In the Land of Mirrors is a journey through the politics of Cuban exiles since the 1959 Cuban Revolution. It explores the development of Cuban exile politics and identity within a context of U.S. and Cuban realities, as well as within the broader inquiry of the changing nature of nation-states and its impact on the politics and identity of diaspora communities. Topics covered include: the origins of the post-revolution exile enclave of the 1960s; the evolution of the Cuban community over the 1960s; the pluralization of exile politics in the 1970s, particularly regarding the relationship with the island; the emergence of Cuban-American political action committees in the 1980s; post-Cold War developments; and the transition of Miami by the coming of age of a second generation of Cuban-Americans and the arrival of a new wave of exiles. Interspersed with vignettes from the author's own experiences and political activism, In the Land of Mirrors explores the meanings and ramifications of exile, of belonging, and of seeing the self in the other. It will appeal to political scientists, Latin Americanists, and those studying the politics of exile. María de los Angeles Torres was born in Cuba and came to the United States as a young child. She is Associate Professor of Political Science, DePaul University.
In the Land of Mirrors is a journey through the politics of Cuban exiles since the 1959 Cuban Revolution. It explores the development of Cuban exile politics and identity within a context of U.S. and Cuban realities, as well as within the broader inquiry of the changing nature of nation-states and its impact on the politics and identity of diaspora communities. Topics covered include: the origins of the post-revolution exile enclave of the 1960s; the evolution of the Cuban community over the 1960s; the pluralization of exile politics in the 1970s, particularly regarding the relationship with the island; the emergence of Cuban-American political action committees in the 1980s; post-Cold War developments; and the transition of Miami by the coming of age of a second generation of Cuban-Americans and the arrival of a new wave of exiles. Interspersed with vignettes from the author's own experiences and political activism, In the Land of Mirrors explores the meanings and ramifications of exile, of belonging, and of seeing the self in the other. It will appeal to political scientists, Latin Americanists, and those studying the politics of exile. María de los Angeles Torres was born in Cuba and came to the United States as a young child. She is Associate Professor of Political Science, DePaul University.
Although media coverage often portrays young people in urban areas as politically apathetic or disruptive, this book provides an antidote to such views through narratives of dedicated youth civic engagement and leadership in Chicago, Mexico City, and Rio de Janeiro. This innovative comparative study provides nuanced accounts of the personal experiences of young people who care deeply about their communities and are actively engaged in a variety of public issues. Drawing from extensive interviews and personal narratives from the young activists themselves, Citizens in the Present presents a vibrant portrait of a new, politically involved generation.
From 1960 to 1962, 14,048 Cuban minors arrived in Miami. María de los Angeles Torres was six years old when she took part in this massive airlift-now known as Operation Pedro Pan-in which parents, terrified that the new communist government would ship their children to Soviet work camps, sent them instead to America. Torres examines the event from both a historical and a personal perspective. This 'relentless investigator of history' (Miami Herald) forces declassification of key documents, challenging us all finally to come to terms with this pivotal yet largely neglected exodus.
Overflowing with powerful testimonies of six female community activists who have lived and worked in the Pilsen neighborhood of Chicago, Chicanas of 18th Street reveals the convictions and approaches of those organizing for social reform. In chronicling a pivotal moment in the history of community activism in Chicago, the women discuss how education, immigration, religion, identity, and acculturation affected the Chicano movement. Chicanas of 18th Street underscores the hierarchies of race, gender, and class while stressing the interplay of individual and collective values in the development of community reform. Highlighting the women's motivations, initiatives, and experiences in politics during the 1960s and 1970s, these rich personal accounts reveal the complexity of the Chicano movement, conflicts within the movement, and the importance of teatro and cultural expressions to the movement. Also detailed are vital interactions between members of the Chicano movement with leftist and nationalist community members and the influence of other activist groups such as African Americans and Marxists.
Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami’s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars. Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity.
Although media coverage often portrays young people in urban areas as politically apathetic or disruptive, this book provides an antidote to such views through narratives of dedicated youth civic engagement and leadership in Chicago, Mexico City, and Rio de Janeiro. This innovative comparative study provides nuanced accounts of the personal experiences of young people who care deeply about their communities and are actively engaged in a variety of public issues. Drawing from extensive interviews and personal narratives from the young activists themselves, Citizens in the Present presents a vibrant portrait of a new, politically involved generation.
From 1960 to 1962, 14,048 Cuban minors arrived in Miami. María de los Angeles Torres was six years old when she took part in this massive airlift-now known as Operation Pedro Pan-in which parents, terrified that the new communist government would ship their children to Soviet work camps, sent them instead to America. Torres examines the event from both a historical and a personal perspective. This 'relentless investigator of history' (Miami Herald) forces declassification of key documents, challenging us all finally to come to terms with this pivotal yet largely neglected exodus.
In the years since Fidel Castro came to power, the migration of close to one million Cubans to the United States continues to remain one of the most fascinating, unusual, and controversial movements in American history. María Cristina García—a Cuban refugee raised in Miami—has experienced firsthand many of the developments she describes, and has written the most comprehensive and revealing account of the postrevolutionary Cuban migration to date. García deftly navigates the dichotomies and similarities between cultures and among generations. Her exploration of the complicated realm of Cuban American identity sets a new standard in social and cultural history.
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