In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.
In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.
A broad and eloquent study on the relatively overlooked population of single women in the slaveholding South Single, White, Slaveholding Women in the Nineteenth-Century American South investigates the lives of unmarried white women—from the pre- to the post-Civil War South—within a society that placed high value on women's marriage and motherhood. Marie S. Molloy examines female singleness to incorporate non-marriage, widowhood, separation, and divorce. These single women were not subject to the laws and customs of coverture, in which females were covered or subject to the governance of fathers, brothers, and husbands, and therefore lived with greater autonomy than married women. Molloy contends that the Civil War proved a catalyst for accelerating personal, social, economic, and legal changes for these women. Being a single woman during this time often meant living a nuanced life, operating within a tight framework of traditional gender conventions while manipulating them to greater advantage. Singleness was often a route to autonomy and independence that over time expanded and reshaped traditional ideals of southern womanhood. Molloy delves into these themes and their effects through the lens of the various facets of the female life: femininity, family, work, friendship, law, and property. By examining letters and diaries of more than three hundred white, native-born, southern women, Molloy creates a broad and eloquent study on the relatively overlooked population of single women in both the urban and plantation slaveholding South. She concludes that these women were, in various ways, pioneers and participants of a slow, but definite process of change in the antebellum era.
Nearly 250 years after ninety-five-year-old Elder Thomas Faunce got caught up in the mythmaking around Plymouth Rock, his great-great-great-great-great-granddaughter Hilda Faunce Wetherill died in Pacific Grove, California, leaving behind a cache of letters and family papers. The remarkable story they told prompted historian Lynne Marie Getz to search out related collections and archives—and from these to assemble a family chronology documenting three generations of American life. Abolitionists, Doctors, Ranchers, and Writers tells of zealous abolitionists and free-state campaigners aiding and abetting John Brown in Bleeding Kansas; of a Civil War soldier serving as a provost marshal in an occupied Arkansas town; of young women who became doctors in rural Texas and New York City in the late nineteenth century; of a homesteader and businessman among settler colonists in Colorado; and of sisters who married into the Wetherill family—known for their discovery of Ancient Pueblo sites at Mesa Verde and elsewhere—who catered to a taste for Western myths with a trading post on a Navajo reservation and a guest ranch for tourists on the upper Rio Grande. Whether they tell of dabbling in antebellum reforms like spiritualism, vegetarianism, and water cures; building schools for free blacks in Ohio or championing Indian rights in the West; serving in the US Army or confronting the struggles of early women doctors and educators, these letters reveal the sweep of American history on an intimate scale, as it was lived and felt and described by individuals; their family story reflects the richness and complexity of the genealogy of the nation.
“This edgy and resourceful analysis” of the early twentieth century preacher “expands our understanding of a critical period in the black church experience” (Shayne Lee, author of T. D. Jakes: America's New Preacher). In 1919, Charles Manuel “Sweet Daddy” Grace founded the United House of Prayer for All People—long regarded as one of the most extreme Pentecostal sects in the country. The flamboyant Grace wore purple suits with glitzy jewelry, purchased high profile real estate, and conducted baptisms in city streets with a fire hose. He was also reputed to accept massive donations from his poverty-stricken followers and use the money to live lavishly. Though Grace appeared to be the glue that held this church together, it has continued to thrive long after his death in 1960. After a period of restructuring and streamlining, the House of Prayer remains active with a national membership in the tens of thousands. In Daddy Grace, Marie W. Dallam offers both a religious history of the House of Prayer and an intellectual history of its colorful and enigmatic leader. Dallam examines the religious nature of the House of Prayer, the dimensions of Grace’s leadership strategies, and the connections between his often ostentatious acts and the intentional infrastructure of the church itself. Furthermore, woven through the text are analyses of the race, class, and gender issues manifest in the House of Prayer structure under Grace’s aegis.
Harlequin® Special Edition brings you three new titles for one great price, available now! These are heartwarming, romantic stories about life, love and family. This Special Edition box set includes: Rancher to the Rescue (A Men of the West novel) By USA TODAY bestselling author Stella Bagwell Mack Barlow may have broken Dr. Grace Hollister’s heart in high school, but sparks still fly when the now-single father walks into her medical clinic. His young daughter is adorable. And he’s…too dang sexy by far! Can a very busy divorced mom take a second chance on loving the man who once left her behind? Matchmaker on the Ranch (A Forever, Texas novel) By USA TODAY bestselling author Marie Ferrarella Rancher Chris Parnell has known Rosemary Robinson all his life. But working side by side with the beautiful vet to diagnose the sickness affecting his cattle kicks him completely out of his friend zone! Roe can’t deny the attraction sizzling between them. But will her friend with benefits stick around once the cattle mystery is solved? Diving into Forever (A Love at Hideaway Wharf novel) By USA TODAY bestselling author Laurel Greer Chef Kellan Murphy is determined to fulfill his sister’s dying wish. But placing an ocean-fearing man in a scuba diving class is ridiculous! Instructor Sam Walker can’t resist helping the handsome wannabe diver overcome his fears. And their unexpected connection is the perfect remedy for Sam’s own hidden pain… For more relatable stories of love and family, look for Harlequin Special Edition August 2023 – Box Set 1 of 2
The deprivations and cruelty of slavery have overshadowed our understanding of the institution's most human dimension: birth. We often don't realize that after the United States stopped importing slaves in 1808, births were more important than ever; slavery and the southern way of life could continue only through babies born in bondage. In the antebellum South, slaveholders' interest in slave women was matched by physicians struggling to assert their own professional authority over childbirth, and the two began to work together to increase the number of infants born in the slave quarter. In unprecedented ways, doctors tried to manage the health of enslaved women from puberty through the reproductive years, attempting to foster pregnancy, cure infertility, and resolve gynecological problems, including cancer. Black women, however, proved an unruly force, distrustful of both the slaveholders and their doctors. With their own healing traditions, emphasizing the power of roots and herbs and the critical roles of family and community, enslaved women struggled to take charge of their own health in a system that did not respect their social circumstances, customs, or values. Birthing a Slave depicts the competing approaches to reproductive health that evolved on plantations, as both black women and white men sought to enhance the health of enslaved mothers--in very different ways and for entirely different reasons. Birthing a Slave is the first book to focus exclusively on the health care of enslaved women, and it argues convincingly for the critical role of reproductive medicine in the slave system of antebellum America.
An attention grabbing and keeping book. This is the first book that I have read from Aimee." Pat From the author of Best-selling Kindles, "Angelica, You Have Chosen Well," "My Name Is Not Saul" & "The Satan Seduction. "A PARANORMAL MONSTER APPEARS THROUGH A PORTAL SNATCHING AN EIGHT-YEAR-OLD BOY, FLEEING THROUGH A PORTAL. IN ONE SPLIT SECOND, THE CHILD IS GONE. THINGS HEAT UP WHEN ONE WEEK LATER, IT RETURNS FOR A SECOND KID. NO ONE BELIEVES THIS SINGLE MOTHER'S ACCOUNT, SAVE AN INFAMOUS CRIME JOURNALIST SUFFERING FROM BOREDOM, AIDEN JENSON. AND THE INVESTIGATION BEGINS. After digging into this case, and remaining at single mother Grace's house, the kidnappings occur every Thursday. One by one, her children are taken while they sleep in the night. Aiden soon discovers the mysterious pattern and seeks the help of a well-renown doctor. Aiden realizes the only way to find the missing children is to enter the gateway. (Thank you! DISCLAIMER 11-17 should have parental consent. Blessings readers!)
Imagine a Christian-themed puzzle book where you can solve the puzzles without knowing anything about God. This is that book! Logic puzzles are grid-based puzzles that rely on a set of clues to be solved. If youve never done logic puzzles before, there is a tutorial section. Plus, all the puzzles are educational. The topics include Christian scientists, the Trinity, spiritual gifts, song writers, mission trips, and more. A short description precedes each puzzle. Dont forget to read the reference Bible verses! One last thinghave fun.
Eager to challenge social norms during the Victorian age, Louise Pound was an iconoclast responsible for challenging America¿s views on women, academics, and sports. Discarding the traditional corset to accommodate her sports activities, her athletic prowess resulted in her being a world-class athlete in both tennis and golf. She became a local legend after winning several matches against her male contemporaries. She is now recognized for having layed the social groundwork for female athletes like ¿Babe¿ Didrikson Zaharias. Unable to get accepted into an American post-graduate program, she battled institutional sexism and obtained her Ph.D. in Germany in less than a year. She soon became a world-renowned philologist, American folklorist and educator, and she was the first academician to advocate the recognition of American English as a distinct language from that spoken in Great Britain. Although she is often known for little more than being the love interest of lesbian author Willa Cather, the author debunks such claims, giving sound evidence that the attraction was not reciprocated.
In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.
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