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Literature is recognised as having significantly influenced the development of modern psychoanalytic thought. In recent years psychoanalysis has drawn increasingly on the literary and artistic traditions of western culture and moved away from its original medical–scientific context. Originally published in 1991 The Chamber of Maiden Thought (Keats's metaphor for 'the awakening of the thinking principle') is an original and revealing exploration of the seminal role of literature in forming the modern psychoanalytic model of the mind. The crux of the 'post-Kleinian' psychoanalytic view of personality development lies in the internal relations between the self and the mind's 'objects'. Meg Harris Williams and Margot Waddell show that these relations have their origins in the drama of identifications which we can see played out metaphorically and figuratively in literature, which presents the self-creative process in aesthetic terms. They argue that psychoanalysis is a true child of literature rather than merely the interpreter or explainer of literature, illustrating this with some examples from clinical experience, but drawing above all on close scrutiny of the dynamic mental processes presented in the work of Shakespeare, Milton, the Romantic poets, Emily Bronte and George Eliot. The Chamber of Maiden Thought will encourage psychoanalytic workers to respond to the influence of literature in exploring symbolic mental processes. By bringing psychoanalysis into creative conjunction with the arts, it enables practitioners to tap a cultural potential whose insights into the human mind are of immense value.
Angels and Fairies and Grandpa too, Are some of the things I see, Can you? Support your child s psychic gifts with this gentle introduction to the other realms
Tink believes that all her bad luck stems from the fact that she has red hair, until she finds herself facing a punishment that could mean her hair brings her good luck.
Literature is recognised as having significantly influenced the development of modern psychoanalytic thought. In recent years psychoanalysis has drawn increasingly on the literary and artistic traditions of western culture and moved away from its original medical¿scientific context. Originally published in 1991 The Chamber of Maiden Thought (Keats's metaphor for 'the awakening of the thinking principle') is an original and revealing exploration of the seminal role of literature in forming the modern psychoanalytic model of the mind. The crux of the 'post-Kleinian' psychoanalytic view of personality development lies in the internal relations between the self and the mind's 'objects'. Meg Harris Williams and Margot Waddell show that these relations have their origins in the drama of identifications which we can see played out metaphorically and figuratively in literature, which presents the self-creative process in aesthetic terms. They argue that psychoanalysis is a true child of literature rather than merely the interpreter or explainer of literature, illustrating this with some examples from clinical experience, but drawing above all on close scrutiny of the dynamic mental processes presented in the work of Shakespeare, Milton, the Romantic poets, Emily Bronte and George Eliot. The Chamber of Maiden Thought will encourage psychoanalytic workers to respond to the influence of literature in exploring symbolic mental processes. By bringing psychoanalysis into creative conjunction with the arts, it enables practitioners to tap a cultural potential whose insights into the human mind are of immense value.
Winner of the Popular Culture Association’s Emily Toth Best Book in Women’s Studies Award From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, now in its one hundredth year, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.
From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, nearing its one hundredth anniversary, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.
One year after the death of Ann's husband Todd, Walt shows up in her life again. Never having forgotten her from three years before, he honors Todd's wish to end her grieving. Ann's life suddenly turns from a mere existence to interesting and exciting. Her life is filled with the love of her music and the man who has held a soft spot in her heart for the past three years. Walt is determined to win her heart and make her happy for the rest of her life.
This book examines how Gwendolyn Brooks, a self-proclaimed nonreligious person, advocates adherence to Christian ideals through religious allusions in her poetry. The discussion integrates Brooks' words, biographical data, commentary by other scholars, scriptural references, and doctrinal tenets. It identifies biblical figures and events and highlights Brooks' effective use of the sermon genre, and her express parallels between Christianity and Democracy. The work opens with a biographical chapter and Brooks' comments on religion, followed by analyses of her long poems, and more than thirty of her short ones. An illuminating interview with Nora Brooks Blakely about Brooks' religious background and philosophy is included.
Zeke is twenty-nine and working as a carpenter and painter in London. Verona is thirty-seven, headstrong, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than 24 hours later when Verona mysteriously disappears. After much searching, Zeke discovers that Verona has travelled to Boston to help Henry, her brother, disentangle himself from some shady financial matters. As impulsively as he fell for Verona, Zeke decides to follow her to Boston. It is here that both lovers take on further and more desperate searches of their own, and Livesey's sophisticated novel, Banishing Verona, evolves into the most surprising and suspenseful of modern love stories.
On August 5, 1861, a small but significant Civil War battle took place in Northeast Missouri. Through careful manipulation by forces he doesn''t understand, Jerry Williams is about to discover that his ties to that long ago summer day are far greater than he ever dreamed.
When Leah Williams agrees to have a child for her younger sister, Ellen, she isn't prepared when Ellen turns up pregnant! Leah, already a single mom to four-year-old Mary Grace, is left holding the baby. For Leah, there is no other choice. She's not only having the baby, she's going to raise the child herself. But the biological father has something to say about that. Mark Logan wants to be more than just a sperm donor. A single parent himself, he knows how hard it is to bring up a child alone. That's why the rugged backcountry guide intends to be there every step of the way. His growing attraction to the pregnant midwife is a complication neither expected. But who better to lose his heart to than the mother of his child?
s anyone really safe? At nineteen years old, violin virtuosa Serena Brinkman seems to have it all. A student at Tilton University, she's got good looks, money, people who love her, and rare musical talent. She's also got a valuable Amati violin, a musical rival, friends whose secrets she knows, and an obsessed fan. Serena's dreams are shattered when she dies on the night of a major music competition. Serena's partner is convinced that her death wasn't an accident, and asks for help from Dr. Joel Williams of Tilton's Department of Criminal Justice. Williams, a former detective, soon finds that, far from keeping her safe, Serena's privilege and talent made her vulnerable.
They Said It Was a Tragedy. They Said It Was an Accident. They Lied. Second Chance is a Philadelphia alternative school designed for at-risk students. They live on campus, they take classes, and everyone hopes they'll stay out of prison. And then one of them dies. When Curtis Templeton falls from a piece of scaffolding near the school, it's called a tragic accident. A damned shame. A terrible loss. And everyone moves on. Two years later, former police detective-turned-professor Joel Williams and two of his colleagues do a study of Second Chance for a research paper. When they find out about Curtis' death, they start asking questions. And no-one wants to answer them. The search for the truth takes Williams and his research partners behind the scenes of for-profit alternative education - and straight into the path of someone who thought everything would stay buried. In the meantime, changes are coming to Tilton University. The School of Social Sciences is going to be the new home of a center for research on juvenile offenders. But not everyone is happy about it. YouthPromises, the company that's underwriting the center, is a for-profit alternative program that has a stake in the outcome of any research the center does. What will that mean for the faculty? Williams finds himself caught in the controversy over the center, just as he's finding out the truth about Second Chance.
Over the course of the nineteenth century, the figure of Persephone rapidly evolved from what was essentially a decorative metaphor into a living goddess who embodied the most spiritual aspects of ancient Greek religion. In the first comprehensive survey of the Persephone myth in English and American literature of the nineteenth and early twentieth centuries, Margot Louis explores the transformation of the goddess to provide not only a basis for understanding how the study of ancient history informed the creation of a new spirituality but for comprehending the deep and bitter tensions surrounding gender that interacted with this process. Beginning with an overview of the most influential ancient texts on Persephone and references to Persephone in Chaucer, Shakespeare, Milton, and Romantic period writing, Louis shows that the earliest theories of matriarchy and patriarchal marriage emerged in the 1860s alongside the first English poems to explore Persephone's story. As scholars began to focus on the chthonic Mystery cults, and particularly on the Eleusinian Mysteries of Demeter and Persephone, poets and novelists explored the divisions between mother and daughter occasioned by patriarchal marriage. Issues of fertility and ritual resonate in Thomas Hardy's Tess of the d'Urbervilles and Willa Cather's My Antonia, while the first advance of a neo-pagan spirituality, as well as early feminist critiques of male mythography and of the Persephone myth, emerge in Modernist poems and fictions from 1908 to 1927. Informed by the latest research and theoretical work on myth, Margot Louis's fascinating study shows the development of Victorian mythography in a new light; offers original takes on Victorian representations of gender and values; exposes how differently male and female Modernists dealt with issues of myth, ritual, and ancient spirituality; and uncovers how deeply the study of ancient spirituality is entwined with controversies about gender.
This book examines how Gwendolyn Brooks, a self-proclaimed nonreligious person, advocates adherence to Christian ideals through religious allusions in her poetry. The discussion integrates Brooks' words, biographical data, commentary by other scholars, scriptural references, and doctrinal tenets. It identifies biblical figures and events and highlights Brooks' effective use of the sermon genre, and her express parallels between Christianity and Democracy. The work opens with a biographical chapter and Brooks' comments on religion, followed by analyses of her long poems, and more than thirty of her short ones. An illuminating interview with Nora Brooks Blakely about Brooks' religious background and philosophy is included.
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