In Memories of an Impossible Future: Mehdi Akhavān Sāles and the Poetics of Time Marie Huber traces the quest for a modern language of poetry through different figurations of temporality in the works of one of Iran’s foremost poets. Akhavān is placed in dialogue with European thinkers and emerges as an original voice in world literature. Chapters examine aspects of rhythm and metaphor, messianism and historicity, and functions of time in Akhavān’s lyric and epic poems. Through a range of close readings Huber seeks to understand Akhavān’s texts as crystallisations of a historical moment, both rooted in the Persian tradition and pointing beyond it. Her analyses combine attention to philological detail with meditations on the philosophical significance of Akhavān’s poetics.
Was passiert, wenn man in die Tiefen menschlicher Erfahrung hinabsteigt und sie gründlich ausleuchtet? Wagen Sie den Sprung in die Tiefe? Haben Sie Mut, sich Ihres eigenen Scheinwerferstrahls zu bedienen!
The history of development has paid only little attention to cultural projects. This book looks at the development politics that shaped the UNESCO World Heritage programme, with a case study of Ethiopian World Heritage sites from the 1960s to the 1980s. In a large-scale conservation and tourism planning project, selected sites were set up and promoted as images of the Ethiopian nation. This story serves to illustrate UNESCO’s role in constructing a “useful past” in many African countries engaged in the process of nation-building. UNESCO experts and Ethiopian elites had a shared interest in producing a portfolio of antiquities and national parks to underwrite Ethiopia’s imperial claims to regional hegemony with ancient history. The key findings of this book highlight a continuity in Ethiopian history, despite the political ruptures caused by the 1974 revolution and UNESCO’s transformation from knowledge producer to actual provider of development policies. The particular focus on the bureaucratic and political practices of heritage, bridges a gap between cultural heritage studies and the history of international organisations. The result is a first study of the global discourse on heritage as it emerged in the 1960s development decade.
Rose-Marie and Rainer Hagen provide answers to these and other questions about world-famous works of art. Guiding our eye to revealing details, they also shed fascinating light on fishions and lifestyles, loves and intrigues, politics and people, and transform our encounter with art into an exciting adventure. Book jacket.
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