This book focuses on a little-known corpus of testimonial accounts published by French women deported to Nazi camps, and will be of interest to those studying modern French literature, women's studies and the Holocaust.
In the first major study of representations of World War II in French crime fiction, Margaret-Anne Hutton draws on a corpus of over a hundred and fifty texts spanning more than sixty years. Included are well-known writers (male and female) such as Aubert, Simenon, Boileau-Narcejak, Vargas, Daeninckx, and Jonquet, as well as a broad range of lesser-known authors. Hutton's introduction situates her study within the larger framework of literary representations of World War II, setting the stage for her discussions of genre; the problem of defining crimes and criminals in the context of the war; the epistemological issues that arise in the relationship between World War II historiography and the crime novel; and the temporal textures linking past crimes to the present. Filling a gap in the fields of crime fiction and fictional representations of the War, Hutton's book calls into question the way both crime fiction and the French theatre of World War II have been conceptualized and codified.
What is 'the literary fantastic' and how does it manifest itself in the texts of French and francophone women writers publishing at the close of the twentieth and start of the twenty-first century? What do we mean today when we talk of 'the real' and 'realism'? These are just some of the questions addressed by the papers in this volume which derive from a conference entitled 'The Fantastic in Contemporary Women's Writing in French' held in London in September 2007. This book sets out to refocus through a non-realist lens on the works of high-profile authors (Darrieussecq, Nothomb, Germain, Cixous and NDiaye) and some of their less highly publicised contemporaries. It analyses and mobilises a wide range of both gendered and non-gendered practices and theories of 'the contemporary fantastic' whilst critically interrogating both of the latter terms and their inter-relation.
This is the first full-length study in any language of the writings of a remarkable figure in French literary and cultural history, author of nine prose fiction works between 1958 and 1988. Despite establishment recognition and a popular mass-market following, Christiane Rochefort has hitherto received surprisingly little critical attention. Her fiction forms an easily approachable learning tool for all students of post-war French politics and culture; the bestseller, Les Petits Enfants du siècle, is a set text in schools and universities in the UK and USA. This novel of growing up in the working class high-rises of Paris, written in the language of the streets, provides a vivid, child-centred view of a young's girl's social, political and sexual awakening. The Novels of Christiane Rochefort looks at each novel in turn and applies close attention to the narrative sophistication and political subversion of the books. Certain contemporary themes run through her work: the status of children, language as instrument of oppression and subversion, homosexuality, incest, child abuse. Each chapter of this book provides in-depth cultural and socio-political background material, and delivers a study that will be of great interest and value to students across a wide range of literary and cultural disciplines.
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