The essential text and classic study of Neo-Paganism Since its original publication, Drawing Down the Moon continues to be the only detailed history of the burgeoning but still widely misunderstood Neo- Pagan subculture. Margot Adler attended ritual gatherings and interviewed a diverse, colorful gallery of people across the United States, people who find inspiration in ancient deities, nature, myth, even science fiction. In this edition, featuring an updated resource guide of newsletters, journals, books, groups, and festivals, Margot Adler takes a fascinating and honest look at the religious experiences, beliefs, and lifestyles of modern America's Pagan groups.
Starting in 1964, writes Margot Adler in this dazzling memoir, “I found myself mysteriously at the center of extraordinary events.” Now a correspondent for National Public Radio, Adler was a young woman determined to be taken seriously and to be an agent of change—on her own terms, free from dogma and authoritarian constraints. From campus activism at the University of California at Berkeley to civil rights work in Mississippi, from antiwar protests to observing the socialist revolution in Cuba, she found those chances in the 1960s. Heretic’s Heart illuminates the events, ideas, passions, and ecstatic commitments of the decade like no other memoir. At the book’s center is the powerful—and unique—correspondence between Adler, then an antiwar activist at Berkeley, and a young American soldier fighting in Vietnam. The correspondence begins when Adler reads a letter the infantryman has written to a Berkeley newspaper. “I’ve heard rumors that there are people back in the world who don’t believe this war should be. I’m not positive of this though, ’cause it seems to me that if enough of them told the right people in the right way, then something might be done about it. . . . You see, while you’re discussing it amongst each other, being beat, getting in bed with dark-haired artists . . . some people here are dying for lighting a cigarette at night.” Heretic’s Heart also explores Adler’s attempt to come to terms with her singular legacy as the only grandchild of Alfred Adler, collaborator of Freud and founder of Individual Psychology, and as the daughter of a forceful beauty who bequeaths her spunk and adventurousness to her daughter, but whose overpowering personality forces Adler to strike out on her own. Adler’s memoir marks an initiatory journey from spirit through politics and revolution back to spirit again. Revealing, funny, joyful, and often wise, Heretic’s Heart will restore the spirit of the 1960s: the passion, the confusion, the sense of social transformation and limitless possibility, and the ecstatic feeling that the world is on the cusp of change.
The essential text and classic study of Neo-Paganism Since its original publication, Drawing Down the Moon continues to be the only detailed history of the burgeoning but still widely misunderstood Neo- Pagan subculture. Margot Adler attended ritual gatherings and interviewed a diverse, colorful gallery of people across the United States, people who find inspiration in ancient deities, nature, myth, even science fiction. In this edition, featuring an updated resource guide of newsletters, journals, books, groups, and festivals, Margot Adler takes a fascinating and honest look at the religious experiences, beliefs, and lifestyles of modern America's Pagan groups.
Starting in 1964, writes Margot Adler in this dazzling memoir, “I found myself mysteriously at the center of extraordinary events.” Now a correspondent for National Public Radio, Adler was a young woman determined to be taken seriously and to be an agent of change—on her own terms, free from dogma and authoritarian constraints. From campus activism at the University of California at Berkeley to civil rights work in Mississippi, from antiwar protests to observing the socialist revolution in Cuba, she found those chances in the 1960s. Heretic’s Heart illuminates the events, ideas, passions, and ecstatic commitments of the decade like no other memoir. At the book’s center is the powerful—and unique—correspondence between Adler, then an antiwar activist at Berkeley, and a young American soldier fighting in Vietnam. The correspondence begins when Adler reads a letter the infantryman has written to a Berkeley newspaper. “I’ve heard rumors that there are people back in the world who don’t believe this war should be. I’m not positive of this though, ’cause it seems to me that if enough of them told the right people in the right way, then something might be done about it. . . . You see, while you’re discussing it amongst each other, being beat, getting in bed with dark-haired artists . . . some people here are dying for lighting a cigarette at night.” Heretic’s Heart also explores Adler’s attempt to come to terms with her singular legacy as the only grandchild of Alfred Adler, collaborator of Freud and founder of Individual Psychology, and as the daughter of a forceful beauty who bequeaths her spunk and adventurousness to her daughter, but whose overpowering personality forces Adler to strike out on her own. Adler’s memoir marks an initiatory journey from spirit through politics and revolution back to spirit again. Revealing, funny, joyful, and often wise, Heretic’s Heart will restore the spirit of the 1960s: the passion, the confusion, the sense of social transformation and limitless possibility, and the ecstatic feeling that the world is on the cusp of change.
Psychology in the Light of the East presents fresh insights into integral psychology, incorporating the reason of Western psychology together with the holistic outlook of Eastern wisdom. Borden examines the philosophy, mysticism, and psychology of both East and West to convey how they reflect the evolution of consciousness. Grounded in a theoretical framework, this text includes valuable techniques for application and invites readers on a journey of self-knowledge and self-mastery, providing practitioners as well as general readers with the tools for great personal and professional development.
Poverty, inequality, and dispossession accompany economic globalization. Bringing together three international law scholars, this book addresses how international law and its regimes of trade, investment, finance, as well as human rights, are implicated in the construction of misery, and how international law is producing, reproducing, and embedding injustice and narrowing the alternatives that might really serve humanity. Adopting a pluralist approach, the authors confront the unconscionable dimensions of the global economic order, the false premises upon which they are built, and the role of international law in constituting and sustaining them. Combining insights from radical critiques, political philosophy, history, and critical development studies, the book explores the pathologies at work in international economic law today. International law must abide by the requirements of justice if it is to make a call for compliance with it, but this work claims it drastically fails do so. In a legal order structured around neoliberal ideologies rather than principles of justice, every state can and does grab what it can in the economic sphere on the basis of power and interest, legally so and under colour of law. This book examines how international law on trade and foreign investment and the law and norms on global finance has been shaped to benefit the rich and powerful at the expense of others. It studies how a set of principles, in the form of a New International Economic Order (NIEO), that could have laid the groundwork for a more inclusive international law without even disrupting its market-orientation, were nonetheless undermined. As for international human rights law, it is under the terms of global capitalism that human rights operate. Before we can understand how human rights can create more just societies, we must first expose the ways in which they reflect capitalist society and how they assist in reproducing the underlying terms of immiseration that will continue to create the need for human rights protection. This book challenges conventional justifications of economic globalization and eschews false choices. It is not about whether one is "for" or "against" international trade, foreign investment, or global finance. The issue is to resolve how, if we are to engage in trade, investment, and finance, we do so in a manner that is accountable to persons whose lives are affected by international law. The deployment of human rights for their part must be considered against the ubiquity of neoliberal globalization under law, and not merely as a discrete, benevolent response to it.
The modern world has created complex systems that have interrelated concerns. Ecosystems, Society, and Health presents new perspectives on how the challenges relating to these concerns must be examined, not as disparate political narratives, but as dynamic transformational stories that demand integrative systems of research, analysis, practice, and action. Struggles over healthy watersheds, diseases associated with environmental change, and public health impacts of unsafe food exemplify the demand for integrated understanding and action. Contributors argue that traditional science, power politics, and linear ideals of public policy are inadequate to address sustainability, justice, safety, and responsibility. Drawing from a series of case studies that range from nursing, to watershed management, to environmental health and risk communication, this collection strikes an informed balance between practical lessons and a sophisticated theoretical context with which to interpret them. Demonstrating the diverse contextual understanding demanded by today’s complex issues, Ecosystems, Society, and Health is a timely resource with guidance for practitioners, researchers, and educators.
This text is both about writing up qualitative research and is itself a qualitative study. The written reflections of students on the writing process and the interpretations and presentations of their findings provide a base of data which the authors have, in turn, analyzed and incorporated into their text. They have added accounts of their own experiences, and those of their colleagues and other published authors. All of these are woven into a theoretical framework that discusses them in detail.
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
When author Margot S. Biestman was born in 1931, her grandmother told her she came into the world beautiful because she’d been kissed by an angel. The proof: her two dimples, one on each blessed cheek. In Becoming Myself, Biestman offers an extensive and insightful commentary on how personal and professional experiences lead to self-examination and growth. Along with examples of her poems and other creative expressions, she reflects on a youth living among a family of artists, growing up in San Francisco, and becoming a teacher. Biestman’s artistic nature has informed her life’s journey as a maverick who chose not to be boxed in by the social environment she was born into. Becoming Myself: An Eighty-Seven-Year Journey of Engaging the Senses through Breath and Creative Expression resonates with the courage to stay true to oneself and to forge a different and inspiring path.
In today's busy world, museums compete for visitors not only with other museums, but also with a worthy selection of cultural institutions from performing arts to libraries. Add to these magnets a slew of enticing leisure activities, from theme parks to jogging trails. Given a weekend afternoon with a little free time to spare, a prospective visitor has a tempting selection of destinations to choose from. Branding a museum helps it stand out from the crowd by giving it an image and personality with which visitors and supporters can identify, increasing their emotional attachment and encouraging them to return. In Museum Branding, Wallace offers clear, practical advice on how to brand a museum department by department, step by step. By highlighting case studies from museums of every type and size, she emphasizes that brains, not budget, create a successful branding effort. This new edition is heavily updated to reflect digital branding from start-to-finish and features three entirely new chapters: Public Relations and Social Media Theaters, Conservation Labs, and Visible Storage Spaces Databases
Discover the essential guide to Eye Movement Desensitization and Reprocessing therapy (EMDR) from its pioneering creator, Francine Shapiro Gain insights into how painful life experiences are physically stored in our brains and how EMDR therapy can bring relief. Learn how EMDR techniques can be used to address trauma-related conditions, PTSD, depression, anxiety, and other experience-based disorders by exploring clinical case studies. Understand why EMDR is hailed as the most important method to emerge in psychotherapy in decades. EMDR is fundamental reading for practicing psychotherapists and anyone interested in understanding trauma, healing processes, and achieving better mental health.
Food Law and Policy surveys the elements of modern food law. It broadens the coverage of traditional food and drug law topics of safety, marketing, and nutrition, and includes law governing environment, international trade, and other legal aspects of the modern food system. The result is the first casebook that provides a comprehensive treatment of food law as a unique discipline. Key Features: Draws together cases with other regulatory materials such as rulemaking documents and agency requests for proposals for grant funding. Focuses on federal law and includes discussion of innovations in food law happening at the municipal, state and federal level. Covers the latest developments in food law.
A hilarious, heartfelt, and realistic coming-of-age story." —Buzzfeed "Hilarious and heartwarming." —Popsugar “A laugh-out-loud and vulnerable coming-of-age story.” —The Nerd Daily [Movie trailer narrator voice]: In a world, where humanity has crumbled—wait, no, wrong story. Sorry! Let’s try that again. [YA movie trailer narrator voice:] Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh isn’t one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties to testing her RA Rose’s patience to making new friends to having the best sex one can have on a twin-size dorm-room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe. We’re not promising anything. We can’t give everything away ahead of time.
Winner of the Popular Culture Association’s Emily Toth Best Book in Women’s Studies Award From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, now in its one hundredth year, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.
This book provides a comparative analysis of policy instruments designed to respond to climate change, drought and floods in connection with agricultural producers and their communities in four case study areas: Alberta and Saskatchewan, Canada; Coquimbo, Chile; and Mendoza, Argentina. Assessed from the standpoint of effectiveness and adaptive governance, instruments for improving the livelihood capitals of agricultural producers are identified and recommendations to improve the suite of policy instruments are put forward.
Words are everywhere in the museum. Amidst all the visual exhibits, and in many non-exhibition areas, swarm a host of words, talking to a vast swath of people in ways that visuals cannot. Signage at the information desk, brochures, exhibition videos, guided tours, membership materials, apps, and store labels: in a multi-screen world, where information explodes in every corner of the field of vision, clarity comes from the presence of words among the feast of visuals, helping contemporary audiences feel at home. Research bears out the need for a range of learning tools and it’s not just visitors who benefit from verbal cues; donors, educators, community partners, and volunteers will all engage more effectively with the museum that explains its brand mission with good writing. Whether written by administrators, staffers, freelancers, or interns, words are delivered by people in your museums with the knowledge that they will be interpreted by strangers. Your story is told everywhere, and with each narration it reinforces your brand; hopefully every single word reflects your brand. Each chapter tells how to put into words the stories you need to tell including: Blogs Brochures Exhibition videos Guided tour scripts Collateral programming talks Marketing plans Proposals to community partners Public Relations releases Social Media Solicitation letters Surveys Volunteer communications Website If you ever wished for a good writer, right on staff, ready to take on project, major or routine, here’s the help you’re looking for.
Celia Gilchrist believes she has found the right man in Stephen, but when she moves in with him and his young daughter Jenny, things begin to go menacingly wrong. Money disappears, a sweater is ruined, and small, common-place lies escalate into awkward confrontations.
Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>
Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator. Margot Lovejoy recounts the early histories of electronic media for art making - video, computer, the internet - in this richly illustrated book. She provides a context for the works of major artists in each media, describes their projects, and discusses the issues and theoretical implications of each to create a foundation for understanding this developing field. Digital Currents fills a major gap in our understanding of the relationship between art and technology, and the exciting new cultural conditions we are experiencing. It will be ideal reading for students taking courses in digital art, and also for anyone seeking to understand these new creative forms.
Did America really learn to "stop worrying and love the bomb," as the title of Stanley Kubrick's 1964 film, Dr. Strangelove, would have us believe? Does that darkly satirical comedy have anything in common with Martin Luther King Jr.'s impassioned "I Have a Dream" speech or with Elvis Presley's throbbing "I'm All Shook Up"? In Margot Henriksen's vivid depiction of the decades after World War II, all three are expressions of a cultural revolution directly related to the atomic bomb. Although many scientists and other Americans protested the pursuit of nuclear superiority after World War II ended, they were drowned out by Cold War rhetoric that encouraged a "culture of consensus." Nonetheless, Henriksen says, a "culture of dissent" arose, and she traces this rebellion through all forms of popular culture. At first, artists expressed their anger, anxiety, and despair in familiar terms that addressed nuclear reality only indirectly. But Henriksen focuses primarily on new modes of expression that emerged, discussing the disturbing themes of film noir (with extended attention to Alfred Hitchcock) and science fiction films, Beat poetry, rock 'n' roll, and Pop Art. Black humor became a primary weapon in the cultural revolution while literature, movies, and music gave free rein to every possible expression of the generation gap. Cultural upheavals from "flower power" to the civil rights movement accentuated the failure of old values. Filled with fascinating examples of cultural responses to the Atomic Age, Henriksen's book is a must-read for anyone interested in the United States at mid-twentieth century.
A New York Times Editors' Choice Sami Rohr Prize for Jewish Literature Finalist “A pleasure to read from beginning to end.” —Geraldine Brooks, Pulitzer Prize–winning author of March Esther, an American art conservator, has fled New York for London—partly to escape her failing marriage, partly to tend to her dying mother. On her first night there, she spots a young man returning home very late, wet and muddy, to the house next door. Their eyes connect and he disappears inside. This first encounter sparks Esther’s curiosity about her new neighbors: Amir, the moody college student she caught sneaking in, and, more intruiguing still, Amir’s father, Javad—a neuroscientist from Iran. Throughout the spring, a tentative friendship blossoms, but when terrorists attack London’s tube and bus lines in July, Esther finds her relationship with Javad strained by her gnawing suspicions about Amir . . . suspicions that will ultimately upend the possibilities for the future, and reveal the deep stamp of the past. Sweeping, suspenseful, and exquisitely written, Underground Fugue is a powerful testament to how human connection can survive history’s most fearsome echoes.
A state-of-the-art, multidisciplinary approach to cancer and aging With the majority of cancers occurring in individuals over the age of 65 against a backdrop of an expanding aging population, there is an urgent need to integrate the areas of clinical oncology and geriatric care. This timely work tackles these issues head-on, presenting a truly multidisciplinary and international perspective on cancer and aging from world-renowned experts in geriatrics, oncology, behavioral science, psychology, gerontology, and public health. Unlike other books on geriatric oncology that focus mainly on treatment, Cancer and Aging Handbook: Research and Practice examines all phases of the cancer care continuum, from prevention through evidence-based diagnosis and treatment to end-of-life care. Detailed clinical and research information helps guide readers on effective patient care as well as caregiver training, research, and intervention. Coverage includes: Epidemiology of cancer in older adults, plus the unique physical, mental, and social issues involved Strategies and guidelines for prevention, screening, and treatment of older individuals with cancer The most common cancers in the elderly, including breast, colorectal, lung, prostate, and ovarian cancer Cancer survivorship in older adults as well as the all-critical issues of palliative care and pain management Emerging topics such as caregiver and family issues, different models of care, and cost considerations An essential resource for clinicians and caregivers as well as researchers interested in this evolving field, Cancer and Aging Handbook is also useful for public health professionals and policymakers who need to formulate services and allocate resources for the growing population of older cancer patients.
The author of Drawing Down the Moon offers a "literate, imaginative, and just plain fascinating” exploration of the enduring allure of vampires (Whitley Strieber, author of The Hunger). Author and NPR correspondent Margot Adler found herself newly drawn to vampire novels while sitting vigil at her dying husband’s bedside. Intrigued by the way this ever-evolving myth lets us contemplate mortality, she embarked on a years-long journey of reading hundreds vampire novels—from teen to adult, from gothic to modern, from detective to comic. She began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England’s fear of outsiders and of disease seeping in through its large ports. In 1960s America, the television show Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. From Bram Stoker to Ann Rice; from vampire detective thrillers to lesbian vampire fiction; and from Buffy the Vampire Slayer to Twilight and True Blood, Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us.
Designed specifically for students of the social sciences, Making Sense in the Social Sciences, 2nd edition, is an accessible and useful research guide that outlines the general principles of style, grammar, and usage, as well as discusses research design, theory, measurement, and argument. Italso has chapters on how to write an essay and exam, and documentation. In addition, the new edition has more material on how to properly research and document Internet resources, an update on computer programs, an extended discussion on quantitative and qualitative research, up-to-date referencesand examples, and new material on ethics.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.