Until 1806, Rabbi Nahman of Bratslav (1772–1810) disseminated his thoughts on redemption through homilies. In 1806, however, Nahman chose the genre of tales as an additional and innovative means of religious discourse. An academic close reading of all of the tales, known as Sippurey Ma’asiyot, has not yet been undertaken. As the first comprehensive scholarly work on the whole selection of tales and contrary to previous scholarship, this book does not reduce the tales to biographical expressions of Nahman’s tormented soul and messianic aspirations. Instead, it treats them as religious literature where the concept of “intertextuality” is considered essential to explain how Nahman defines his theology of redemption and invites his listeners and readers to appropriate his religious world-view.
The story of two Wayne State University students who were separated by World War II, told through the letters that they exchanged. Robert E. Quirk and his future wife, Marianne, were both Wayne State University students when they met and fell in love in 1941, but they were quickly parted when Quirk was drafted. Decades after their marriage and the end of the war, Quirk shares the letters they exchanged during World War II. The letters in When You Come Home paint a vivid picture of the couple’s growing personal relationship alongside the politics of wartime, both overseas and on the homefront. As Quirk writes of combat in France and details reactions abroad to the bombing of Pearl Harbor, Marianne describes the impact of these events back in Detroit. When You Come Home also reveals personal glimpses of life in the 1940s, as the two exchange everyday stories about their families and the cities they live in and visit, about their studies at Wayne State, and about their jobs. Quirk’s letters are presented along with commentary about his experiences at the time, giving the letters additional context and meaning. This volume also includes a foreword by former Detroit Free Press publisher Neal Shine. For readers curious about day-to-day life during World War II, When You Come Home will be a fascinating and personal glimpse into the time period.
This is the first book that engages with the history of diagrams in physical, evolutionary, and genetic anthropology. Since their establishment as scientific tools for classification in the eighteenth century, diagrams have been used to determine but also to deny kinship between human groups. In nineteenth-century craniometry, they were omnipresent in attempts to standardize measurements on skulls for hierarchical categorization. In particular the ’human family tree’ was central for evolutionary understandings of human diversity, being used on both sides of debates about whether humans constitute different species well into the twentieth century. With recent advances in (ancient) DNA analyses, the tree diagram has become more contested than ever―does human relatedness take the shape of a network? Are human individual genomes mosaics made up of different ancestries? Sommer examines the epistemic and political role of these visual representations in the history of ‘race’ as an anthropological category. How do such diagrams relate to imperial and (post-)colonial practices and ideologies but also to liberal and humanist concerns? The Diagrammatics of 'Race' concentrates on Western projects from the late 1700s into the present to diagrammatically define humanity, subdividing and ordering it, including the concomitant endeavors to acquire representative samples―bones, blood, or DNA―from all over the world. Contributing to the ‘diagrammatic turn’ in the humanities and social sciences, it reveals connections between diagrams in anthropology and other visual traditions, including in religion, linguistics, biology, genealogy, breeding, and eugenics.
A pair of silver Regency candlesticks. Pieces of well-worn family jewelry. More than a thousand documents, letters, and photographs Lotte Meyerhoff's best friends risked their lives in Nazi Germany to safeguard these and other treasured heirlooms and mementos from her family and return them to her after the war. The Holocaust had left Lotte the lone survivor of her family, and these precious objects gave her back a crucial piece of her past. Four Girls from Berlin vividly recreates that past and tells the story of Lotte and her courageous non-Jewish friends Ilonka, Erica, and Ursula as they lived under the shadow of Hitler in Berlin. Written by Lotte's daughter, Marianne, this powerful memoir celebrates the unseverable bonds of friendship and a rich family legacy the Holocaust could not destroy. "What a delightful book, and important, too. It gives us the courage and inspiration to utterly reject the fatalistic idea that fratricide, polemic, and enmity between Christians and Jews is inevitable and unchangeable. Finally, it reminds us never to forget or fail to appreciate those forces of light that bear witness to, and instill hope for, mankind and our world."--Rabbi Yechiel Eckstein, President, International Fellowship of Christians and Jews "Four Girls From Berlin is an evocative story of friendship, challenged in the most sinister environment. For Christians, it echoes the words of Jesus, 'greater love hath no man than to lay down his life for his friends.' The friendship of these four women, three Christians and a Jew, speaks of a greater humanity that in the face of the Nazi horror could not be broken. I strongly recommend men and women of all faiths to learn from it."--The Venerable Lyle Dennen, Archdeacon, London, England
Until 1806, Rabbi Nahman of Bratslav (1772–1810) disseminated his thoughts on redemption through homilies. In 1806, however, Nahman chose the genre of tales as an additional and innovative means of religious discourse. An academic close reading of all of the tales, known as Sippurey Ma’asiyot, has not yet been undertaken. As the first comprehensive scholarly work on the whole selection of tales and contrary to previous scholarship, this book does not reduce the tales to biographical expressions of Nahman’s tormented soul and messianic aspirations. Instead, it treats them as religious literature where the concept of “intertextuality” is considered essential to explain how Nahman defines his theology of redemption and invites his listeners and readers to appropriate his religious world-view.
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