Although these three modernist writers were not primarily playwrights, as expatriates they were interested in the Euripidean theme of women in exile: each independently chose to rewrite Euripides' Hippolytus, a play in which the protagonist is a woman in exile whose speech, writing, and passion are deeply problematic. Each author approaches the Euripidean material in a different way: Tsvetaeva focuses on gender in language, Yourcenar explores the gendering of a self, and H.D. performs the undoing of gendered oppositions."--BOOK JACKET.
In this book, Maria Pretzler combines a thorough introduction to Pausanias with exciting new perspectives. She considers the process and influences that shaped the "Periegesis", and maps out its literary and cultural context. Pausanias' text records contemporary interpretations of monuments and traditions, and is concerned with the identity and history of Greece, issues that were crucial concerns for Greeks under Roman rule. Parallels with various texts of the period offer insights into Pausanias' attitudes as well as illustrating important aspects of Second Sophistic culture. A discussion of Greek texts that deal with fictional or actual travel experiences provides a background for a detailed study of the Periegesis as travel literature. Pausanias' treatment of geography and his descriptions of landscapes, cities and artworks are considered in detail, and there is also a study of his methods as a historian. The final chapters deal with Pausanias' impact on modern approaches to Greece and ancient Greek culture.
This is the first study to provide a comprehensive picture of the revolt brought about by American radical historians in the 1960s and 1970s. With the turbulent sixties as a backdrop, the work of radical luminaries like Eugene Genovese, Herbert Gutman, Staughton Lynd, William Appleman Williams and Howard Zinn is discussed. These historians made a significant contribution to present-day notions about slavery, working-class history, the New Deal, the Cold War and a wealth of other subjects. Their main target was American liberalism. Radical criticism centered on the liberal concepts of the division of power and of the nature of man. The acrimonious debate which ensued tore the historical profession apart. Therefore most historians have stressed the disagreements between liberals and radicals. Yet, in this study it will be argued that in some respects the radicals were part and parcel of mainstream historiography, though they presented a radical version of it.
Although these three modernist writers were not primarily playwrights, as expatriates they were interested in the Euripidean theme of women in exile: each independently chose to rewrite Euripides' Hippolytus, a play in which the protagonist is a woman in exile whose speech, writing, and passion are deeply problematic. Each author approaches the Euripidean material in a different way: Tsvetaeva focuses on gender in language, Yourcenar explores the gendering of a self, and H.D. performs the undoing of gendered oppositions."--BOOK JACKET.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.