From the New York Times best-selling author of The Flight of Gemma Hardy, a novel about a young woman whose gift of second sight complicates her coming of age in late-nineteenth-century Scotland “Bewitching and seductive.” —Rebecca Makkai, author of I Have Some Questions for You • “A treasure: a writer who understands the magic and mysteries of the human soul." —Chris Bohjalian, author of Hour of the Witch • “This book is a cold, clear, perfect lake." —Lauren Groff, author of The Vaster Wilds Growing up in the care of her grandparents on Belhaven Farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective—she doesn’t, for instance, see that she has an older sister who will come to join the family. As her “pictures” foretell various incidents and accidents, she begins to realize a painful truth: she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her. Why have the adults around her not revealed that the touch of a hand can change everything? After following Louis to Glasgow, though, she learns the limits of his devotion. Faced with a seemingly impossible choice, she makes a terrible mistake. But her second sight may allow her a second chance. Luminous and transporting, The Road from Belhaven once again displays “the marvelous control of a writer who conjures equally well the tangible, sensory world . . . and the mysteries, stranger and wilder, that flicker at the border of that world.” —The Boston Globe
Celia Gilchrist believes that she has finally found the right man in Stephen, but when she moves in with Stephen and his young daughter Jenny, things begin to go subtly, menacingly wrong. Money disappears, a sweater is ruined, small, common-place lies escalate into awkward confrontations. Livesey's debut novel Homework, now back in print, is a chilling portrait of jealousy and fear, devotion, and the wish to be loved.
Following the acclaimed Criminals comes a spellbinding new novel that confirms Margot Livesey's place "right up there," as Liz Smith wrote in the Philadelphia Inquirer, "in the realm of P. D. James and the esteemed Patricia Highsmith." What if -- by stroke of fortune -- you could start afresh, could wipe away that catastrophic blunder in your past? And to what lengths would you go to establish that in fact you'd done nothing wrong at all? After an accident robs Hazel of three years' worth of memory, just such an opportunity is granted to Jonathan, undone by his betrayal of this woman, whom he professes to love above all. While he begins to rewrite their history, two other misfits -- an American sojourner and a luckless English actress -- knock about London, each of them haunted by indelible memories they would much rather forget. Eventually their hopes of redemption draw them toward Jonathan's house, where Hazel has become a virtual prisoner . . . Replete with compelling characters and extravagantly plotted, The Missing World weaves together these separate quests for love and truth in a manner both thrilling and, ultimately, revealing about our imperfect lives.
Donald believes he knows all there is to know about seeing. An optometrist in suburban Boston, he is sure that he and his wife, Viv, who runs the local stables, are both devoted to their two children and to each other. Then Mercury—a gorgeous young thoroughbred with a murky past—arrives at Windy Hill and everything changes. Mercury’s owner, Hilary, is a newcomer to town who has enrolled her daughter in riding lessons. When she brings Mercury to board at Windy Hill, everyone is struck by his beauty and prowess, particularly Viv. As she rides him, Viv begins to dream of competing again, embracing the ambitions that she had harbored, and relinquished, as a young woman. Her daydreams soon morph into consuming desire, and her infatuation with the thoroughbred escalates to obsession. Donald may have 20/20 vision but he is slow to notice how profoundly Viv has changed and how these changes threaten their quiet, secure world. By the time he does, it is too late to stop the catastrophic collision of Viv’s ambitions and his own myopia. At once a tense psychological drama and a taut emotional thriller exploring love, obsession, and the deceits that pull a family apart, Mercury is a riveting tour de force that showcases this “searingly intelligent writer at the height of her powers” (Jennifer Egan).
From a highly acclaimed author-the enchanting, bittersweet story of a motherless young woman torn between real life and the otherwordly companions only she can see. On the morning of Eva McEwen's birth, six magpies congregate in the apple tree outside the window-a bad omen, according to Scottish legend. That night Eva's mother dies, leaving her to be raised by her aunt and heartsick father in the small town of Troon, Scotland. As a child, Eva is often visited by two companions: a woman and a girl. Invisible to everyone else, they seem benevolent at first, helping her to tidy her room and collect the hens' eggs. But as she grows older, their intentions become increasingly unclear: Do they wish to protect or harm her? Is their meddling in her best interest or prompted by darker motivations? In the shadow of World War II, Eva studies nursing in Glasgow, tending to the wounded soldiers. But when she falls in love with a young plastic surgeon, the companions seem to have a very different idea as to her fate, and once again she finds herself unable to resist their pull. A magical novel about loneliness, love, and the profound connection between mother and daughter, Eva Moves the Furniture fuses the simplicity of a fairy tale with the complexity of adult passions.
A couple begins an intense affair, only to be separated abruptly-and perhaps irrevocably-in this surprising, suspenseful love story Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston. Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona's involve her brother, Henry, who is tied up in shady financial dealings. Zeke's father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person? Deftly plotted and filled with unexpected twists, Livesey's Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).
A decent, harried young banker, already on the verge of distraction, hurries north to Scotland and his mysteriously troubled sister . . . A “foreign” mother struggles to make a home for her family in a society she only vaguely comprehends . . . A baby girl is abandoned in a bus-station rest room . . . And thus five lives and more are caught up in a binding net of affection and responsibility, of sibling loyalty, romantic longing, and maternal love.
A New York Times Notable Book of the Year | An O Magazine Best Book of the Year The New York Times bestselling author of The Flight of Gemma Hardy delivers another “luminous, unforgettable, and perfectly rendered” (Dennis Lehane) novel—a poignant and probing psychological drama that follows the lives of three siblings in the wake of a violent crime. One September afternoon in 1999, teenagers Matthew, Zoe, and Duncan Lang are walking home from school when they discover a boy lying in a field, bloody and unconscious. Thanks to their intervention, the boy’s life is saved. In the aftermath, all three siblings are irrevocably changed. Matthew, the oldest, becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, the youngest, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage. Over the course of the autumn, as each of the siblings confronts the complications and contradictions of their approaching adulthood, they find themselves at once drawn together and driven apart. Written with the deceptive simplicity and power of a fable, The Boy in the Field showcases Margot Livesey’s unmatched ability to “tell her tale masterfully, with intelligence, tenderness, and a shrewd understanding of all our mercurial human impulses” (Lily King, author of Euphoria).
It seems like mutual good luck for Abigail and Dara when they meet at university and, despite their differences, become fast friends. Years later, they remain an unlikely pair: Abigail, an actress who confidently uses her charms both on and off stage, is reluctant to commit; Dara, a therapist, throws herself into every relationship with frightening intensity. Yet each seems—another stroke of luck?—to have found “true love”—Abigail with her academic boyfriend, and Dara with a tall, dark violinist. Soon, however, trouble threatens both relationships and the women’s friendship. Through four ingeniously interlocking narratives, Margot Livesey skillfully reveals how luck—good and bad—plays a vital role in our lives, and how our childhood legacies may be harder to leave behind than we hope. “Vibrant, evocative, irresistible” (Los Angeles Times), The House on Fortune Street offers a surprisingly provocative detective story of the heart, one that will keep you in its thrall.
New York Times Bestseller “An exceptionally well-plotted, well-crafted, innovatively interpreted modern twist on a timeless classic, one that’s sure to delight the multitudes of Brontë fans, and the multitudes of fans that Livesey deserves.” —The Boston Globe “A suspenseful, curl-up-by-the-fire romance with a willfully determined protagonist who’s worthy of her literary role model.” — People The resonant story of a young woman’s struggle to take charge of her own future, The Flight of Gemma Hardy is a modern take on a classic story—Charlotte Brontë’s Jane Eyre—that will fascinate readers of the Gothic original and fans of modern literary fiction alike, with its lyrical prose, robust characters, and abundant compassion. Set in early 1960s Scotland, this breakout novel from award-winning author Margot Livesey is a tale of determination and spirit that, like The Three Weissmanns of Westport and A Thousand Acres, spins an unforgettable new story from threads of our shared, still-living literary past.
A masterclass for those who love reading literature and for those who aspire to write it. “Read everything that is good for the good of your soul. Then learn to read as a writer, to search out that hidden machinery, which it is the business of art to conceal and the business of the apprentice to comprehend.” In The Hidden Machinery, critically acclaimed and New York Times bestselling author Margot Livesey offers a masterclass for those who love reading literature and for those who aspire to write it. Through close readings, arguments about craft, and personal essay, Livesey delves into the inner workings of fiction and considers how our stories and novels benefit from paying close attention to both great works of literature and to our own individual experiences. Her essays range in subject matter from navigating the shoals of research to creating characters that walk off the page, from how Flaubert came to write his first novel to how Jane Austen subverted romance in her last one. As much at home on your nightstand as it is in the classroom, The Hidden Machinery will become a book readers and writers return to over and over again.
Fate has not been kind to Gemma Hardy. Orphaned by the age of ten, neglected by a bitter and cruel aunt, sent to a boarding school where she is both servant and student, young Gemma seems destined for a life of hardship and loneliness. Yet her bright spirit burns strong. Fiercely intelligent, singularly determined, Gemma overcomes each challenge and setback, growing stronger and more certain of her path. Now an independent young woman with dreams of the future, she accepts a position as an au pair on the remote and beautiful Orkney Islands. But Gemma’s biggest trial is about to begin . . . A journey of passion and betrayal, secrets and lies, redemption and discovery that will lead her to a life she’s never dreamed of.
At Eva McEwen's birth, six magpies congregate outside the window - a bad omen. That night her mother dies, leaving her with her aunt and heartsick father - and a woman and a girl no one else can see. As Eva grows older these mysterious figures have a profound and ambiguous effect on her life.
In London, a man picks up an abandoned baby in a bus station and gives it to his childless sister. It's illegal, but she decides to keep it. What they don't realize is that the baby is bait in a scheme to extort money.
Do you believe in the Bible as God's inspired word? Do you know that God personally loves you, and has adopted you, making you an heir to His magical kingdom? Do you know what happens to you when you die? Do you know what thrilling happiness awaits you in God's kingdom? If you are not sure of these questions, then this book is for you. There are 25 chapters, each having its own mystery with Bible verses to prove it. The second chapter introduces 12 prophets who tell their story in first person, reads like a novel. Some of the other mysteries are: Are there other planets populated, and with whom? Love and sex. Are mediums sent by God? What happens to aborted babies? Tribute to Our Heroes of 9/11. Hell. Abomination of Desolation and the coming economic crash. This chapter also deals with the Middle East. Image and Mark of the Beast. The greatest hoax, the Second coming of Jesus, and the 7 last plagues. What must I do to be saved? Jews, Beloved for the Father's sake. A must to read! There is a poem at the end of each chapter.
Trois longues années... Trente-six mois qui, pour Hazel, ne sont plus qu'un trou noir d'où tout souvenir est aboli. A la suite d'un accident, la jeune femme reste cinq jours dans le coma. Au réveil, elle a tout oublié des trois ans qui viennent de s'écouler. Elle doit alors s'efforcer de reconstituer son passé. Jonathan l'y aidera, lui qui, elle le sait, a été son amant. Elle s'aperçoit très vite que ce dernier tient à tout prix à l'épouser. Mais dans le cerveau de Hazel, les souvenirs affluent par bribes, renforçant son angoisse face à un Jonathan de plus en plus déterminé, de plus en plus violent... Avec un art consommé du suspense, Margot Livesey entraîne le lecteur dans un dédale ou le vrai et le faux sont intimement mêlés, où l'amour et la vérité ne font pas toujours bon ménage.
Replete with compelling characters and an extravagant plot, this novel of memory and redemption weaves together four separate quests for love and truth in a manner both thrilling and, ultimately, revealing about the imperfections of human nature.
A couple begins an intense affair, only to be separated abruptly-and perhaps irrevocably-in this surprising, suspenseful love story Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston. Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona's involve her brother, Henry, who is tied up in shady financial dealings. Zeke's father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person? Deftly plotted and filled with unexpected twists, Livesey's Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).
From a highly acclaimed author comes the enchanting story of a motherless young woman torn between real life and the otherworldly companions only she can see.
In 1999, Nunavut Territory was created in the Canadian Arctic. The area is about 50 times as large as the Netherlands, and is inhabited by a population of 30,000. 85% of the population is Inuit, the indigenous people in this area. The central questions in this research project are what place or regional identities are being ascribed to Nunavut by different groups of people from within and from outside the region, and how do these identities work? In the process of the formation of the region, the territorial Government of Nunavut is an important actor in producing a regional identity that is based on the cultural identity of the Inuit: the Inuit Homeland. This 'official' regional identity creates a symbolic unity that is important in linking people to the region, and through which the land, the history and the people are united in a new territorial membership. However, there is no reason to assume that there is only one regional identity for Nunavut. Different individuals or groups of people from within and from outside the region, such as the people who live in one of the 25 communities and those who work for the multinational mining corporations or as tourist operators, are also involved in the production and reproduction of identities for Nunavut. They represent Nunavut for example as a place to live, a resource region, a wilderness or as a sustainable place. Nunavut Government also links these alternative identities to the area, because as a government they are not only interested in protecting Inuit culture but also aim to modernize the economy in order to enhance prosperity and well-being. As such the place identities are hybrid, and identities that before were produced only by external actors are now also being produced by internal actors, and vice versa.
In London, a man picks up an abandoned baby in a bus station and gives it to his childless sister. It's illegal, but she decides to keep it. What they don't realize is that the baby is bait in a scheme to extort money. By the author of Homework.
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