Marguerite de Navarre (1492–1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing. Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
In the early 1500s five men and five women find themselves trapped by floods and compelled to take refuge in an abbey high in the Pyrenees. When told they must wait days for a bridge to be repaired, they are inspired - by recalling Boccaccio's Decameron - to pass the time in a cultured manner by each telling a story every day. The stories, however, soon degenerate into a verbal battle between the sexes, as the characters weave tales of corrupt friars, adulterous noblemen and deceitful wives. From the cynical Saffredent to the young idealist Dagoucin or the moderate Parlamente - believed to express De Navarre's own views - The Heptameron provides a fascinating insight into the minds and passions of the nobility of sixteenth century France.
Marguerite de Navarre (1492–1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing. Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
In Material Culture and Queenship in 14th-century France: The Testament of Blanche of Navarre (1331-1398) Marguerite Keane considers the object collection of the long-lived fourteenth-century French queen Blanche of Navarre, the wife of Philip VI (d. 1350). This queen’s ownership of works of art (books, jewelry, reliquaries, and textiles, among others) and her perceptions of these objects is well -documented because she wrote detailed testaments in 1396 and 1398 in which she described her possessions and who she wished to receive them. Keane connects the patronage of Blanche of Navarre to her interest in her status and reputation as a dowager queen, as well as bringing to life the material, adornment, and devotional interests of a medieval queen and her household.
In the early 1500s five men and five women find themselves trapped by floods and compelled to take refuge in an abbey high in the Pyrenees. When told they must wait days for a bridge to be repaired, they are inspired - by recalling Boccaccio's Decameron - to pass the time in a cultured manner by each telling a story every day. The stories, however, soon degenerate into a verbal battle between the sexes, as the characters weave tales of corrupt friars, adulterous noblemen and deceitful wives. From the cynical Saffredent to the young idealist Dagoucin or the moderate Parlamente - believed to express De Navarre's own views - The Heptameron provides a fascinating insight into the minds and passions of the nobility of sixteenth century France.
Marguerite de Navarre (1492–1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing. Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
We know very little about Marguerite Porete, only that she was a beguine from Hainaut who was burned at the stake as a relapsed heretic in 1310. She might have been a solitary itinerant beguine who expounded her teachings to interested listeners.
The Secret Memoirs of Henry of Navarre's famous queen possess a value which the passage of time seems but to heighten. Emanating as they undoubtedly do from one of the chief actors in a momentous crisis in French history, and in the religious history of Europe as well, their importance as first-hand documents can hardly be overestimated. While the interest which attaches to their intimate discussions of people and manners of the day will appeal to the reader at the outset. Marguerite de Valois was the French contemporary of Queen Elizabeth of England, and their careers furnish several curious points of parallel. Marguerite was the daughter of the famous Catherine de Médicis, and was given in marriage by her scheming mother to Henry of Navarre, whose ascendant Bourbon star threatened to eclipse (as afterwards it did) the waning house of Valois. Catherine had four sons, three of whom successively mounted the throne of France, but all were childless. Although the king of the petty state of Navarre was a Protestant, and Catherine was the most fanatical of Catholics, she made this marriage a pretext for welding the two houses; but actually it seems to have been a snare to lure him to Paris, for it was at this precise time that the bloody Massacre of St. Bartholomew's day was ordered. Henry himself escaped--it is said, through the protection of Marguerite, his bride,--but his adherents in the Protestant party were slain by the thousands. A wedded life begun under such sanguinary auspices was not destined to end happily. Indeed, their marriage resembled nothing so much as an armed truce, peaceable, and allowing both to pursue their several paths, and finally dissolved by mutual consent, in 1598, when Queen Marguerite was forty-five. The closing years of her life were spent in strict seclusion, at the Castle of Usson, in Auvergne, and it was at this time that she probably wrote her Memoirs. In the original, the Memoirs are written in a clear vigorous French, and in epistolary form. Their first editor divided them into three sections, or books. As a whole they cover the secret history of the Court of France from the years 1565 to 1582--seventeen years of extraordinary interest, comprising, as they do, the Massacre of St. Bartholomew, already referred to, the formation of the famous League, the Peace of Sens, and the bitter religious persecutions which were at last ended by the Edict of Nantes issued after Henry of Navarre became Henry IV. of France. Besides the political bearing of the letters, they give a picturesque account of Court life at the end of the 16th century, the fashions and manners of the time, piquant descriptions, and amusing gossip, such as only a witty woman--as Marguerite certainly was--could inject into such subjects. The letters, indeed, abound in sprightly anecdote and small-talk, which yet have their value in lightening up the whole situation.
DIVTen men and women engage in a storytelling battle of the sexes that abounds in murder, adultery, remorse, and revenge, all set in 16th-century France. Translation by Arthur Machen. /div
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