A comprehensive survey of women's drama between the Renaissance and the end of the eighteenth century, assessing the plays' characteristic features and the ruptures in the text indicating the writers' precarious social and artistic position and ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary tradition.
Within art, society, culture, philosophy, literature and many other spheres, a constant issue being dealt with is that of sin. Reevaluation of this concept has proceeded down varied stimulating paths in relation to the multidisciplinary appraisal, although philosophical aesthetic and epistemic emphases commonly reflect issues present in literature. In certain instances, texts clearly refer to sin, while in other it is more of an ambiguous and obscured notion. Alongside the established understanding of sin, discourse, poetry and novels have responded to sin variously, due to the blossoming of ideas. French, American and British literature's responses to the notion of sin will be investigated through the academic studies included in this volume.
A comprehensive survey of women's drama between the Renaissance and the end of the eighteenth century, assessing the plays' characteristic features and the ruptures in the text indicating the writers' precarious social and artistic position and ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary tradition.
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