The prevailing view of the lowland Maya during the Postclassic period (A.D. 1050-1500) has been one of an impoverished, "degenerated" society devoid of cultural accomplishment. However, Marilyn A. Masson offers a fresh interpretation of this society as one that represented a complex, sophisticated, extensive organization of semiautonomous units that were closely integrated, yet embraced a decentralized political economy. In the Realm of Nachan Kan opens a window on Postclassic Maya patterns of cultural development and organization through a close examination of the small rural island of Laguna de On, a location that was distant from the governing political centers of the day. Using diachronic analysis of regional settlement patterns, ceramic traditions, household and ritual features, and artifacts from the site, Masson tracks developmental changes throughout the Postclassic period. These data suggest that affluent patterns of economic production and local and long-distance exchange were established within northern Belize by the eleventh century, and continued to develop, virtually uninterrupted, until the time of Spanish arrival. In addition, Masson analyzes contemporary political and religious artistic traditions at the temples of Mayapan, Tulum, and Santa Rita to provide a regional context for the changes in community patterns at Laguna de On. These cultural changes, she maintains, are closely correlated with the rise of Mayapan to power and participation of sites like Laguna de On in a pan-lowland economic and ritual interaction sphere. Offering a thoroughly new interpretation of Postclassic Mayan civilization. In the Realm of Nachan Kan is a must for scholars of Mesoamerican history and culture.
From the world's most controversial rock star comes his shocking, confessional and revealing life story. In The Long Hard Road Out of Hell, Marilyn Manson candidly and vividly recounts his metamorphosis from a frightened Christian schoolboy into the most feared and revered celebrity in America. A cross-dressing grandfather, a sexually abusive neighbor, a brainwashing faith healer and a schoolteacher searching for satanic messages in rock songs are only a few of the characters who populate his bizarre childhood. From backstage to jail cells, from recording studios to emergency rooms, from the pit of despair to the top of the charts, The Long Hard Road Out of Hell chronicles Manson's rise to fame at the price of his humanity and his descent through the circles of Dante's Inferno: Lust, Violence and Treachery. His story is illustrated with dozens of previously unpublished photographs, and it features a behind-the-scenes account of his headline-grabbing Dead to the World Tour -- vilified, banned and protested by politicans, preachers and parents alike. In his 29 years, Manson has experienced more than most people have -- or would want to -- in a lifetime.
Kukulkan's Realm chronicles the fabric of socioeconomic relationships and religious practice that bound the Postclassic Maya city of Mayapán's urban residents together for nearly three centuries. Presenting results of ten years of household archaeology at the city, including field research and laboratory analysis, the book discusses the social, political, economic, and ideological makeup of this complex urban center. Masson and Peraza Lope's detailed overview provides evidence of a vibrant market economy that played a critical role in the city's political and economic success. They offer new perspectives from the homes of governing elites, secondary administrators, affluent artisans, and poorer members of the service industries. Household occupational specialists depended on regional trade for basic provisions that were essential to crafting industries, sustenance, and quality of life. Settlement patterns reveal intricate relationships of households with neighbors, garden plots, cultivable fields, thoroughfares, and resources. Urban planning endeavored to unite the cityscape and to integrate a pluralistic populace that derived from hometowns across the Yucatán peninsula. New data from Mayapán, the pinnacle of Postclassic Maya society, contribute to a paradigm change regarding the evolution and organization of Maya society in general and make Kukulkan's Realm a must-read for students and scholars of the ancient Maya and Mesoamerica.
Kukulcan's Realm chronicles the fabric of socioeconomic relationships and religious practice that bound the Postclassic Maya city of Mayapán's urban residents together for nearly three centuries. Presenting results of ten years of household archaeology at the city, including field research and laboratory analysis, the book discusses the social, political, economic, and ideological makeup of this complex urban center. Masson and Peraza Lope's detailed overview provides evidence of a vibrant market economy that played a critical role in the city's political and economic success. They offer new perspectives from the homes of governing elites, secondary administrators, affluent artisans, and poorer members of the service industries. Household occupational specialists depended on regional trade for basic provisions that were essential to crafting industries, sustenance, and quality of life. Settlement patterns reveal intricate relationships of households with neighbors, garden plots, cultivable fields, thoroughfares, and resources. Urban planning endeavored to unite the cityscape and to integrate a pluralistic populace that derived from hometowns across the Yucatán peninsula. New data from Mayapán, the pinnacle of Postclassic Maya society, contribute to a paradigm change regarding the evolution and organization of Maya society in general and make Kukulcan's Realm a must-read for students and scholars of the ancient Maya and Mesoamerica.
Fragments is an event—an unforgettable book that will redefine one of the greatest icons of the twentieth century and that, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity. Marilyn's image is so universal that we can't help but believe we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety—and by the way the camera fell helplessly in love with her. Beyond the headlines—and the too-familiar stories of heartbreak and desolation—was a woman far more curious, searching, witty, and hopeful than the one the world got to know. Now, for the first time, readers can meet the private Marilyn and understand her in a way we never have before. Fragments is an unprecedented collection of written artifacts—notes to herself, letters, even poems—in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. Jotted in notebooks, typed on paper, or written on hotel letterhead, these texts reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny, and impossibly charming. The easy grace and deceptive lightness that made her performances indelible emerge on the page, as does the simmering tragedy that made her last appearances so affecting.
Fulfilling Marilyn Monroe's dream of putting together a picture book-autobiography, the author, a personal friend of Marilyn's, provides a fascinating glimpse into her life, in this stunning tribute to one of America's most beloved celebrities, who would have been seventy-five years old on June 1, 2001. Reprint.
Written at the height of her fame but not published until over a decade after her death, this autobiography of actress and sex symbol Marilyn Monroe (1926-1962) poignantly recounts her childhood as an unwanted orphan, her early adolescence, her rise in the film industry from bit player to celebrity, and her marriage to Joe DiMaggio. In this intimate account of a very public life, she tells of her first (non-consensual) sexual experience, her romance with the Yankee Clipper, and her prescient vision of herself as "the kind of girl they found dead in the hall bedroom with an empty bottle of sleeping pills in her hand." The Marilyn in these pages is a revelation: a gifted, intelligent, vulnerable woman who was far more complex than the unwitting sex siren she portrayed on screen. Lavishly illustrated with photos of Marilyn, this special book celebrates the life and career of an American icon—-from the unique perspective of the icon herself.
Parade" magazine's resident genius compiles the best of her recent question-and-answer columns, logically tackling the mysteries of the universe, and offering brainteasers and unique insights
Hollywood, c'est un endroit où l'on vous offre mille dollars d'un baiser et cinquante cents de votre âme. Je le sais, j'ai assez souvent refusé la première proposition et tenu bon pour les cinquante cents. " Marilyn Monroe, 1954 C'est en 1954 que l'agent de Marilyn, Charles Feldman, contacte Ben Hecht pour lui demander d'aider l'actrice à écrire ses mémoires. À 28 ans, elle a déjà tourné une vingtaine de films, dont ses premiers succès – Niagara et Les hommes préfèrent les blondes – et elle est lasse des inventions et potins des feuilles à scandales. Elle lui dicte les mots qu'il couche sur papier. Pour des raisons personnelles, elle ne poursuit pas ces séances de travail, mais confie le texte inachevé au photographe Milton Greene, son ami de toujours. Publiés aux États-Unis et en France en 1974, ces textes de jeunesse, intimes et bouleversants, politiques et féministes, sont une révélation. Qui était Marilyn Monroe ? Qui se cache derrière la pétillante blonde qui va mettre fin à ses jours à 36 ans, en pleine gloire ? Lire cette Confession inachevée, c'est se rapprocher d'elle, entendre sa voix bien reconnaissable dévoiler les deux faces de sa personnalité, les étapes de sa brève existence. D'abord Norma Jean, l'enfant dont la mère est internée, ballottée entre différentes familles d'accueil. La jeune fille crie son manque d'amour et son besoin constant d'attirer l'attention. Puis Marilyn, le sex-symbol qui côtoie et déteste Hollywood, avec ses ratés, ses dragueurs et ses escrocs, qui se heurte à la jalousie des femmes, mais reste lucide sur la tragédie de son milieu d'adoption.
Marilyn Monroe's image is so universal that we can't help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety -- and the way the camera fell helplessly in love with her. But what of the other Marilyn? Beyond the headlines -- and the too-familiar stories of heartbreak and desolation -- was a woman far more curious, searching and hopeful than the one the world got to know. Even as Hollywood studios tried to mold and suppress her, Marilyn never lost her insight, her passion, and her humour. To confront the mounting difficulties of her life, she wrote. Now, for the first time, we can meet this private Marilyn and get to know her in a way we never have before. Fragments is an unprecedented collection of written artifacts -- notes to herself, letters, even poems -- in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. These bits of text--jotted in notebooks, typed on paper or written on hotel letterhead -- reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny and impossibly charming. The easy grace and deceptive lightness that made her performances so memorable emerge on the page, as does the simmering tragedy that made her last appearances so heartbreaking. Fragments is an event -- an unforgettable book that will redefine one of the greatest stars of the twentieth century and which, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity.
Parade" magazine's resident genius compiles the best of her question-and-answer column that logically tackles the mysteries of the universe, brainteasers, and unique insights
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