Marilyn Cavicchia gives vivid voices to the drivers and passengers traveling a rainy stretch of freeway in eastern Ohio. She conjures distinctive verbal identities for each of her personae, and each poem’s vignette delights the imagination and the ear. A further joy is to trace the “secret rivers” of relationship among these characters: between the anti-fracking activist and the grandmother looking forward to a check for the drilling rights to her yard; between the divorced father driving a balloon van and the road-ragey driver of the Chrysler behind him; between the energy contractors new to the community and the locals in whom the rapid changes inspire both bewilderment and hope. Cavicchia’s brilliant poems precisely observe the details of life in this city—yet her Ohio freeway represents every motorway in America, where rivers of vehicles propel their occupants toward regret, nostalgia, and inevitable transformation. — Jennifer Bullis, author of Impossible Lessons Cavicchia knows that the true soul of any place resides not in its well-trod highways and main streets, but rather down the psychological back roads traversed only by locals, though well known to everyone. Like shorthand Sherwood Anderson, each of these compact poems maps the crossroads of boom and bust, of loyalty and betrayal, of prejudice and unfulfilled dreams that haunt virtually every small American town whose inhabitants are exploited as much by their own well-intentioned fears as any outside interests. — William P. Tandy, editor/publisher of Smile, Hon, You're in Baltimore! The residents in Secret Rivers navigate a community coming apart at the seams; we’re privy, poem by poem, to the thoughts that worry below the surface of ordinary encounters. With language both spare and intimate, Cavicchia explores isolation, resentment, polite existence, and occasional rivulets of hope, of people facing the inevitable advance by an unnamed company promising big payoff and no risk, in exchange for permission to rive what lies underneath a dying town’s yards and land. “So many decades beyond saving/ that fear begins to look like hope,” we read. These poems remind us to listen, to each other and ourselves. —Valerie Wallace, author of The Dictators’ Guide to Good Housekeeping
Marilyn Monroe's image is so universal that we can't help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety -- and the way the camera fell helplessly in love with her. But what of the other Marilyn? Beyond the headlines -- and the too-familiar stories of heartbreak and desolation -- was a woman far more curious, searching and hopeful than the one the world got to know. Even as Hollywood studios tried to mold and suppress her, Marilyn never lost her insight, her passion, and her humour. To confront the mounting difficulties of her life, she wrote. Now, for the first time, we can meet this private Marilyn and get to know her in a way we never have before. Fragments is an unprecedented collection of written artifacts -- notes to herself, letters, even poems -- in Marilyn's own handwriting, never before published, along with rarely seen intimate photos. These bits of text--jotted in notebooks, typed on paper or written on hotel letterhead -- reveal a woman who loved deeply and strove to perfect her craft. They show a Marilyn Monroe unsparing in her analysis of her own life, but also playful, funny and impossibly charming. The easy grace and deceptive lightness that made her performances so memorable emerge on the page, as does the simmering tragedy that made her last appearances so heartbreaking. Fragments is an event -- an unforgettable book that will redefine one of the greatest stars of the twentieth century and which, nearly fifty years after her death, will definitively reveal Marilyn Monroe's humanity.
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