When she was 13, Virginia Galilei, eldest daughter of the great scientist Galileo, was placed by her father in a convent near him in Florence and took the name Suor Maria Celeste. Unable to see him except on his occasional visits, she wrote him continually, as her 124 surviving letters (which Galileo kept) attest. Now, for the first time, all of these letters are reproduced in English, translated by Dava Sobel, and in their original Italian, and Ms. Sobel has also written an introduction and annotations placing the letters in historical context. The 124 letters span only a decade of Maria Celeste's 33 years. In that dramatic period, a pope came to power who battled the Protestant Reformation; the Thirty Years' War embroiled all of Europe; the bubonic plague erupted across Italy; and a new philosophy of science, promulgated most forcefully by Galileo himself, threatened to overturn the order of the universe. Maria Celeste's evocative, beautifully written letters touch on all of these situations, but they dwell in the small details of everyday life; and though Galileo's letters to her have not survived, it is clear from hers that he answered every one. Especially for those who have read Ms. Sobel's Galileo's Daughter, but even for those who haven't, Maria Celeste's letters provide an indelible chronicle of convent life in the early 17th century, a memorable portrait of deep affection between a famous father and his daughter, and fascinating insight into Galileo himself.
Sister Maria Celeste was Galileo?s illegitimate daughter; even so, the two corresponded regularly and intimately?and their relationship has been undervalued for far too long. Rinaldina Russell, a professor of Italian language, literature and culture, sought to correct that oversight. In her translation of Maria Celeste?s letters, in her information-packed introduction and in her detailed notes, you will learn: ? details about Galileo's domestic life and his place in Florentine middle-class society; ? secrets lurking behind a tense father/daughter relationship played against the lively backdrop of Maria Celeste?s enclosure in a Florentine convent; ? ways Galileo tried to lessen the negative effect that his trial might have among relatives and supporters. Several letters are short and deal with domestic transactions, such as the exchange of food, the repairing of household objects, the running of Galileo?s home, and the accounting of expenses and requests for money. Although they might seem mundane, these letters, together with the lengthier and the very confidential ones, draw a riveting landscape of the world in which Galileo lived and reveal the complicated relationship he had with Maria Celeste.
Sister Maria Celeste was Galileo?s illegitimate daughter; even so, the two corresponded regularly and intimately?and their relationship has been undervalued for far too long. Rinaldina Russell, a professor of Italian language, literature and culture, sought to correct that oversight. In her translation of Maria Celeste?s letters, in her information-packed introduction and in her detailed notes, you will learn: ? details about Galileo's domestic life and his place in Florentine middle-class society; ? secrets lurking behind a tense father/daughter relationship played against the lively backdrop of Maria Celeste?s enclosure in a Florentine convent; ? ways Galileo tried to lessen the negative effect that his trial might have among relatives and supporters. Several letters are short and deal with domestic transactions, such as the exchange of food, the repairing of household objects, the running of Galileo?s home, and the accounting of expenses and requests for money. Although they might seem mundane, these letters, together with the lengthier and the very confidential ones, draw a riveting landscape of the world in which Galileo lived and reveal the complicated relationship he had with Maria Celeste.
When she was 13, Virginia Galilei, eldest daughter of the great scientist Galileo, was placed by her father in a convent near him in Florence and took the name Suor Maria Celeste. Unable to see him except on his occasional visits, she wrote him continually, as her 124 surviving letters (which Galileo kept) attest. Now, for the first time, all of these letters are reproduced in English, translated by Dava Sobel, and in their original Italian, and Ms. Sobel has also written an introduction and annotations placing the letters in historical context. The 124 letters span only a decade of Maria Celeste's 33 years. In that dramatic period, a pope came to power who battled the Protestant Reformation; the Thirty Years' War embroiled all of Europe; the bubonic plague erupted across Italy; and a new philosophy of science, promulgated most forcefully by Galileo himself, threatened to overturn the order of the universe. Maria Celeste's evocative, beautifully written letters touch on all of these situations, but they dwell in the small details of everyday life; and though Galileo's letters to her have not survived, it is clear from hers that he answered every one. Especially for those who have read Ms. Sobel's Galileo's Daughter, but even for those who haven't, Maria Celeste's letters provide an indelible chronicle of convent life in the early 17th century, a memorable portrait of deep affection between a famous father and his daughter, and fascinating insight into Galileo himself.
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
The objective of this monograph is to present some methodological foundations of theoretical mechanics that are recommendable to graduate students prior to, or jointly with, the study of more advanced topics such as statistical mechanics, thermodynamics, and elementary particle physics. A program of this nature is inevitably centered on the methodological foundations for Newtonian systems, with particular reference to the central equations of our theories, that is, Lagrange's and Hamilton's equations. This program, realized through a study of the analytic representations in terms of Lagrange's and Hamilton's equations of generally nonconservative Newtonian systems (namely, systems with Newtonian forces not necessarily derivable from a potential function), falls within the context of the so-called Inverse Problem, and consists of three major aspects: l. The study of the necessary and sufficient conditions for the existence of a Lagrangian or Hamiltonian representation of given equations of motion with arbitrary forces; 2. The identification of the methods for the construction of a Lagrangian or Hamiltonian from given equations of motion verifying conditions 1; and 3 The analysis of the significance of the underlying methodology for other aspects of Newtonian Mechanics, e. g. , transformation theory, symmetries, and first integrals for nonconservative Newtonian systems. This first volume is devoted to the foundations of the Inverse Problem, with particular reference to aspects I and 2.
The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.
This book treats arts as part of science, from the unified perspective of Science Matters. It contains 17 chapters, with 18 contributors who are prominent humanists, professional artists, or scientists. It consists of three parts: Part I: Philosophy and History of Arts; Part II: Arts in Action; Part III: Understanding Arts. The book is aimed at both research scholars and lay people, and is unique in two important aspects. It is probably the first and only book that academic professionals and practicing artists contribute to the same book, as equals, on the common theme of creating and understanding arts. (Artists here include Cristina Leiria whose huge Kun Iam (Goddess of Mercy) sculpture is an important landmark in Macau, and the famous movie director, Hark Tsui, who is publishing his first ever article on movie-making). Perhaps more importantly, a new understanding of the origin and nature of art is offered for the first time, which is more convincing than all the other hypotheses put forth in the last two thousand years.
In one of the only English translations available, here are the mystical visions of Maria Maddalena de' Pazzi (1566-1606), whose mystical works are a fascinating meditation on the nature and purpose of language.
Combining elements of economic reasoning and political science has proven to be very useful for understanding the broad variation in economic development around the world. In a sense research in this field goes back to the Scottish Enlightenment and Adam Smith’s original plan in his Theory of Moral Sentiments and Wealth of Nations. Leadership or Chaos by Norman Schofield and Maria Gallego is intended as an advanced, self-contained text in political economy dealing with social choice. The theory and empirical analysis are used to examine democratic institutions and elections in the developed world, and the success or failure of moves to democratization in the less developed world. The book closes with a consideration of current quandaries with regard to political and economic stability and climate change and a discussion of the moral foundations of our society.
The scope of this monograph is to show that our classical, quantum and cosmological knowledge of antimatter is at its beginning with much yet to be discovered, and that a commitment to antimatter by experimentalists will be invaluable to antimatter science. This is also the first book presenting the isodual theory of antimatter. It is aimed at scientists and researchers in theoretical physics.
My First Science Biography explores the lives of some of the world’s best-known scientists. Highlighting the life and times of each notable scientist, this biography series provides an in-depth look at the inspiration, achievements, and successes that define these great individuals. Informative firsthand accounts and stunning visuals engage students in compelling and timeless tales. My First Science Biography is a series of AV2 media enhanced books. A unique book code printed on page 2 unlocks multimedia content. These books come alive with video, audio, weblinks, slideshows, activities, hands-on experiments, and much more.
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