O objectivo da obra é o de apresentar arquivos muito pouco conhecidos, ou mesmo desconhecidos, interrogá-los e analisá-los à luz de novas perspectivas históricas e arquivísticas, descobrir as “vozes” de quem os produziu - e formular, assim, novas questões de investigação. Divide-se em três partes: “Recovering, reconstructing and (re)discovering family and personal archives”; “From a social, political and cultural history of the families to a social history of the archives”; “Public preservation and promotion of family and personal archives”.
O objectivo da obra é o de apresentar arquivos muito pouco conhecidos, ou mesmo desconhecidos, interrogá-los e analisá-los à luz de novas perspectivas históricas e arquivísticas, descobrir as “vozes” de quem os produziu - e formular, assim, novas questões de investigação. Divide-se em três partes: “Recovering, reconstructing and (re)discovering family and personal archives”; “From a social, political and cultural history of the families to a social history of the archives”; “Public preservation and promotion of family and personal archives”.
This book gives a definite contribution to a wide-ranging reflection on the medieval parish and the secular clergy, considered within a long-term chronological framework and a wide geographical scope that allows the analysis and confrontation of case studies from the Iberian kingdoms, Northern France, Italian Piedmont, Lombardy, Flanders, Transylvania, and North of the Holy Roman Empire. The chapters published in this book tells of dynamics of social, religious, and cultural exclusion and inclusion within lay communities, of the constitution of family elites and parish confraternities; it shows the composition and the recruitment rationales of the parish clergy and of some ecclesiastical chapters with a duty of Cura animarum; it examines the relations of the churches and parochial clergy with more prominent – secular and regular – ecclesiastical institutions in the context of the establishment and exercise of the right of patronage; finally, it explores the role of the secular clergy in the application of justice, based on the characterization of their cultural and juridical formation.
The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.
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