Violence Against Women in Peace and War: Cases from the Middle East explores violence against women in the Middle East. Through a narrative research approach, Maria Holt compares a range of settings and experiences, arguing that (1) violence against women tends to increase during periods of conflict; (2) such practices are legitimized by an already existing environment in which violence against women is tolerated; (3) women are building strategies, both at local and regional levels, to combat and eliminate violence, thus enabling them to play a more constructive role in processes of conflict resolution and post-conflict reconstruction; and (4) the greater the commitment by public authorities to creating sound local frameworks to address violence against women the stronger will be Arab women’s ability to resist conflict.
Women in conflict zones face a wide range of violence from a variety of sources: from physical and psychological trauma to political, economic and social disadvantage. Maria Holt uses her research gathered in the Palestinian refugee camps of Lebanon and in the West Bank to look at the forms and effects of violence suffered by women in the context of the wider conflict around them. After the creation of the State of Israel in 1948, Palestinian refugees fled over the border into Lebanon, and in the wake of tumult in other host states, such as Jordan, many more sought refuge there. Today more than 400,000 Palestinians reside in Lebanon, and the theme of violence is one that informs their daily life. Holt explores these varying forms of violence, including physical personal violence and the violence of war as well as the more symbolic violence of the disintegration of daily life and erasure of homeland, furthermore highlighting ongoing exclusion and isolation Palestinians are subjected to by the Lebanese state. Nevertheless, this condition of being - but not belonging - in Lebanon has influenced refugees' perceptions of themselves. Holt therefore analyses the daily life of Palestinians, recognising the unique community that has emerged in response to exile. In an atmosphere of violence, these refugees find coping mechanisms and appropriate strategies to counter the pressures of conflict. Adherence to religious belief and valued traditional practices, as well as involvement in political and welfare activities and, on occasion, militant activism, are some of the methods employed by women. With its systematic examination of forms of violence as well as an appreciation of daily life in the refugee camps, Women and Conflict in the Middle East makes essential reading for students of the Israel-Palestine conflict as well as those interested in the gender dimension of violence.
Maria Holt and Elisabeth King joined together with others to protest and monitor the activity of Maine's only nuclear power plant. Their work was necessary to force the Maine Yankee plant to provide public information about emissions and created state-level oversight. Their passion was instrumental in the eventual closing of the plant.
How are women in the Arab world negotiating the male-dominated character of Islamist movements? Is their participation in the Islamic political project¿including violent resistance against foreign invasion and occupation¿the result of coercion, or of choice? Questioning assumptions about female powerlessness in Muslim societies, Maria Holt and Haifaa Jawad explore the resistance struggles taking place in Lebanon, Iraq, Palestine, and elsewhere in the Middle East from the perspectives of the women involved. The authors make extensive use of vivid personal testimonies as they examine the influence of such factors as religion, patriarchy, and traditional practices in determining women¿s modes of participation in conflicts. In the process, they add to our knowledge not only of how women are affected by political violence, but also of how their involvement is beginning to change the rules that govern their societies.
The life of the legendary ballerina Maria Tallchief is told in her own words. Her fascinating memoir is the story of the rigors and pleasures of a dancer's life--an artist's rapid rise to fame that began on an Indian reservation in Oklahoma. Tallchief introduced ballet to the American public and became George Balanchine's wife and muse. Recipient of the 1996 Kennedy Center Honor. of photos.
Tells the story of how an underground cassette tape recorded in mere hours by the Ukrainian punk rock group known as "Ve-Ve" introduced a new aesthetics of irony and challenged the boundaries of official and unofficial culture in the late Soviet period of the 1980s"--
Worn by his daughter Puck's appetite for macabre detail, John Ensted, Professor of Egyptology, is sceptical about their prospects of a peaceful holiday. but as they set off for Skoga, the small Swedish lakeside town, Puck and her husband,Edwin Bure, are in high spirits. However, the Professor's fears are soon justified. Thotmes III, the Professor's sacred white cat, is the first to discover the body of the young man behind the lilac bushes. Plunged into the victim's heart is the Professor's Egyptian paper knife...but who is the man and why was he killed? Puck's insatiable curiosity leads her to make her own enquiries and soon discovers that well kept secrets and ancient scandal smoulder beneath the surface of the idyllic town. When Christer Wick, well known Stockholm detective, arrives, the pieces of the puzzle begin to fall into place. NO MORE MURDERS is a crime fiction classic that helped inspire the new BBC4 drama Crimes of Passion.
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