In Imaginary Empires, Maria O’Malley examines early American texts published between 1767 and 1867 whose narratives represent women’s engagement in the formation of empire. Her analysis unearths a variety of responses to contact, exchange, and cohabitation in the early United States, stressing the possibilities inherent in the literary to foster participation, resignification, and rapprochement. New readings of The Female American, Leonora Sansay’s Secret History, Catharine Maria Sedgwick’s Hope Leslie, Lydia Maria Child’s A Romance of the Republic, and Harriet Jacobs’s Incidents in the Life of a Slave Girl confound the metaphors of ghosts, haunting, and amnesia that proliferate in many recent studies of early US literary history. Instead, as O’Malley shows, these writings foreground acts of foundational violence involved in the militarization of domestic spaces, the legal impediments to the transfer of property and wealth, and the geopolitical standing of the United States. Racialized and gendered figures in the texts refuse to die, leave, or stay silent. In imagining different kinds of futures, these writers reckon with the ambivalent role of women in empire-building as they negotiate between their own subordinate position in society and their exertion of sovereignty over others. By tracing a thread of virtual history found in works by women, Imaginary Empires explores how reflections of the past offer a means of shaping future sociopolitical formations.
A History of Modern Political Thought in East Central Europe, Volume II Part II examines the defeat of the vision of 'socialism with a human face' in 1968 and the political discourses produced by the various 'consolidation' or 'normalization' regimes. It closes with pertinent questions about the fragility of the democratic order globally.
13 original designs for simple, easy-to-make paper boxes perfect for small gifts, party favors, and thank yous 24 perforated decorative pages, ready to cut, fold, and glue into boxes Includes templates that can be copied onto ordinary cardstock or heavy paper so you can make as many boxes as you like and personalize them for your special occasion
The Book of hours, written in three bursts between 1899-1903, is Rilke's most formative work, covering a crucial period in his rapid ascent from fin-de-siecle epigone to distinctive modern voice. The poems are crucial documents of Rilke's development, from his tour around Russia with Lou Andreas-Salome, through his hasty marriage to Clara Westhoff in the artists' community of Worpswede, to his turn toward the urban modernity of Paris. Rilke assumes the persona of an artist-monk undertaking the Romantics' journey into the self, speaking to God as part transcendent deity, part needy neighbor. Echoes of his juvenile style persist, yet by the end of the book the influence of the sculptor Rodin is discernible in the distinctive idiom of urbanity, in the terminology of "things," and in Rilke's turn to the everyday world around him."--Jacket flap.
Du bist hin und hergerissen zwischen dem Licht und der Dunkelheit. Aber du brauchst die Dunkelheit. Du brauchst den Abgrund. Du brauchst mich. Spiel nicht den Löwen, wenn du nur ein kleines Kätzchen bist. Du gehörst mir, Emilia. Jetzt und für immer. Bleib! Der finale Teil einer Reihe, die dich süchtig machen wird. Traust du dich?
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