“A harrowing book about the horrors of motherhood, jealousy, and war trauma.” —Kirkus Reviews The Weight of Things is the first book, and the first translated book, and possibly the only translatable book by Austrian writer Marianne Fritz (1948–2007). For after winning acclaim with this novel—awarded the Robert Walser Prize in 1978—she embarked on a 10,000-page literary project called “The Fortress,” creating over her lifetime elaborate colorful diagrams and typescripts so complicated that her publisher had to print them straight from her original documents. A project as brilliant as it is ambitious and as bizarre as it is brilliant, it earned her cult status, comparisons to James Joyce no less than Henry Darger, and admirers including Elfriede Jelinek and W. G. Sebald. Yet in this, her first novel, we discover not an eccentric fluke of literary nature but rather a brilliant and masterful satirist, philosophically minded yet raging with anger and wit, who under the guise of a domestic horror story manages to expose the hypocrisy and deep abiding cruelties running parallel, over time, through the society and the individual minds of a century.
The first of the late Marianne Fritz's works to be translated into English. This dark gem of a novel swerves from uneasy pantomime comedy to sheer domestic horror. Fritz has a clammy handle on all that makes humans miserable: roll up for the horrors of jealousy, war, confinement, mental illness, regret and unhappy motherhood. The Weight of Things is the first book, and the first translated book by Austrian writer Marianne Fritz (1948-2007). After winning acclaim with this novel-awarded the Robert Walser Prize in 1978-she embarked on a brilliant and ambitious literary project called "The Fortress," which earned her cult status, comparisons to James Joyce, and admirers including Elfriede Jelinek and W. G. Sebald. Yet in this, her first novel, we discover not an eccentric fluke of literary nature but rather a brilliant and masterful satirist, philosophically minded yet raging with anger and wit, who under the guise of a domestic horror story manages to expose the hypocrisy and deep abiding cruelties running parallel, over time, through the society and the individual minds of a century.
Dieses Buch gibt den Inhalt des dritten von insgesamt 12 Modulen des Studienprogramms „European Bachelor of Inclusion Studies“ wieder. Aus der Perspektive Großbritanniens, Estlands, Schwedens und Deutschlands wird ein Überblick vermittelt über ausgewählte Probleme, Modelle und Rechtsgrundlagen europäischer Sozialpolitik. / This book is the third book of a total of 12 modules of the course of study “European Bachelor of Inclusion Studies”. From the perspective of the United Kingdom, Estonia, Sweden and Germany, an overview is given about selected problems, moduls and legal grounds of European social policy.
Maria's heroic spirit continued to assert itself in each generation as the family's women experienced the hardships of war and deprivation in Germany. From a few documented statistics about her great-great-grandmother and family lore, the author has fleshed out an inspirational tale that bridges the gap between herself and this intrepid ancestor. Marianne Tong has written both the English and the German versions in this bilingual book. The side-by-side format can greatly benefit readers who are interested in improving their understanding of either language.
A pair of silver Regency candlesticks. Pieces of well-worn family jewelry. More than a thousand documents, letters, and photographs Lotte Meyerhoff's best friends risked their lives in Nazi Germany to safeguard these and other treasured heirlooms and mementos from her family and return them to her after the war. The Holocaust had left Lotte the lone survivor of her family, and these precious objects gave her back a crucial piece of her past. Four Girls from Berlin vividly recreates that past and tells the story of Lotte and her courageous non-Jewish friends Ilonka, Erica, and Ursula as they lived under the shadow of Hitler in Berlin. Written by Lotte's daughter, Marianne, this powerful memoir celebrates the unseverable bonds of friendship and a rich family legacy the Holocaust could not destroy. "What a delightful book, and important, too. It gives us the courage and inspiration to utterly reject the fatalistic idea that fratricide, polemic, and enmity between Christians and Jews is inevitable and unchangeable. Finally, it reminds us never to forget or fail to appreciate those forces of light that bear witness to, and instill hope for, mankind and our world."--Rabbi Yechiel Eckstein, President, International Fellowship of Christians and Jews "Four Girls From Berlin is an evocative story of friendship, challenged in the most sinister environment. For Christians, it echoes the words of Jesus, 'greater love hath no man than to lay down his life for his friends.' The friendship of these four women, three Christians and a Jew, speaks of a greater humanity that in the face of the Nazi horror could not be broken. I strongly recommend men and women of all faiths to learn from it."--The Venerable Lyle Dennen, Archdeacon, London, England
A pair of silver Regency candlesticks. Pieces of well-worn family jewelry. More than a thousand documents, letters, and photographs Lotte Meyerhoff's best friends risked their lives in Nazi Germany to safeguard these and other treasured heirlooms and mementos from her family and return them to her after the war. The Holocaust had left Lotte the lone survivor of her family, and these precious objects gave her back a crucial piece of her past. Four Girls from Berlin vividly recreates that past and tells the story of Lotte and her courageous non-Jewish friends Ilonka, Erica, and Ursula as they lived under the shadow of Hitler in Berlin. Written by Lotte's daughter, Marianne, this powerful memoir celebrates the unseverable bonds of friendship and a rich family legacy the Holocaust could not destroy. "What a delightful book, and important, too. It gives us the courage and inspiration to utterly reject the fatalistic idea that fratricide, polemic, and enmity between Christians and Jews is inevitable and unchangeable. Finally, it reminds us never to forget or fail to appreciate those forces of light that bear witness to, and instill hope for, mankind and our world." —Rabbi Yechiel Eckstein, President, International Fellowship of Christians and Jews "Four Girls From Berlin is an evocative story of friendship, challenged in the most sinister environment. For Christians, it echoes the words of Jesus, 'greater love hath no man than to lay down his life for his friends.' The friendship of these four women, three Christians and a Jew, speaks of a greater humanity that in the face of the Nazi horror could not be broken. I strongly recommend men and women of all faiths to learn from it." —The Venerable Lyle Dennen, Archdeacon, London, England
A founder of contemporary social science, Max Weber was born in Germany in 1864. At his death 56 years later, he was nationally known for his scholarly and political writings, but it was the international reception of his oeuvre over the last forty years that has made him world-famous. "The Protestant Ethic and the Spirit of Capitalism," "The Economic Ethics of the World Religions" and his magnum opus, "Economy and Society," with its treatment of the relations of economics, politics, law and religion, belong to the great achievements of 20th-century social science. The groundwork for the posthumous Weber reception was laid by Weber's widow Marianne, a well-known feminist writer, who followed up her edition of his collected works with one of the greatest biographies in a generation that produced many important accounts of itself. Although unavailable in English until a decade ago, the importance of Marianne Weber's 1926 work had been widely understood. Sociologist Robert A. Nisbet called it "a moving and deeply felt biographical memoir." Historian Gerhard Masur cited the book as "the foundation of all further inquiries into Max Weber's life and influence." Beginning with Max's ancestry and early years, Marianne Weber guides us through his life as student, young lawyer, scholar and political writer, quoting liberally from his voluminous correspondence. Her account of his nervous breakdown after 1897, which curtailed his academic career but ultimately strengthened his creative energies, provides deep insight into some of the personal tensions that troubled him to the end. In addition to her perceptive personal and intellectual life before the First World War, describing many scholars, social reformers, politicians and literary figures within and beyond the famous Heidelberg circle of the Webers. The new introduction by Guenther Roth situates Marianne Weber's own role in the contemporary setting and discusses the current state of Weber research and of the international Weber reception.
Who needs Spirulina? We all do! Why? Because of infertile soils we can hardly get any energy from our food. The blue-green microalga is concentrated solar power because it contains all the colors of the spectrum and thus all frequencies of light, just like the water of Lourdes. M. E. Meyer was able to make the Blue-green Miracle known in German-speaking Europe and Russia through her same-named Spirulina bestseller and an appearance on Prime TV. Since then more and more people supplement their diets with the beneficial protein food. And more and more dentists use it for discharging amalgam and other poisons. Around the globe sensational studies and reports prove: With Spirulina we can strengthen our immune system as well as stand up to pain, depression, diabetes, MS, cataracts, allergies, anemia, arthritis, liver fibrosis, Parkinson's disease, and even AIDS, cancer, and radium rays. We need the Green Gold now more than ever because it strengthens the heart, makes you fit and slim, provides for healthy eyes, skin and hair and deacidifies and regenerates all organs. Particularly benefiting from Spirulina are the sick, convalescent, heavy workers, athletes, stressed mothers, hyperactive children, the elderly, busy managers and our pets. In the lovingly illustrated book with delicious recipes, the doctor of nutritionist has covered each chapter in note form and highlighted important parts. So cross-readers can attain a compact knowledge of the #1 superfood (AARP) in 30 minutes.
Smelting is an industrial process involving the extraction of metal from ore. During this process, impurities in ore—including arsenic, lead, and cadmium—may be released from smoke stacks, contaminating air, water, and soil with toxic-heavy metals. The problem of public health harm from smelter emissions received little official attention for much for the twentieth century. Though people living near smelters periodically complained that their health was impaired by both sulfur dioxide and heavy metals, for much of the century there was strong deference to industry claims that smelter operations were a nuisance and not a serious threat to health. It was only when the majority of children living near the El Paso, Texas, smelter were discovered to be lead-exposed in the early 1970s that systematic, independent investigation of exposure to heavy metals in smelting communities began. Following El Paso, an even more serious led poisoning epidemic was discovered around the Bunker Hill smelter in northern Idaho. In Tacoma, Washington, a copper smelter exposed children to arsenic—a carcinogenic threat. Thoroughly grounded in extensive archival research, Tainted Earth traces the rise of public health concerns about nonferrous smelting in the western United States, focusing on three major facilities: Tacoma, Washington; El Paso, Texas; and Bunker Hill, Idaho. Marianne Sullivan documents the response from community residents, public health scientists, the industry, and the government to pollution from smelters as well as the long road to protecting public health and the environment. Placing the environmental and public health aspects of smelting in historical context, the book connects local incidents to national stories on the regulation of airborne toxic metals. The nonferrous smelting industry has left a toxic legacy in the United States and around the world. Unless these toxic metals are cleaned up, they will persist in the environment and may sicken people—children in particular—for generations to come. The twentieth-century struggle to control smelter pollution shares many similarities with public health battles with such industries as tobacco and asbestos where industry supported science created doubt about harm, and reluctant government regulators did not take decisive action to protect the public’s health.
Contains a history of the subjects of space and astronomy, providing definitions and explanations of related topics, plus brief biographies of scientists of the twentieth century.
A lavishly illustrated history and critical appraisal of The Builders Association, an award-winning intermedia performance company, with detailed accounts of its major productions. This book begins with the building of a house, and the building of a company while building the house. It expands to look at the ideas found in various rooms, some of which expanded into virtual space while they still were grounded in the lives of the artists in the house. —from the preface by Marianne Weems The Builders Association, an award-winning intermedia performance company founded in 1994, develops its work in extended collaborations with artists and designers, working through performance, video, architecture, sound, and text to integrate live performance with other media. Its work is not only cross-media but cross-genre—fiction and nonfiction, unorthodox retellings of classic tales and multimedia stagings of contemporary events. This book offers a generously illustrated history and critical appraisal of The Builders Association, written by Shannon Jackson, a leading theater scholar, and Marianne Weems, the founder and artistic director of the company. It also includes critical meditations from such artists and scholars as Elizabeth Diller, Pico Iyer, Saskia Sassen, Kate Valk, and many others. Technological wizardry in the theater has a long history, going back to the deus ex machina of ancient Greek drama. The Builders Association makes its technological dependence visible, putting backstage technologies center stage and presenting architectural assemblies of screens and bodies. Jackson and Weems explore a series of major productions—from MASTER BUILDER (Ibsen by way of Gordon Matta-Clark) to SUPERVISION (an exploration of dataveillance) to HOUSE/DIVIDED (the foreclosure crisis juxtaposed with the Joads of Steinbeck's The Grapes of Wrath). Each work is described through a series of steps, including “R&D,” “Operating Systems,” “Storyboard,” and “Rehearsal/Assembly.” The Builders Association not only traces the evolution of an intermedial aesthetic practice but also tells a story about how a group makes the risky decision to make art in the first place.
American historians have long been fascinated by the "peopling" of North America in the seventeenth century. Who were the immigrants, and how and why did they make their way across the ocean? Most of the attention, however, has been devoted to British immigrants who came as free people or as indentured servants (primarily to New England and the Chesapeake) and to Africans who were forced to come as slaves. Trade in Strangers focuses on the eighteenth century, when new immigrants began to flood the colonies at an unprecedented rate. Most of these immigrants were German and Irish, and they were coming primarily to the middle colonies via an increasingly sophisticated form of transport. Wokeck shows how first the German system of immigration, and then the Irish system, evolved from earlier, haphazard forms into modern mass transoceanic migration. At the center of this development were merchants on both sides of the Atlantic who organized a business that enabled them to make profitable use of underutilized cargo space on ships bound from Europe to the British North American colonies. This trade offered German and Irish immigrants transatlantic passage on terms that allowed even people of little and modest means to pursue opportunities that beckoned in the New World. Trade in Strangers fills an important gap in our knowledge of America's immigration history. The eighteenth-century changes established a model for the better-known mass migrations of the nineteenth and twentieth centuries, which drew wave after wave of Europeans to the New World in the hope of making a better life than the one they left behind—a story that is familiar to most modern Americans.
*** 'A beautifully curated sourcebook of garden styles, with stunning images of gardens around the world from an internationally acclaimed photographer ... Whether purchased as an indulgent coffee-table book or an inspirational sourcebook, Garden Style could be equally useful to designers, landscapers and architects as a mood board to illustrate styles and help clients visualise their thoughts. I recommend reading this book several times: once for the pure indulgence of the glorious photography, again to absorb the description of each style, and yet to enjoy the inspirational ideas.' Gardens Illustrated 'With such a huge range of material, it far outweighs anything you'd get online. Plus, like all good books, it's wrapped up in a lovely package that's eminently dip-in-and-out-able. The curation of the content is on trend, consistent and inspiring ... Whether you're a lover of gardens, a style-hungry consumer or a professional designer, the book is full of inspiration. The numerous photos, great breadth of gardens and succinct writing all contribute to letting us work out what we like - and to finding our own garden style.' RHS The Garden Gardens have never been as important as they are today. The breadth of styles and types is hugely varied. Everything goes, whether inspired by the past or looking towards the future, from traditional vegetable plots to vertical gardens and from nature-filled designs to sleek, modernist creations. Choosing what suits your space can be a daunting prospect and everyone, even the professionals, needs help to realize opportunities and create outdoor spaces in tune with their personal needs and dreams. A garden is what we make it: there is no right or wrong way and each is unique. Richly illustrated by the photos of award-winning photographer Marianne Majerus and with illuminating text by landscape architect Heidi Howcroft, this book shows what is possible for every type of garden, from challenging small spaces to expansive plots. Design tools are explained, planting styles explored, and inspiration is drawn from a wide variety of locations and climates to appeal to garden owners and designers everywhere. The book is not only a companion to Garden Design: A Book of Ideas but is also a valuable style catalogue and sourcebook in its own right, encouraging and inspiring readers to discover their own garden style - be it contemporary or traditional, cottage-style or urban minimalist.
This book suggests that gossip can be used as an interpretive key to understand more of early Christian identity and theology. Insights from the multi disciplinary field of gossip studies help to interpret what role gossip plays, especially in relation to how power and authority are distributed and promoted. A presentation of various texts in Greek, Hebrew and Latin shows that the relation between gossip and gender is complex: to gossip was typical for all women and risky for elite men who constantly had to defend their masculinity. Frequently the Pastoral Epistles connect gossip to false teaching, as an expression of deviance. On several occasions it is argued that various categories of women have to avoid gossip to be entrusted duties or responsibilities. "Old wives' tales" are associated with heresy, contrasted to godliness in which one had to train one self. Other passages clearly suggest that the false teaching resembles feminine gossip by use of metaphorical language: profane words will spread fast and uncontrolled like cancer; what the false teachers say is tickling in the ear, and their mouth must be stopped or silenced. The Pastoral Epistles employ terms drawn from the stereotype of gossip as rhetorical devices in order to undermine the masculinity and hence the authority, of the opponents.
Drawing from her mother's diaries, letters, newspaper columns, fiction, and historical works in English and Dutch, Marianne reconstructs Madzy's upper-middle-class childhood and youth in Holland before World War II, her struggle to keep herself and her small children alive during the war, and her emigration to Canada with her family in 1947. In addition to describing Madzy's participation in historic events, Marianne also explores her mother's inner life. Frontiers and Sanctuaries is most powerful in showing how Madzy's lively, creative temperament allowed her to adapt to war, a new language and culture, pioneer life, and crippling rheumatoid arthritis.
This book - the first comprehensive study of Marimekko designs - presents more than one hundred examples of exuberant Marimekko fashions and home furnishings that gave the company a definitive presence on the world design stage.
There are few sectors where Šgetting things done sustainably� is as important as it is for the water sector. From drinking water and sanitation to water use in agriculture, industry, and ecosystems, Rafael Ziegler and his co-authors investigate the con
This new study addresses the provocative essays of Karen Blixen (Isak Dinesen), an iconic figure in Scandinavia and the Anglo-American world. Celebrated for her literary tales, Karen Blixen’s essays offer sagacious reflections on three significant challenges of the twentieth century: feminism, Nazism, and colonialism. Karen Blixen (1885–1962) contributed to topical debates in Denmark, particularly during the 1950s when her distinct voice on Danish radio became familiar to a nation of listeners. Some of her lectures, radio addresses, and newspaper chronicles were later published as essays and now constitute a distinct genre within her work. In this study, Blixen’s most important essays are critically examined for the first time. The book demonstrates that a "creative dialectic" informs these essays, an interplay of complementary opposites that Blixen sees as fundamental to human life and artistic creativity. Whether exploring questions of gender and the status of the feminist movement, or the reign of National Socialism in Hitler’s Germany, or colonial race relations under British rule in East Africa, Blixen’s observations are insightful, witty, and surprisingly progressive for an author notable for aristocratic sensibilities. Blixen’s essays are also framed by a "dialectic method," which develops an idea by drawing on opposing viewpoints in order to arrive at an original vantage point. The Creative Dialectic of Karen Blixen's Essays builds on archival research, historical study, literary criticism and theory, as well as bilingual readings of Blixen’s renowned literary work. For the first time in an English translation, Karen Blixen’s essay “Blacks and Whites in Africa” (1938), by award-winning translator Tiina Nunnally, appears in this publication.
The Swiss theologian Adolf Keller was the leading ecumenist on the European continent between the two world wars. In this book the historian Marianne Jehle-Wildberger delineates his life and its achievements. Based on research in forty archives in Europe and the United States, a picture emerges that shows a wonderful man who was a personal friend oft Karl Barth, C. G. Jung, Thomas Mann, and Albert Schweitzer--and thus who was influenced by the spiritual tendencies of the twentieth century. Keller cooperated closely with the National Council of Churches. His Central Bureau of Relief in Geneva (Inter-Church Aid) was supported by American churches. His lectures at Princeton Theological Seminary on "Religion and Revolution" (1933)--in which he was one of the first commentators to denounce National Socialism in Germany--set a new standard of political discussion and are unsurpassed. Marianne Jehle-Wildbergers' book is an important contribution to twentieth-century church history and to the history of the twentieth century in general.
In 1930, Chicago's Field Museum of Natural History commissioned sculptor Malvina Hoffman to produce three-dimensional models of racial types for an anthropology display called the Races of Mankind. In this exceptional study, Marianne Kinkel measures the colossal impact of the ninety-one bronze and stone sculptures on perceptions of race in twentieth-century visual culture, tracing their exhibition from their 1933 debut and nearly four decades at the Field Museum to numerous reuses, repackagings, reproductions, and publications that reached across the world. Employing a keen interdisciplinary approach, Kinkel taps archival sources and period publications to construct a cultural biography of the Races of Mankind sculptures. She examines how Hoffman's collaborations with curators and anthropologists transformed the commission from a traditional physical anthropology display to a fine art exhibit. She also tracks influential exhibitions of statuettes in New York and Paris and photographic reproductions in atlases, maps, and encyclopedias. The volume concludes with the dismantling of the exhibit at the Field Museum in the late 1960s and the redeployment of some of the sculptures in new educational settings. Kinkel demonstrates how the Races of Mankind sculptures participated in various racial paradigms by asserting fixed racial types and racial hierarchies in the 1930s, promoting the notion of a Brotherhood of Man in the 1940s, and engaging Afrocentric discourses of identity in the 1970s. Despite the enormous role the sculptures played in representing race in American visual culture, their history has been largely unrecognized until now. The first sustained examination of this influential group of sculptures, Races of Mankind: The Sculptures of Malvina Hoffman examines how the veracity of race is continually renegotiated through collaborative processes involved in the production, display, and circulation of visual representations.
From clandestine images of Jewish children isolated in Nazi ghettos and Japanese American children incarcerated in camps to images of Native children removed to North American boarding schools, classroom photographs of schoolchildren are pervasive even in repressive historical and political contexts. School Photos in Liquid Time offers a closer look at this genre of vernacular photography, tracing how photography advances ideologies of social assimilation as well as those of hierarchy and exclusion. In Marianne Hirsch and Leo Spitzer’s deft analysis, school photographs reveal connections between the histories of persecuted subjects in different national and imperial centers. Exploring what this ubiquitous and mundane but understudied genre tells us about domination as well as resistance, the authors examine school photos as documents of social life and agents of transformation. They place them in dialogue with works by contemporary artists who reframe, remediate, and elucidate them. Ambitious yet accessible, School Photos in Liquid Time presents school photography as a new access point into institutions of power, revealing the capacity of past and present actors to disrupt and reinvent them.
“A charming, thoughtful book, one that makes a powerful case for smiles as ‘social acts with consequences.’ ”—Boston Sunday Globe When someone smiles, the effects are often positive: a glum mood lifts; an apology is accepted; a deal is struck; a flirtation begins. But change the circumstances or the cast of a smile, and the terms shift: a rival grins to get under your skin; a bully’s smirk unsettles his mark. Marianne LaFrance, called the world’s expert on smiles, investigates the familiar grin and finds that it is not quite as simple as it first appears. LaFrance shows how the smile says much more than we realize—or care to admit: not just cheerful expressions, smiles are social acts with serious consequences. Drawing on her research conducted at Yale University and Boston College as well as the latest studies in psychology, medicine, anthropology, biology, and computer science, LaFrance explores the compelling science behind the smile. Who shows more fake smiles, popular kids or unpopular kids? Is it good or bad when a bereaved person smiles? These are some of the questions answered in this groundbreaking and insightful work. To read it is to learn just how much the smile influences our lives and our relationships.
A history of Jewish fraternities and sororities in the early twentieth-century United States. Going Greek offers an unprecedented look at the relationship between American Jewish students and fraternity life during its heyday in the first half of the twentieth century. More than secret social clubs, fraternities and sororities profoundly shaped the lives of members long after they left college—often dictating choices in marriage as well as business alliances. Widely viewed as a key to success, membership in these self-governing, sectarian organizations was desirable but not easily accessible, especially to non-Protestants and nonwhites. In Going Greek Marianne Sanua examines the founding of Jewish fraternities in light of such topics as antisemitism, the unique challenges faced by Jewish students on campuses across the United States, responses to World War II, and questions pertaining to assimilation and/or identity reinforcement.
In Great Expectations: The Essential Guide to Breastfeeding, Marianne Neifert, MD, one of America’s leading pediatricians and a nationally recognized lactation consultant, gives nursing mothers all the advice they need to breastfeed their babies successfully. Distilled from Dr. Mom’s Guide to Breastfeeding, this is the most up-to-date, comprehensive, and effective book on the subject. Neifert has spent the last 25 years addressing the situations that nursing mothers routinely encounter; her sound, reassuring, and practical advice makes this a must-have for all new moms and mothers-to-be.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.