What is conversion? How does it come about? What preparations must a person make? Harran traces the evolution of Luther's views on these questions, treating his early years as an Augustinian monk, the beginnings of his work as a reformer, and his final evangelical breakthrough, during which he realized the full theological implications of his religious stance. Harran studies Luther's changing interpretations of conversion in his exegetical writings on the Psalms, Romans, Hebrews, and Galatians, in sermons and letters, and in early reform writings, and she considers the relation of conversion to faith, justification, and grace, concepts traditionally viewed as the cornerstones of Luther's mature theology. Introducing new and compelling evidence to the heated debate about Luther's own conversion, she analyzes the accuracy of his later recollections of his "Tower Experience" and its dating. Insightful and innovative, Luther on Conversion will be welcomed by anyone interested in Luther and in the revolution in faith that he brought about.
What is conversion? How does it come about? What preparations must a person make? Harran traces the evolution of Luther's views on these questions, treating his early years as an Augustinian monk, the beginnings of his work as a reformer, and his final evangelical breakthrough, during which he realized the full theological implications of his religious stance. Harran studies Luther's changing interpretations of conversion in his exegetical writings on the Psalms, Romans, Hebrews, and Galatians, in sermons and letters, and in early reform writings, and she considers the relation of conversion to faith, justification, and grace, concepts traditionally viewed as the cornerstones of Luther's mature theology. Introducing new and compelling evidence to the heated debate about Luther's own conversion, she analyzes the accuracy of his later recollections of his "Tower Experience" and its dating. Insightful and innovative, Luther on Conversion will be welcomed by anyone interested in Luther and in the revolution in faith that he brought about.
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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