhood with relatives. In addition to these letters, Lombardi uses Bishop’s unpublished notebooks to demonstrate the poet’s resolve to "face the facts"—to confront her own emotional, intellectual, and physical frailties—and translate them into poetry that is clear-eyed and economical in its form. Lombardi argues that in her subtle way, Bishop explores the same issues that preoccupy the current generation of women writers. A deeply private artist, Bishop never directly refers to her homosexuality in her published work, but the metaphors she draws from her carnal desires and aversions confront stifling cultural prescriptions for personal and erotic expression. In choosing restraint over confession, Bishop parted company with her friend Robert Lowell, but Lombardi shows that her reticence becomes a powerful artistic strategy resulting in poetry remarkable for its hermeneutic potential. Informed by recent gender criticism, Lombardi’s lucid argument advances our understanding of the ways the material circumstances of life can be transformed into art.
Keys to Successful Writing" helps readers become better writers by presenting simple, consistently applicable tools and techniques. The book's organization flows from simple to more complex essays. The text focuses on five "keys" to successful essay writingpurpose, focus, material, structure, and style. This distinctive heuristic, developed by the author helps readers focus on the skills and ways of thinking that will make them stronger writers. Featuring a user-friendly, highly-accessible writing style, the text presents clear, specific strategies for writing combined with examples that are engaging, provocative and contemporary. An editing handbook is also included for a complete writing resource. A series of interactive writing exercises and activities and longer writing assignments give the text a predictable organizational structure that's easy to learn from. For those interested in improving their writing skills.
In this cozy mystery, American art history major Hadley Evans joins an art detective agency in Florence, Italy, working for Massimo Domingo, once a major player, now the Inspector Clouseau of the art world. Determined to save the flailing agency and prove her worth, Hadley and her sexy carabiniere boyfriend, Luca Ferrari, take on a mysterious client behind her boss's back. While hot on the trail of a missing masterpiece, they discover a hidden cache of stolen Nazi art in a Venetian villa and encounter a dangerous enemy with a link to an evil past.
Get ready to get organized: Your more-organized life starts today Are you ready to take control of the clutter in your life? It's easier than you think. Professional organizer Marilyn Bohn guides you through the entire organizing process using her Lights On Organizing System, a simple but highly effective three-step process. You'll learn how to use the Searchlight, Spotlight and Green Light to transform your surroundings and create an organized home that you love to live in. You get in-depth advice on organizing every area in your home including: • The Kitchen • Bedrooms • Closets and Storage Room • Home Office & Paperwork • Craft Room • Laundry Room • Bathrooms • Memorabilia & Inherited Items Plus, there's a special chapter on downsizing to help you organize for a move to a smaller living area, such as moving from a house to a condo. The best part is, you can tailor all of the advice to meet your specific needs. As Marilyn says, "There's no right or wrong way to be organized. What counts is that it works for you." Don't let clutter keep you from enjoying your life and your home any longer. Conquer it once and for all with Go Organize!
An obsession with “degeneration” was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in “degeneration theory” – including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld – were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.
Addressing herself equally to those who argue for proto-feminist Boccaccio - a quasi-liberal champion of women's autonomy - and to those who argue for a positivistically secure, historical Boccaccio who could not possibly anticipate the concerns of the twenty-first century, Migiel challenges readers to pay attention to Boccaccio's language, to his pronouns, his passives, his patterns of repetition, and his figurative language. She argues that human experience, particularly in the sexual realm, is articulated differently by the Decameron's male and female narrators, and refutes the notion that the Decameron offers an undifferentiated celebration of Eros. Ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent."--Jacket.
This is an abundantly illustrated resource for diagnosis of bone and soft tissue lesionsÛa particular challenge due to their rarity and complexity. In addition to carefully selected histologic photographs, this unique atlas enhances standard visual information with illustrations of imaging findings, cytology, and molecular and cytogenetic information. This vivid pictorial survey is arranged in a pattern-oriented approach based on the actual working method used in daily practice. The authors are expert educators in surgical and cytopathology and experienced diagnosticians in the complexities of soft tissue and bone pathology. This richly illustrated and concise reference will be a practical and indispensible tool for general pathologists and pathologists in training, who are required to diagnose bone and soft tissue pathologies. It is also an excellent resource for physicians seeking a quick survey of sarcoma. Key Features: Offers a practical, pattern-oriented diagnostic approach that mirrors the working method used in daily practice Augments histologic photographs with illustrations of imaging findings, cytology, and molecular and cytogenetic information Authored by recognized expert diagnosticians and teachers in the field
When Rick and Marilyn Boyer began homeschooling 16 years ago, they didn't know what they were getting into. Now they share what they have learned through their experiences. They believe that learning is a natural function that can happen better at home than anywhere else. As the authors will show, ordinary parents can produce extraordinary children.
In association with the North Carolina Museum of Art, the Museum of Fine Arts Houston, the Seattle Art Museum, and the Fine Arts Museums of San Francisco.
A revised and updated guide to reference material. It contains selective and evaluative entries to guide the enquirer to the best source of reference in each subject area, be it journal article, CD-ROM, on-line database, bibliography, encyclopaedia, monograph or directory. It features full critical annotations and reviewers' comments and comprehensive author-title and subject indexes. The contents include: philosophy and psychology; religion; social sciences, sociology, statistics, politics, economics, labour and employment; land and property, business organizations, finance and banking, and economic surveys; economic policies and controls, trade and commerce, business and management, and law; public administration, social services and welfare, education, customs and traditions; geography; biography; and history.
In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet’s published work. She explores the ways Bishop’s lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry—the ways she translated her bodily experiences into poetic form. A cornerstone of The Body and the Song is the poet’s thirty-year correspondence with her physician, Dr. Anny Baumann, who was both friend and surrogate mother to Bishop. The letters reveal Bishop’s struggles to understand the relation between her physical and creative drives. "Dr. Anny" also helped Bishop unravel the connections in her life between psychosomatic illness and early maternal deprivation—her mother was declared incurably insane and institutionalized in 1916, when Bishop was five years old. Effectively an orphan, she spent the rest of her childhood with relatives. In addition to these letters, Lombardi uses Bishop’s unpublished notebooks to demonstrate the poet’s resolve to "face the facts"—to confront her own emotional, intellectual, and physical frailties—and translate them into poetry that is clear-eyed and economical in its form. Lombardi argues that in her subtle way, Bishop explores the same issues that preoccupy the current generation of women writers. A deeply private artist, Bishop never directly refers to her homosexuality in her published work, but the metaphors she draws from her carnal desires and aversions confront stifling cultural prescriptions for personal and erotic expression. In choosing restraint over confession, Bishop parted company with her friend Robert Lowell, but Lombardi shows that her reticence becomes a powerful artistic strategy resulting in poetry remarkable for its hermeneutic potential. Informed by recent gender criticism, Lombardi’s lucid argument advances our understanding of the ways the material circumstances of life can be transformed into art.
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