Vivienne Bernard has been in love with Eureka front man, Logen Anders, since she was twenty. The band’s global success has been phenomenal, garnering them millions of adoring fans worldwide. While every girl professes her love for the handsome trio from Norway, Vivienne knows that what she feels for Logen is different, but given the unlikelihood of their meeting, Logen remains a distant and unfulfilled yearning. Thirty years later, Vivienne travels thousands of miles from her Caribbean home to the land of the Vikings to attend a Eureka concert. Her chance encounter with a handsome but exasperating stranger has her temper flaring. The adventure of a lifetime begins when she realizes that the stranger she’d like to murder is none other than the object of her lifelong desire: Logen Anders. During her four-day stay in beautiful Norway, Logen awakens feelings in Vivienne she thought she would never experience again. Nonstop Oslo takes her on a journey of emotional and sexual awakening, while offering Logen the unexpected gift of a second chance. Though he admires Vivienne’s fierce independence, his ultimate desire is to protect, carry, and cherish the woman who has turned his world upside-down.
Dior's career, a veritable fairy tale, is set in a rich tapestry of Paris cultural life before, during, and after the war. Much of Dior's daily inspiration emanated from the world of the intellectual and artistic elite, in which be moved with such people as Erik Satie, Francis Poulenc, Henry Sauguet, Jean Cocteau, and Raoul Dufy. Born at the end of an era in which luxury seemed reserved only for the happy few, Dior again revolutionized the world of fashion by introducing, in the early 1950s, "ready-to-wear" in his Dior Boutique. Until then, couturiers had worked essentially if not exclusively for the very rich and famous. With his boutique, Dior brought high fashion to the world at large. Marie-France Pochna guides us skillfully through the constellation of Paris high-fashion luminaries: Lanvin, Balenciaga, Lelong, Hermes, Givenchy, and Jacques Fath. Rivalries and gossip might have divided the fiefdoms, but absolute perfection in design and high standards of fashion united the Paris "family" of haute couture. From 1947, when the House of Dior was established on Avenue Montaigne near the Champs Elysees and burst upon the scene following its first collection, we follow the Duchess of Windsor, Olivia de Havilland, Greta Garbo, Marlene Dietrich, Ingrid Bergman, and many more society celebrities and film stars - all Dior clients - to their fitting rooms.
How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature's Russian Soul charts the interplay of narrative innovation and political isolation in two of the world's most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing's “Golden Age” in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of "global" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for a more locally involved scale of literary enquiry with more truly global horizons.
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