Nearly half of all new woodworkers are female--but few guides focus especially on their needs. Here’s one that does. Written by professional woodworker Marilyn MacEwen, it gives women the skills and confidence to enter this traditionally masculine preserve, from mastering complex techniques to handling advanced projects. In detail, MacEwen covers wood types and their characteristics, shows how to set up an efficient workshop, discusses and demystifies tools, explains how to read woodworking plans, and offers 16 practical and great-looking items to make, including a bed, chair, CD cabinet, and dining room table. Plus, there are invaluable tips on the ergonomics of working with wood with a woman’s physique, and how to deal with the macho culture of the lumberyard.
Fulfilling Marilyn Monroe's dream of putting together a picture book-autobiography, the author, a personal friend of Marilyn's, provides a fascinating glimpse into her life, in this stunning tribute to one of America's most beloved celebrities, who would have been seventy-five years old on June 1, 2001. Reprint.
Nearly half of all new woodworkers are female--but few guides focus especially on their needs. Here’s one that does. Written by professional woodworker Marilyn MacEwen, it gives women the skills and confidence to enter this traditionally masculine preserve, from mastering complex techniques to handling advanced projects. In detail, MacEwen covers wood types and their characteristics, shows how to set up an efficient workshop, discusses and demystifies tools, explains how to read woodworking plans, and offers 16 practical and great-looking items to make, including a bed, chair, CD cabinet, and dining room table. Plus, there are invaluable tips on the ergonomics of working with wood with a woman’s physique, and how to deal with the macho culture of the lumberyard.
Echos of Frederico García Lorca, Yiannis Ritsons, and Rumi add exoticism to this poet's deceptively simple style. Combining confession with analytical rigor, most of these poems are variations on classic themes, but they are driven by the particulars of politics, love, and family life. As the poems progress, repeated symbols--such as cars, coats, cups, rooms, bees, and roses--begin to hint that the poet has a secret recipe for contentment: home and hearth, travel, warm weather, and a belief in human growth.
Marilyn Monroe's image is so universal that we can't help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety -- and the way the camera fell helplessly in love with her. But what of the other Marilyn? Beyond the headlines -- and the too-familiar stories of heartbreak and desolation -- was a woman far more curious, searching and hopeful than the one the world got to know. Even as Hollywood studios tried to mold and suppress her, Marilyn never lost her insight, her passion, and her humour. To confront the mounting difficulties of her life, she wrote. Now, for the first time, we can meet this private Marilyn and get to know her in a way we never have before. Fragments is an unprecedented collection of written artifacts -- notes to herself, letters, even poems -- in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. These bits of text--jotted in notebooks, typed on paper or written on hotel letterhead -- reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny and impossibly charming. The easy grace and deceptive lightness that made her performances so memorable emerge on the page, as does the simmering tragedy that made her last appearances so heartbreaking. Fragments is an event -- an unforgettable book that will redefine one of the greatest stars of the twentieth century and which, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity.
To describe the writing of Marilyn Dumont is to call her a poet of reclamation and resurgence. Some thirty-five years ago she set about documenting her life as a young Métis woman and telling the story of her people, the Red River Métis, and, in the process, she has become a principal literary voice for the “Renaissance” of the Métis nation. To understand Marilyn Dumont’s work is to understand Métis culture and history, that of a people who originated in the 17thth century upon the meeting of the First Nations and the newcomers, the European voyageurs and cartographers who travelled along the great waterways of Turtle Island/ North America. How does a Métis poet write about a country where its politicians and bureaucrats are honoured as national figures when they made family fortunes from confiscated Métis and First Nations lands? For Dumont, the answer to this question resides in telling the truth, about the present and the past. Through carefully crafted poems, Dumont takes the reader through a range of personal and historically connected experiences grounded in emotional truth. For Dumont, perception, like memory, is as much about the body as it is the mind, surfacing as visionary insight, which has become the hallmark of her poetry. Reclamation and Resurgence contains poems selected from A Really Good Brown Girl, green girl dreams Mountains, from that tongued belonging, and The Pemmican Eaters, as well as previously uncollected poems, and includes an introduction by Armand Garnet Ruffo and an afterword, "Contradictory Co-existence," by Marilyn Dumont.
Parade" magazine's resident genius compiles the best of her recent question-and-answer columns, logically tackling the mysteries of the universe, and offering brainteasers and unique insights
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