In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
Explores Seamus Heaney's adaptation of the Celtic ritual known as the Feis of Tara, demonstrates the sovereignty motif's continued relevance in works by Irish poets Thomas Kinsella, John Montague, Eavan Boland, and Nuala Ni Dhomhnaill, and refutes criticism that charges sexism and overemphasizes sacrifice in Heaney's poetry"--Provided by publisher.
Through an in-depth study of the thought and intellectual formation of Nathanael Burwash (1839-1918), a little-known but highly influential Canadian educator and Methodist theologian, Marguerite Van Die presents a picture of one of the most unsettling periods in the Christian church. During Burwash's life, Canadian Methodist thought and education had to deal with the impact of biblical criticism, idealist thought, and the evolutionary theory of Darwin. Burwash saw himself as following in the footsteps of an earlier generation of Methodists, led by Edgar Ryerson. This vision was reflected in his views on childhood nurture and moral nationalism and his support of university federation in Ontario.
While we know a great deal about the role religion played in institutions in Victorian Canada, its place in home and family life has remained relatively unexplored. Drawing on a treasure trove of family papers and material culture, Marguerite Van Die depicts religion as "lived experience" in a portrait of an emblematic Protestant middle-class family in Quebec's Eastern Townships. The Colbys were members of Canada's emerging economic elite, active in the local community, public life, and politics. Their lives offer rich insights into the construction and practice of domestic religion and the moral and social legislation of early post-Confederation Canada. Taking a multidisciplinary approach that locates the home rather than the church as the primary site of religious change, Van Die concludes that the origins and continuity of Protestant religion in Victorian Canada depended on a unique set of socioeconomic and cultural forces.Van Die is a sympathetic and perceptive observer and a gifted and deft interpreter. In her examination of the Colbys of Carrollcroft she draws attention to the links connecting domestic religion and private life, business concerns, and social change in one family's life over three generations.
In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
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