Historians of wilderness have shown that nature reserves are used ideologically in the construction of American national identity. But the contemporary problem of wilderness demands examination of how profoundly nature-in-reserve influences something more fundamental, namely what counts as being well, having a life, and having a future. What is wellness for the citizens to whom the parks are said to democratically belong? And how does the presence of foreigners threaten this wellness? Recent critiques of the Wilderness Act focus exclusively on its ecological effects, ignoring the extent to which wilderness policy affects our contemporary collective experience and political imagination. Tracing the challenges that migration and indigenousness currently pose to the national park system and the Wilderness Act, Grebowicz foregrounds concerns with social justice against the ecological and aesthetic ones that have created and continue to shape these environments. With photographs by Jacqueline Schlossman.
On the 100th anniversary of the first attempt to climb Mt Everest, Margret Grebowicz shows how and why climbing and mountaineering are still important today. In 1923, a reporter asked George Mallory why he wanted to summit Mount Everest. “Because it’s there”. Today the question "why do this?" is included in nearly every mountaineering story or interview. Meanwhile, interest in climbing is steadily on the rise, from commercial mountaineering and climbing walls in university gyms and corporate workplaces to the flood of spectacular climbing imagery in advertising, cinema, and social media. Climbing has become the theater for imagining limits—of the human body and of the planet— and the nature of desire, motivation, and #goals. Covering the degradation of Everest, the banning of climbing on Australia’s Uluru, UNESCO’s decision to name alpinism an Intangible Cultural Heritage, the sudden death of Ueli Steck, and the commercial and critical success of Free Solo, Mountains and Desire chases after what remains of this pursuit – marred by its colonial history, coopted by nationalistic chauvinism, ableism, and the capitalist compulsion to unlimited growth – for both climbers and their fans.
Uses the whale song to explore how environmental problems like noise pollution and climate change affect social relations between animals as well as humans.
Now that pornography is on the Internet, its political and social functions have changed. So contends Margret Grebowicz in this imperative philosophical analysis of Internet porn. The production and consumption of Internet porn, in her account, are a symptom of the obsession with self-exposure in today's social networking media, which is, in turn, a symptom of the modern democratic construction of the governable subject as both transparent and communicative. In this first feminist critique to privilege the effects of pornography's Internet distribution rather than what it depicts, Grebowicz examines porn-sharing communities (such as the bestiality niche market) and the politics of putting women's sexual pleasure on display (the "squirting" market) as part of the larger democratic project. Arguing against this project, she shows that sexual pleasure is not a human right. Unlikely convergences between thinkers like Catherine MacKinnon, Jean Baudrillard, Judith Butler, and Jean-François Lyotard allow her to formulate a theory of the relationships between sex, speech, and power that stands as an alternative to such cyber-libertarian mottos as "freedom of speech" and "sexual freedom.
What exactly is it we want from dogs today? This is a little book about the oldest relationship we humans have cultivated with another large animal—in something like the original interspecies space, as old or older than any other practice that might be called human. But it’s also about the role of this relationship in the attrition of life—especially social life—in late capitalism. As we become more and more obsessed with imagining ourselves as benevolent rescuers of dogs, it is increasingly clear that it is dogs who are rescuing us. But from what? And toward what? Exploring adoption, work, food, and training, this book considers the social as fundamentally more-than-human and argues that the future belongs to dogs—and the humans they are pulling along.
Feminist theorist and philosopher Donna Haraway has substantially impacted thought on science, cyberculture, the environment, animals, and social relations. This long-overdue volume explores her influence on feminist theory and philosophy, paying particular attention to her more recent work on companion species, rather than her "Manifesto for Cyborgs." Margret Grebowicz and Helen Merrick argue that the ongoing fascination with, and re-production of, the cyborg has overshadowed Haraway's extensive body of work in ways that run counter to her own transdisciplinary practices. Sparked by their own personal "adventures" with Haraway's work, the authors offer readings of her texts framed by a series of theoretical and political perspectives: feminist materialism, standpoint epistemology, radical democratic theory, queer theory, and even science fiction. They situate Haraway's critical storytelling and "risky reading" practices as forms of feminist methodology and recognize her passionate engagement with "naturecultures" as the theoretical core driving her work. Chapters situate Haraway as critic, theorist, biologist, feminist, historian, and humorist, exploring the full range of her identities and reflecting her commitment to embodying all of these modes simultaneously.
This long-overdue volume explores Donna Haraway's influence on feminist theory and philosophy, paying particular attention to her more recent work on companion species, rather than her "Manifesto for Cyborgs.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The sapiens of the sea, whales are the other intelligent, social, and loquacious animal. But they seem to swim away the more people chase after them in an effort to communicate and connect. Why does the meaning of their mesmerizing songs continue to elude us? In times of unprecedented environmental and social loss, Whale Song ponders the problems facing ocean ecosystems and offers lessons from those depths for human social life and intimacy. Object Lessons is published in partnership with an essay series in The Atlantic.
What exactly is it we want from dogs today? This is a little book about the oldest relationship we humans have cultivated with another large animal—in something like the original interspecies space, as old or older than any other practice that might be called human. But it’s also about the role of this relationship in the attrition of life—especially social life—in late capitalism. As we become more and more obsessed with imagining ourselves as benevolent rescuers of dogs, it is increasingly clear that it is dogs who are rescuing us. But from what? And toward what? Exploring adoption, work, food, and training, this book considers the social as fundamentally more-than-human and argues that the future belongs to dogs—and the humans they are pulling along.
Historians of wilderness have shown that nature reserves are used ideologically in the construction of American national identity. But the contemporary problem of wilderness demands examination of how profoundly nature-in-reserve influences something more fundamental, namely what counts as being well, having a life, and having a future. What is wellness for the citizens to whom the parks are said to democratically belong? And how does the presence of foreigners threaten this wellness? Recent critiques of the Wilderness Act focus exclusively on its ecological effects, ignoring the extent to which wilderness policy affects our contemporary collective experience and political imagination. Tracing the challenges that migration and indigenousness currently pose to the national park system and the Wilderness Act, Grebowicz foregrounds concerns with social justice against the ecological and aesthetic ones that have created and continue to shape these environments. With photographs by Jacqueline Schlossman.
On the 100th anniversary of the first attempt to climb Mt Everest, Margret Grebowicz shows how and why climbing and mountaineering are still important today. In 1923, a reporter asked George Mallory why he wanted to summit Mount Everest. “Because it’s there”. Today the question "why do this?" is included in nearly every mountaineering story or interview. Meanwhile, interest in climbing is steadily on the rise, from commercial mountaineering and climbing walls in university gyms and corporate workplaces to the flood of spectacular climbing imagery in advertising, cinema, and social media. Climbing has become the theater for imagining limits—of the human body and of the planet— and the nature of desire, motivation, and #goals. Covering the degradation of Everest, the banning of climbing on Australia’s Uluru, UNESCO’s decision to name alpinism an Intangible Cultural Heritage, the sudden death of Ueli Steck, and the commercial and critical success of Free Solo, Mountains and Desire chases after what remains of this pursuit – marred by its colonial history, coopted by nationalistic chauvinism, ableism, and the capitalist compulsion to unlimited growth – for both climbers and their fans.
Now that pornography is on the Internet, its political and social functions have changed. So contends Margret Grebowicz in this imperative philosophical analysis of Internet porn. The production and consumption of Internet porn, in her account, are a symptom of the obsession with self-exposure in today's social networking media, which is, in turn, a symptom of the modern democratic construction of the governable subject as both transparent and communicative. In this first feminist critique to privilege the effects of pornography's Internet distribution rather than what it depicts, Grebowicz examines porn-sharing communities (such as the bestiality niche market) and the politics of putting women's sexual pleasure on display (the "squirting" market) as part of the larger democratic project. Arguing against this project, she shows that sexual pleasure is not a human right. Unlikely convergences between thinkers like Catherine MacKinnon, Jean Baudrillard, Judith Butler, and Jean-François Lyotard allow her to formulate a theory of the relationships between sex, speech, and power that stands as an alternative to such cyber-libertarian mottos as "freedom of speech" and "sexual freedom.
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