Three children grow in different directions from the same, turn-of-the-century Brooklyn street: Jimmy, an incorrigible teenage thug; Frankie, a fourth-grade math prodigy; and Flory, a sweet, sheltered girl with a foolhardy plan. Each faces a tragedy beyond which their lives will never be the same, and even as they struggle into adulthood, the ghosts of their tragic pasts follow. When the three meet up again, loyalty—and love—become commodities to be bought and sold and gambled away. From the openly corrupt New York Democratic Party to the underground crime culture of Prohibition, from New York to Europe, Africa, and South America, from endemic poverty to endless wealth, these three grow into determined, but terribly wounded adults, passing on to the next generation the traditions of the street where it all began.
You seek a description of a new way, a new time, as if it is a future that is already written. It is a future waiting to be birthed. An imminent birth that you are feeling with all your mothering instincts and concern for the new babe, the jewel of humanity and Heaven." Thus begins Mirari: The Way of the Marys. In Mirari, Mari Perron, who received A Course of Love twenty years ago, enters an intimate exchange with Mary of Nazareth. Their dialogue gives life to "the way of Mary," briefly introduced in her earlier work. In this new book, Perron departs from the classic style of "the course" and surprises us with her own vulnerability. In words spoken intimately between Mary of Nazareth and Mari Perron, our hearts are called to embrace our knowing in all its fullness. Uniting the feminine and masculine within, wholeness of being joins wholeheartedness, releasing all the feelings of the sacred heart. We can now welcome our grief over the way that is passing. Grief is "alive with soul and depth and longing." It empowers us to leave the old behind. As we cease to think of ourselves as learning beings, new ways of knowing arise. We become creators of The New. Here, the two women follow A Course of Love's call for "creation of the new" with the labor of the birth and the "Mother laws of care and nurture-given to all." Together, they demonstrate the radical energy that arises from within each one's felt knowing. From our union in relationship, we know that the time is here to give birth to a new age. Mary of Nazareth was not unfamiliar with this call or the grief that accompanied it. Her life, as well as the life of Jesus, announced an unwelcome breach in the old order. So too is it with A Course of Love and the new Way of the Marys. Mari Perron shares her personal experience of receiving A Course of Love and knowing this was not more "learned wisdom." She mourned that the call to "unlearning," key to a new way of knowing, went unheard. Mary and Mari assure us that it is from a feminine way of knowing-deeper than thought, and impossible to learn-that The New will arise. It is a courageous act to not be willing to repeat the past. But letting it go is part of healing our own and the collective feminine wound. This healing opens the way, not only to unifying the feminine and masculine, but for the birth of an age that will end all such divisions. The two women invite us to rise up and join in the blossoming of a New Advent. We claim our time of Mirari: the wonder of coming to know the unknown that is our inheritance. In this essential feminine way, we welcome receptive revelation that does not take us away from life or the personal milieu in which it occurs. Instead, it joins them fully. Mari Perron knows that it is time for the feminine voice of God and of women to be recognized as a power that has always been-but been denied. Increasingly, her writings champion the ways, often discounted, in which women come to know. Mirari: The Way of the Marys presents a vision that will mid-wife the birth of The New. We begin with a word both new and ancient. We begin with a return to the way of the Word made flesh. This will be the time of wonder-or Mirari. From Mirari: The Way of the Marys Here, in our time of bringing the miracle to mystery . . . we offer Mirari as the way of the divine feminine . . . From Mirari: The Way of the Marys This is not the masculine energy of going out to conquer the world. This is the birth of the new world. From Mirari: The Way of the Marys The suffering of labor is passed with the birth. The world, and each of its occupants, has been in labor to complete its own birth. From Mirari: The
Three children grow in different directions from the same, turn-of-the-century Brooklyn street: Jimmy, an incorrigible teenage thug; Frankie, a fourth-grade math prodigy; and Flory, a sweet, sheltered girl with a foolhardy plan. Each faces a tragedy beyond which their lives will never be the same, and even as they struggle into adulthood, the ghosts of their tragic pasts follow. When the three meet up again, loyalty—and love—become commodities to be bought and sold and gambled away. From the openly corrupt New York Democratic Party to the underground crime culture of Prohibition, from New York to Europe, Africa, and South America, from endemic poverty to endless wealth, these three grow into determined, but terribly wounded adults, passing on to the next generation the traditions of the street where it all began.
We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.
Celebrating the diversity of institutions in the United States, Latin America, and Canada, Remix aims to change the discourse about museums from the inside out, proposing a new, ÒpanarchicÓÑnonhierarchical and adaptiveÑvision for museum practice. Selma Holo and Mari-Tere çlvarez offer an unconventional approach, one premised on breaching conventional systems of communication and challenging the dialogues that drive the field. Featuring more than forty authors in and around the museum world, Remix frames a series of vital case studies demonstrating how specific museums, large and small, have profoundly advanced or creatively redefined their goals to meet their ever-changing worlds. Contributors: Piedade Grinberg (Brazil), Nichole Anderson (Canada), Dr. James D. Fleck O.C. (Canada), Vanda Vitali (Canada), Lydia Bendersky (Chile), Andres Navia (Colombia), Manuel Araya-Incera (Costa Rica), Oscar Arias (Costa Rica), Alejandro de Avila Blomberg (Mexico), Marco Barerra Bassols (Mexico), CuauhtŽmoc Camarena Ocampo (Mexico), Miguel Fern‡ndez FŽlix (Mexico), Demian Flores (Mexico), Teresa Morales (Mexico), Nelly Robles (Mexico), Hector Feliciano (Puerto Rico), Mario Vargas Llosa (Peru), Santiago Palomero Plaza (Spain), Maxwell L. Anderson (United States), Susana Bautista (United States), Graham W. J. Beal (United States), Jane Burrell (United States), Thomas P. Campbell (United States), Erica Clark (United States), Chip Colwell-Chanthaphonh (United States), Kristina van Dyke (United States), William Fox (United States), Ben Garcia (United States), Ivan Gaskell (United States), Tomas W Hanchett (United States), Richard Koshalek (United States), Clare Kunny (United States), Stephen E. Nash (United States), Joanne Northrup (United States), Jane G. Pisano (United States), Edward Rothstein (United States), Karen Satzman (United States), Lori Starr (United States), Carlos Tortolero (United States), David Wilson (United States), Fred Wilson (United States), Guillermo Barrios (Venezuela), Patricia Phelps de Cisneros (Venezuela) Ê
Mari Sandoz came out of the Sandhills of Nebraska to write at least three enduring books: Old Jules, Cheyenne Autumn, and Crazy Horse, the Strange Man of the Oglalas. She was a tireless researcher, a true storyteller, an artist passionately dedicated to a place little known and a people largely misunderstood. Blasted by some critics, revered by others for her vivid detail and depth of feeling, Sandoz has achieved a secure place in American literature. Her letters, edited by Helen Winter Stauffer, reveal extraordinary courage and zest for life. Included here are letters written by Sandoz over nearly forty years?from 1928, the year of her father's death and a critical one for her creative development, to 1966, the year of her own death. They allow memorable flimpses of the professional and private person: her struggles to learn her craft in spite of an unsupportive family and hard-won formal education, her experiences in gathering material, her relationships with editors and publishers, her work with fledgling writers, and her commitment to art and to various social concerns.
As a palliative medicine physician, you struggle every day to make your patients as comfortable as possible in the face of physically and psychologically devastating circumstances. This new reference equips you with all of today's best international approaches for meeting these complex and multifaceted challenges. In print and online, it brings you the world's most comprehensive, state-of-the-art coverage of your field. You'll find the answers to the most difficult questions you face every day...so you can provide every patient with the relief they need. Equips you to provide today's most effective palliation for terminal malignant diseases • end-stage renal, cardiovascular, respiratory, and liver disorders • progressive neurological conditions • and HIV/AIDS. Covers your complete range of clinical challenges with in-depth discussions of patient evaluation and outcome assessment • ethical issues • communication • cultural and psychosocial issues • research in palliative medicine • principles of drug use • symptom control • nutrition • disease-modifying palliation • rehabilitation • and special interventions. Helps you implement unparalleled expertise and global best practices with advice from a matchless international author team. Provides in-depth guidance on meeting the specific needs of pediatric and geriatric patients. Assists you in skillfully navigating professional issues in palliative medicine such as education and training • administration • and the role of allied health professionals. Includes just enough pathophysiology so you can understand the "whys" of effective decision making, as well as the "how tos." Offers a user-friendly, full-color layout for ease of reference, including color-coded topic areas, mini chapter outlines, decision trees, and treatment algorithms. Comes with access to the complete contents of the book online, for convenient, rapid consultation from any computer.
The given self is behind every fight for the right of each of us to be who we are and is the way to personal and spiritual liberation. The Given Self is about taking back what we've lost: our selves, our hearts, our humanity.
The present study examines the evolution of the image of Aleksandr Nevskiy in close connection with the dynamics of political and cultural history by demonstrating what influence the Life of Aleksandr Nevskiy had on popular historical consciousness in medieval Russia.
The nature of human security is changing globally: interstate conflict and even intrastate conflict may be diminishing worldwide, yet threats to individuals and communities persist. Large-scale violence by formal and informal armed forces intersects with interpersonal and domestic forms of violence in mutually reinforcing ways. Gender, Violence, and Human Security takes a critical look at notions of human security and violence through a feminist lens, drawing on both theoretical perspectives and empirical examinations through case studies from a variety of contexts around the globe. This fascinating volume goes beyond existing feminist international relations engagements with security studies to identify not only limitations of the human security approach, but also possible synergies between feminist and human security approaches. Noted scholars Aili Mari Tripp, Myra Marx Ferree, and Christina Ewig, along with their distinguished group of contributors, analyze specific case studies from around the globe, ranging from post-conflict security in Croatia to the relationship between state policy and gender-based crime in the United States. Shifting the focus of the term “human security” from its defensive emphasis to a more proactive notion of peace, the book ultimately calls for addressing the structural issues that give rise to violence. A hard-hitting critique of the ways in which global inequalities are often overlooked by human security theorists, Gender, Violence, and Human Security presents a much-needed intervention into the study of power relations throughout the world.
Hospitals are busy places filled with sick and injured people and their caregivers. Who are the people who keep hospitals running? From schedulers to doctors and nurses to IT staff, many people work together to serve the needs of a hospital. Learn about their important work in this book from the Wonderful Workplaces series.
Uganda has attracted much attention and political visibility for its significant economic recovery after a catastrophic decline. In her groundbreaking book, Aili Mari Tripp provides extensive data and analysis of patterns of political behavior and institutions by focusing on the unique success of indigenous women’s organizations. Tripp explores why the women’s movement grew so dramatically in such a short time after the National Resistant Movement took over in 1986. Unlike many African countries where organizations and institutions are controlled by a ruling party or regime, the Ugandan women’s movement gained its momentum by remaining autonomous.
This handbook of values will help museums of every kind and size articulate their value to their community at a time when economic woes cause even supporters to question their importance.
In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for
For fans of Margot Lee Shetterley and Liza Mundy comes an inspiring feminist tale of a woman who dedicated her entire life to the New York Police Department, upending the patriarchy and the status quo for women working in public service. Corsets, Crime, and the Woman to Change Modern Policing Forever Mary "Mae" Foley was a force to be reckoned with. On one hip she held her makeup compact, on the other, her NYPD badge. When women were fighting for the vote, Mae was fighting crime in the heart of New York City – taking down rapists, boot-leggers, Nazis, and serial killers. One of the first women to be sworn into the police force, Mae not only fought crime in the city that never sleeps, but also did something much bigger – challenged the patriarchal systems that continually tried to shut her and other women down. The result of her efforts? A long career that helped over 2,000 women join her auxiliary police force, the 'Masher Squad.' Mae Foley is proof that women can do anything men can do, all while wearing corsets and the perfect shade of rouge. From renowned author, speaker, and retired U.S. Army Major General Mari K. Eder comes the exciting and superbly researched story of a trailblazer who courageously dedicated her life to public service.
The management of buyer-supplier relations has come to be regarded as a key to achieving manufacturing competitiveness, particularly in sectors facing global competition based on both price and quality. This book is a theoretical and empirical exploration of the link between the type of buyer-supplier relations and corporate performance. Dr Sako examines how British and Japanese companies in the electronics industry manage their relationships with buyers and suppliers, the empirical study comprising a three-way comparison of a Japanese customer company, a British customer company, and a Japanese company in Britain, and an analysis of 36 supplier companies in Britain and Japan. Variations of the companies' business practices are assessed in terms of technology, the nature of market competition, the national legal framework, financial structures, employment systems, and the mode of entrepreneurship. The author identifies two distinct approaches in the two countries - the arm's-length contractual relation (ACR) in Britain, and the obligational contractual relation (OCR) in Japan - and argues that the trust and interdependence present in the latter can be a powerful springboard from which to achieve corporate success.
This chapter introduces people to the basics of what readers need to know about social psychology, i.e. the study of how people's feelings, ideas and behaviours are influenced by the presence of others. It also looks at the increasingly important bio/neural factors such as genes, brain structure and hormonal processes that are now being examined and understood as relevant to any study of human behaviour, including group conflicts. In addition, it provides a brief introduction to the various methodologies that are increasingly able to measure social behavior, such as fMRI, electroencephalography, DNA analysis and hormonal testing"--
Set off on a high-stakes, action-packed adventure in this story about friendship, survival, and fighting for ones you love, perfect for fans of Wings of Fire and How to Train Your Dragon. No one predicted the dragon apocalypse. The dragons came suddenly and decimated the world as we knew it, including New York City. Now, three years later, Noah, his hardcore survivalist father, and a ragtag group of survivors are barely scraping by in this new reality. Kids scavenge not only for materials in abandoned homes but also for leftover books at the library. Adults spend their time establishing a make-shift society and defending their shelter... with any means available. At least for the few months the dragons are hibernating, until it’s no longer safe aboveground. Noah has seen the damage these creatures can do firsthand. When it comes to dragons: It's kill or be killed. But a chance encounter between Noah and a young dragon causes him to question everything he thought he knew. With rumors spreading that there’s a group of survivors living in harmony with dragons instead of hiding underground, Noah teams up with his fire-breathing ally to find out if peace between humans and dragons is really possible. But the division runs deeper than scales versus skin because trying to follow his heart might just cost Noah his family too. If Noah and his father can’t see eye to eye, can he really get humans and dragons to?
As Oscar Wilde once wrote, “Fashion is a form of ugliness so absolutely unbearable that we have to alter it every six months.” And yet it serves to make us beautiful, or at least make us feel beautiful. In this book, Mari Grinde Arntzen asks how and why this is—how can fashion simultaneously attract us to its glamour and repel us with its superficiality and how being called “fashionable” can be at once a compliment and an insult. Arntzen guides us through the major figures and brands of today’s fashion industry, showing how they shape us and in turn why we love to be shaped by them. She examines both everyday, affordable “fast fashion” brands, as well as the luxury market, to show how fashion commands a powerful influence on every socioeconomic level of our society. Stepping into our closets with us, she thinks about what happens when we get dressed: why fashion can make us feel powerful, beautiful, and original at the same time that it forces us into conformity. Stripping off the layers of the world’s fifth largest industry, garment by garment, she holds fashion up as a phenomenon, business, and art, exploring the questions it forces us to ask about the body, image, celebrity, and self-obsession. Ultimately, Arntzen asks the most direct question: what is fashion? How has it taken such a powerful hold on the world, forever propelling us toward its concepts of beauty?
For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII—in and out of uniform—for theirs is a legacy destined to embolden generations of women to come. From daring spies to audacious pilots, from innovative scientists to indomitable resistance fighters, these extraordinary women stepped out of line and into history, forever altering the world's landscape. This page-turning narrative, crafted with meticulous historical accuracy by retired U.S. Army Major General Mari K. Eder, provides a fresh perspective on the integral roles that women played during WWII. Liane B. Russell fled Austria with nothing and later became a renowned U.S. scientist whose research on the effects of radiation on embryos made a difference to thousands of lives. Gena Turgel was a prisoner who worked in the hospital at Bergen-Belsen and cared for the young Anne Frank, who was dying of typhus. Gena survived and went on to write a memoir and spent her life educating children about the Holocaust. Ida and Louise Cook were British sisters who repeatedly smuggled out jewelry and furs and served as sponsors for refugees, and they also established temporary housing for immigrant families in London. Whether you're a history enthusiast, a lover of powerful women's stories, or an avid reader of WWII nonfiction, The Girls Who Stepped Out of Line is a must-read and a poignant testament to the forgotten women who stepped up when the world needed them most.
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