Who watches over the party-state? In this engaging analysis, Maria Repnikova reveals the webs of an uneasy partnership between critical journalists and the state in China. More than merely a passive mouthpiece or a dissident voice, the media in China also plays a critical oversight role, one more frequently associated with liberal democracies than with authoritarian systems. Chinese central officials cautiously endorse media supervision as a feedback mechanism, as journalists carve out space for critical reporting by positioning themselves as aiding the agenda of the central state. Drawing on rare access in the field, Media Politics in China examines the process of guarded improvisation that has defined this volatile partnership over the past decade on a routine basis and in the aftermath of major crisis events. Combined with a comparative analysis of media politics in the Soviet Union and contemporary Russia, the book highlights the distinctiveness of Chinese journalist-state relations, as well as the renewed pressures facing them in the Xi era.
This Element presents an overarching analysis of Chinese visions and practices of soft power. Maria Repnikova's analysis introduces the Chinese theorization of the idea of soft power, as well as its practical implementation across global contexts. The key channels or mechanisms of China's soft power examined include Confucius Institutes, international communication, education and training exchanges, and public diplomacy spectacles. The discussion concludes with suggestions for new directions for the field, drawing on the author's research on Chinese soft power in Africa.
Maria Repnikova offers an innovative analysis of the media oversight role in China by examining how a volatile partnership is sustained between critical journalists and the state.
This Element presents an overarching analysis of Chinese visions and practices of soft power. Maria Repnikova's analysis introduces the Chinese theorization of the idea of soft power, as well as its practical implementation across global contexts. The key channels or mechanisms of China's soft power examined include Confucius Institutes, international communication, education and training exchanges, and public diplomacy spectacles. The discussion concludes with suggestions for new directions for the field, drawing on the author's research on Chinese soft power in Africa.
Yashka is the autobiography of Maria Botchkareva, a young Russian woman who bravely took up arms first against the Germans in World War One, and then opposed the Bolsheviks in the Russian Revolution of 1917. Maria describes a hard upbringing as a member of the Russian peasantry. Married at sixteen to her first husband Afanasy, it wasn't long before his charms were replaced by physical abuse; Maria soon fled. She applied for work as a servant girl, only to discover that the man advertising actually owned a string of brothels; she was promptly sent to the town of Sretensk to work in one. Such harsh experiences in youth nevertheless built a certain determination and toughness in the young Maria. When war broke out in 1914, she applied to join as a soldier - facing verbal abuse and sexual harassment from the outset, she nevertheless took to military life with eagerness and courage. The soldiers nicknamed her 'Yashka', and a measure of respect was slowly gained as she demonstrated great bravery.
Yashka is the autobiography of Maria Botchkareva, a young Russian woman who bravely took up arms first against the Germans in World War One, and then opposed the Bolsheviks in the Russian Revolution of 1917. Maria describes a hard upbringing as a member of the Russian peasantry. Married at sixteen to her first husband Afanasy, it wasn't long before his charms were replaced by physical abuse; Maria soon fled. She applied for work as a servant girl, only to discover that the man advertising actually owned a string of brothels; she was promptly sent to the town of Sretensk to work in one. Such harsh experiences in youth nevertheless built a certain determination and toughness in the young Maria. When war broke out in 1914, she applied to join as a soldier - facing verbal abuse and sexual harassment from the outset, she nevertheless took to military life with eagerness and courage. The soldiers nicknamed her 'Yashka', and a measure of respect was slowly gained as she demonstrated great bravery.
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