This major new textbook explores the relations between gender and archaeology, providing an innovative and important account of how material culture is used in the construction of gender. Throughout this lively and accessible text, Sorensen engages with the question of how gender is materially constituted, and examines the intersection of social and material concerns from the Palaeolithic Age to the present day. Part One discusses a range of important general issues, beginning with an overview of the recent role of gender and gender relations in our appropriation of past societies. After introducing the debate about feminist or gender archaeology, Sorensen examines archaeology's concern with the sex/gender distinction, the nature of negotiation, and feminist epistemological claims in relation to archaeology. In Part Two, the author focuses on the materiality of gender, exploring it through case studies ranging from prehistory to contemporary society. Food, dress, space and contact are examined in turn, to show how they express and negotiate gender roles. This illustrated textbook will be essential reading for students and scholars in archaeology, anthropology, material culture studies and women's studies.
Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.
Archaeologists are increasingly aware of issues of gender when studying past societies; women are becoming better represented within the discipline and are attaining top academic posts. However, until now there has been no study undertaken of the history of women in European archaeology and their contribution to the development of the discipline. Excavating Women discusses the careers of women archaeologists such as Dorothy Garrod, Hanna Rydh and Marija Gimbutas, who against all odds became famous, as well as the many lesser-known personalities who did important archaeological work. The collection spans the earliest days of archaeology as a discipline to the present, telling the stories of women from Scandinavia, Mediterranean Europe, Britain, France, Germany and Poland. The chapters examine women's contributions to archaeology in the context of other, often socio-political, factors that affected their lives. It examines issues such as women's increased involvement in archaeological work during and after the two World Wars, and why so many women found it more acceptable to work outside of their native lands. This critical assessment of women in archaeology makes a major contribution to the history of archaeology. It reveals how selective the archaeological world has been in recognizing the contributions of those who have shaped its discipline, and how it has been particularly inclined to ignore the achievements of women archaeologists. Excavating Women is essential reading for all students, teachers and researchers in archaeology who are interested in the history of their discipline and its sociopolitics.
Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.
This major new textbook explores the relations between gender and archaeology, providing an innovative and important account of how material culture is used in the construction of gender. Throughout this lively and accessible text, Sorensen engages with the question of how gender is materially constituted, and examines the intersection of social and material concerns from the Palaeolithic Age to the present day. Part One discusses a range of important general issues, beginning with an overview of the recent role of gender and gender relations in our appropriation of past societies. After introducing the debate about feminist or gender archaeology, Sorensen examines archaeology's concern with the sex/gender distinction, the nature of negotiation, and feminist epistemological claims in relation to archaeology. In Part Two, the author focuses on the materiality of gender, exploring it through case studies ranging from prehistory to contemporary society. Food, dress, space and contact are examined in turn, to show how they express and negotiate gender roles. This illustrated textbook will be essential reading for students and scholars in archaeology, anthropology, material culture studies and women's studies.
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