This book examines the transformative potential of collaborative teacher research. Specifically, Kalin shares the perspectives of educators as they investigate the teaching and learning of drawing within their own elementary classrooms and within the context of an action research group.
Discussions of feminism and gender in organizations and management studies, have, with some notable exceptions, become stuck in something of a time-warp. This lies in stark contrast to the developments in the fields of feminism and gender theory more generally. Management and organization studies needs new applied topical gender theories that challenge the limits on what can be said about working lives in organizations. Gender and the Organization: Women at Work in the 21st Century looks to update management organizational studies with the recent developments in gender theory, including theories of embodiment, affect, materiality, identity, subjectification, recognition, and the intertwining of political, social and the psyche. As well as looking backwards at existing feminist and gender theory, this exciting book also looks forward, developing an organizational feminist theory for the twenty-first century. Exploring what feminist ethics of an organization would look like, this volume shows what a revivified feminist organization studies could offer to gender theorists more generally. This book will be of interest not only to management and organization theorists, but also more generally to feminist and gender theorists working across the social sciences, arts and humanities. It will appeal to postgraduate and research students and also to established organization and management scholars working in business schools across the world.
Bill Evans and Marianna Jameson first teamed up to write Category 7, vividly portraying the devastating impact of a powerful hurricane on New York City. Now Evans and Jameson return with Frozen Fire, another edge-of-the-seat thriller that mixes atmospheric science with cutting-edge technology. Eager to exploit a potentially lucrative energy source, billionaire Dennis Cavendish has begun to tap the crystalline methane under the floor of the Atlantic Ocean. Eco-terrorism kills his science team and releases gigatons of poisonous methane into the water and atmosphere, causing untold deaths. If the release isn't stopped, all life on Earth will soon disappear. Suspected of the sabotage and marooned far from home, Cavendish's beautiful and brainy security chief, Victoria Clark, along with methane expert Dr. Sam Briscoe and the US government, must find a way to seal the break in the ocean floor and nullify the methane that is already poisoning the planet. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A Category 4 hurricane, with winds of up to 155 miles per hour, tears roofs off buildings, smashes windows and doors, and can send floodwaters up to the second floor. Evacuation is suggested for up to six miles inland. Hurricane Katrina was a Category 4 when she made landfall. Hurricane Simone is a Category 7—the biggest, strongest storm in recorded history. When she hits New York City, skyscrapers will fall. Subways and tunnels will flood. Lower Manhattan and much of Queens and Brooklyn will disappear under more than thirty feet of water. All along the Eastern Seaboard, towns and cities are being evacuated as wind-driven rain lashes the coast and storm surges crash through seawalls. Roads are packed with fleeing motorists whose cars are jammed with every personal possession that can be crammed in, plus family members, friends, and beloved pets. A huge natural disaster is brewing in the Atlantic. Except that Simone isn't natural. She's the product of rogue weather science being wielded by billionaire Carter Thompson as part of a personal vendetta against US President Winslow Benson. Once Carter wanted to bring rain to the desert and feed the starving peoples of the planet. Now he wants to show Benson—and the rest of the world—just how powerful wind and water can be. If technology created Simone, perhaps technology can stop her. It's up to Kate Sherman, once a member of Carter's weather team; and Jake Baxter, a weatherman for the CIA, to try, using a secret US Navy weapon. The catch? It has to be deployed inside the hurricane. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Flint Corp., a multinational agribusiness, has perfected weather control, altering the atmosphere to create and steer storms and reaping massive profits from the resulting crop failures and successes. Available in a tall Premium Edition.
Computer security consultant Naomi Connor, hired to do a security audit for the company she destroyed years ago as an illegal hacker, vows to breach the defenses of chief technology officer Joe Casey, a conservative and cynical man who doesn't believe in love.
The familiar old world of classical music, with its wealthy donors and ornate concert halls, is changing. The patronage of a wealthy few is being replaced by that of corporations, leading to new unions of classical music and contemporary capitalism. In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned themselves—and, by extension, classical music itself—with free-market ideology. More specifically, she demonstrates how classical music has lent its cachet to marketing schemes, tech firm-sponsored performances, and global corporate partnerships. As Ritchey shows, the neoliberalization of classical music has put music at the service of contemporary capitalism, blurring the line between creativity and entrepreneurship, and challenging us to imagine how a noncommodified musical practice might be possible in today’s world.
Families are a critical audience for art museums and museums use many different strategies for reaching families, such as special family days and festivals, workshops, special tours, family backpacks and gallery guides, in-gallery materials or demonstration carts, and specific family galleries. Here is a practical guide based on research that helps art museum educators understand the role and value of spaces designed for families and helps them to create dedicated spaces for intergenerational play and learning. This book features insights, best practices, and lessons learned from years of experience in creating dedicated spaces for families in a wide range of art museums. Through case studies, in-depth stories, and engaging graphics and images this book identifies key issues that museum professionals need to consider when developing family spaces in museums. This book is a how-to guide to creating or updating an interactive family space. Everything you need to know, soup to nuts, from understanding your audience to hiring a designer and opening your doors to the public is here. Each section is situated within groundbreaking visitor research findings and how museum educators have used those findings to better understand the family audience and develop fun, safe, inclusive, spaces that inspire wonder and curiosity, as well as places for meaning-making and family bonding, all in the service of creating loyal and committed museum visitors.
The Red Pencil (1989) examines the many ways in which Soviet censorship interfered in the creative process – in the words of those who experienced it first hand. It helps to identify the ways in which Soviet artistic and intellectual production was shaped by the practices of Soviet censorship. The book goes beyond the simple recounting of banned books and taboo subjects to examine the more subtle issue of how Soviet writers attempted to strike a balance between accommodating the demands of government censorship while retaining for themselves a modicum of unfettered expression and intellectual integrity. Most of the contributing authors were active as writers, critics, editors, film and theatre specialists, or scientists prior to their departure from the Soviet Union in the 1970s.
In this acclaimed book, Torgovnick explores the obsessions, fears, and longings that have produced Western views of the primitive. Crossing an extraordinary range of fields (anthropology, psychology, literature, art, and popular culture),Gone Primitivewill engage not just specialists but anyone who has ever worn Native American jewelry, thrilled to Indiana Jones, or considered buying an African mask. "A superb book; and--in a way that goes beyond what being good as a book usually implies--it is a kind of gift to its own culture, a guide to the perplexed. It is lucid, usually fair, laced with a certain feminist mockery and animated by some surprising sympathies."--Arthur C. Danto, New York Times Book Review "An impassioned exploration of the deep waters beneath Western primitivism. . . . Torgovnick's readings are deliberately, rewardingly provocative."--Scott L. Malcomson,Voice Literary Supplement
From the award-winning author of Crossing Ocean Parkway, a personal memoir about adjusting to loss through books, meditation, and the process of memory itself Marianna De Marco Torgovnick experienced the rupture of two of her life’s most intimate relations when her mother and brother died in close proximity. Mourning rocked her life, but it also led to the solace and insight offered by classic books and the practice of meditation. Her resulting journey into the past imagines a viable future and raises questions acute for Italian Americans but pertinent to everyone, about the nature of memory and the meanings of home at a time, like ours, marked by cultural disruption and wartime. Crossing Back: Books, Family, and Memory without Pain presents a personal perspective on death, mourning, loss, and renewal. A sequel to her award-winning and much-anthologized Crossing Ocean Parkway, Crossing Back is about close familial ties and personal loss, written after the death of her remaining birth family, who had always been there, and now were not. After their loss, she entered a spiritual and psychological state of “transcendental homelessness”: the feeling of being truly at home nowhere, of being spiritually adrift. In a grand act of symbolic reenactment, she found herself moving apartments repeatedly, not realizing she did so subconsciously to keep busy, to stave off grief. By reading and studying great books, she opened up to mourning, a process she constitutionally resisted as somehow shameful. Over time, she discovered that a third death colored and prolonged her feelings of grief: her first child’s death in infancy, which, in the course of a happier lifetime, had never been adequately acknowledged. Her new losses led her finally to take stock of her son’s death too. Reading and meditating, followed by writing, became daily her healing rituals. A warm and intimate user’s guide to books, family, and memory in the mourning process, the end-point being memory without pain, Crossing Back is a wide-ranging memoir about growing older and learning to ride the waves of change. Lively and conversational, Torgovnick is masterful at tracking the moment-to moment, day-to-day challenges of sudden or protracted grief and the ways in which the mind and the body seem to search for—and sometimes find—solutions.
Bill Evans and Marianna Jameson first teamed up to write Category 7, vividly portraying the devastating impact of a powerful hurricane on New York City. Now Evans and Jameson return with Frozen Fire, another edge-of-the-seat thriller that mixes atmospheric science with cutting-edge technology. Eager to exploit a potentially lucrative energy source, billionaire Dennis Cavendish has begun to tap the crystalline methane under the floor of the Atlantic Ocean. Eco-terrorism kills his science team and releases gigatons of poisonous methane into the water and atmosphere, causing untold deaths. If the release isn't stopped, all life on Earth will soon disappear. Suspected of the sabotage and marooned far from home, Cavendish's beautiful and brainy security chief, Victoria Clark, along with methane expert Dr. Sam Briscoe and the US government, must find a way to seal the break in the ocean floor and nullify the methane that is already poisoning the planet. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When Southern romance writer Miranda Lane is told by her editor to create a brooding, sexy cop character, Miranda turns to the handsome Detective Chas Casey for help. Soon, Miranda realizes she's losing her heart to a man who specializes in drive-by romance. Original.
Flint Corp., a multinational agribusiness, has perfected weather control, altering the atmosphere to create and steer storms and reaping massive profits from the resulting crop failures and successes. Available in a tall Premium Edition.
Kate Sherman is a brilliant young meteorologist who can’t understand how she recently missed predicting three major storms—storms that cut into the profits of her employer, Coriolis Industries. Afraid of being fired, Kate throws herself into an analysis of the strange storms—and headlong into the path of a secret plot that may cost her her life! Hurricane Simone is a Category 7—the biggest, strongest storm in recorded history—and she’s clawing her way up the East Coast. When she hits New York City, skyscrapers will fall. Subways and tunnels will flood. Lower Manhattan and much of Queens and Brooklyn will disappear under more than thirty feet of water. Thousands, if not millions, will die. Created by secret, cutting-edge weather science, Simone is not just an unnatural disaster—she’s a weapon. Kate and CIA weatherman Jake Baxter must figure out how to stop the storm before she flattens New York City . . . and identify Simone’s master before he has them both killed.
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