Margaret Ziolkowski's book comprises a thorough introduction to, skillful translation of, and erudite commentary on the four-hundred-year-old Tale of Boiarynia Morozova. The story of Feodosia Morozova, a member of the Russian aristocratic elite and a major participant in the Russian Othodox Schism, describes one of the most violent ruptures in religious history-the complete destabilization of the bastions of church and society in seventeenth-century Russia. In her explication of this famous text, Ziolkowski examines the hagiography of the Tale, the spiritual asceticism of Morozova in the context of Christian womens' struggles for independence, and the role this prominent female dissident has played as a symbol of resistance to corrupt authority. This work makes a significant contribution to the history of the Orthodox Church, pre-Petrine Russia, women in religion, and the study of medieval Russian literature.
The heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, whether favorably or otherwise. Professor Ziolkowski identifies and analyzes the most common usages of hagiographic material by Russian writers, as well as the variety of purposes that inspired this exploitation of their cultural past. Tolstoy, for instance, employed hagiographic sources to attack the organized church and the institution of monasticism. Individual chapters treat the influence of hagiography on the poetry of the Decembrists, reworkings of specific hagiographic legends or tales, and the application of hagiographic conventions and features to contemporary characters and situations. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Rivers in Russian Literature focuses on the Russian literary and folkloric treatment of five rivers—the Dnieper, Volga, Neva, Don, and Angara. Each chapter traces, within a geographical and historical context, the evolution of the literary representation of one river. Imagination may endow a river with aesthetic or spiritual qualities; ethnic, national, or racial associations; or commercial or agricultural symbolism of many kinds. Russian literary responses to these five rivers have much to tell us about the society that produced them as well as the rivers they treat. Distributed for UNIVERSITY OF DELAWARE PRESS
Mega-Dams in World Literature reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Margaret Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject. Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad international and cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses, paying particular attention to issues engendered by high modernism and settler colonialism. Both general and specialist readers interested in human-environment relationships will enjoy this prescient book.
A study of the cultural implications of portraits of Stalin and his era since his death in 1953. This work explores the cultural implications of prominent images in Russian thought and literature devoted to the Stalin era since the dictator's death in 1953. Author of the works discussed include some of the most important Russian writers of the past four decades: Solzhenitsyn, Vasilii Grossman, Vladimir Voinovich, Anatolii Rybackov among others.
There are many parallels and some revealing differences in the encounter between, on the one hand, the Americans and various Indian tribes and, on the other, the Russians and some of the peoples of the Caucasus and Siberia. The enduring cultural consequences of these encounters provide a fruitful area of inquiry for the comparative examination of national images in literatures. The major focus on this study is the perceptions and literary portrayal of the Chechens by the Russians and the Navajos by the Americans. Both the Chechen in Russian literature and the Navajo in American literature are often constructs, images derived from a potent combination of prejudices and received assumptions. In each case a relatively sizable corpus of writings produced over a century or longer exemplifies or attempts to counter persistent and influential modes of cultural stereotyping. The diachronic analysis of the portrayal of either the Chechens or the Navajos illuminates patterns of prejudice that have immense implications for both popular and high culture. The juxtaposition of the discussion of the two groups as they have been treated in Russian and American literature can deepen our understanding of the commonalities present in attempted cultural domination or ethnic idealization. Margaret Ziolkowski is Professor of Russian at Miami University, Ohio.
Key issues surrounding the composition and recording of folklore include its frequently intensely political aspect and it preoccupation with chimerical cultural authority. These issues are dramatically displayed in Soviet epic compositions of the 1930s and 1940s, the so-called noviny (“new songs”), which took their formal inspiration to a great extent from traditional Russian epic songs, byliny (“songs of the past"), and their narrative content from contemporary political and other events in Stalinist Russia. The story of the noviny is at once complex and comprehensible. While it may be tempting to interpret the excrescences of Stalinism as unique aberrations, the reality was often more complicated. The noviny were not simply the result of political fiat, an episode in an ideological vacuum. Their emergence occurred in part because of specific trends and controversies that marked European folklore collection and publication from at least the late eighteenth century on, as well as because of developments in Russian folkloristics from the mid-nineteenth century on that assumed perhaps exaggerated proportions. The demise of the noviny was equally mediated by a host of political and theoretical considerations. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.
There are many parallels and some revealing differences in the encounter between, on the one hand, the Americans and various Indian tribes and, on the other, the Russians and some of the peoples of the Caucasus and Siberia. The enduring cultural consequences of these encounters provide a fruitful area of inquiry for the comparative examination of national images in literatures. The major focus on this study is the perceptions and literary portrayal of the Chechens by the Russians and the Navajos by the Americans. Both the Chechen in Russian literature and the Navajo in American literature are often constructs, images derived from a potent combination of prejudices and received assumptions. In each case a relatively sizable corpus of writings produced over a century or longer exemplifies or attempts to counter persistent and influential modes of cultural stereotyping. The diachronic analysis of the portrayal of either the Chechens or the Navajos illuminates patterns of prejudice that have immense implications for both popular and high culture. The juxtaposition of the discussion of the two groups as they have been treated in Russian and American literature can deepen our understanding of the commonalities present in attempted cultural domination or ethnic idealization. Margaret Ziolkowski is Professor of Russian at Miami University, Ohio.
Mega-Dams in World Literature reveals the varied effects of large dams on people and their environments as expressed in literary works, focusing on the shifting attitudes toward large dams that emerged over the course of the twentieth century. Margaret Ziolkowski covers the enthusiasm for large-dam construction that took place during the mid-twentieth-century heyday of mega-dams, the increasing number of people displaced by dams, the troubling environmental effects they incur, and the types of destruction and protest to which they may be subject. Using North American, Native American, Russian, Egyptian, Indian, and Chinese novels and poems, Ziolkowski explores the supposed progress that these structures bring. The book asks how the human urge to exploit and control waterways has affected our relationships to nature and the environment and argues that the high modernism of the twentieth century, along with its preoccupation with development, casts the hydroelectric dam as a central symbol of domination over nature and the power of the nation state. Beyond examining the exultation of large dams as symbols of progress, Mega-Dams in World Literature takes a broad international and cultural approach that humanizes and personalizes the major issues associated with large dams through nuanced analyses, paying particular attention to issues engendered by high modernism and settler colonialism. Both general and specialist readers interested in human-environment relationships will enjoy this prescient book.
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
These 14 essays by scholars who have worked with David Jasper in both church and academy develop original discussions of themes emerging from his writings on literature, theology and hermeneutics. The arts, institutions, literature and liturgy are among the subject areas they cover.
With the publication of Ritual Lament in Greek Tradition, widely considered a classic in Modern Greek studies and in collateral fields, Margaret Alexiou established herself as a major intellectual innovator on the interconnections among ancient, medieval, and modern Greek cultures. In her new, eagerly awaited book, Alexiou looks at how language defines the contours of myth and metaphor. Drawing on texts from the New Testament to the present day, Alexiou shows the diversity of the Greek language and its impact at crucial stages of its history on people who were not Greek. She then stipulates the relatedness of literary and "folk" genres, and assesses the importance of rituals and metaphors of the life cycle in shaping narrative forms and systems of imagery.Alexiou places special emphasis on Byzantine literary texts of the sixth and twelfth centuries, providing her own translations where necessary; modern poetry and prose of the nineteenth and twentieth centuries; and narrative songs and tales in the folk tradition, which she analyzes alongside songs of the life cycle. She devotes particular attention to two genres whose significance she thinks has been much underrated: the tales (paramythia) and the songs of love and marriage.In exploring the relationship between speech and ritual, Alexiou not only takes the Greek language into account but also invokes the neurological disorder of autism, drawing on clinical studies and her own experience as the mother of autistic identical twin sons.
The publication of An Introduction to Scottish Ethnology sees the completion of the fourteen-volume Scottish Life and Society series, originally conceived by the eminent ethnologist Professor Alexander Fenton. The series explores the many elements in Scottish history, language and culture which have shaped the identity of Scotland and Scots at local, regional and national level, placing these in an international context. Each of the thirteen volumes already published focuses on a particular theme or institution within Scottish society. This introduction provides an overview of the discipline of ethnology as it has developed in Scotland and more widely, the sources and methods for its study, and practical guidance on the means by which it can be examined within its constituent genres, based on the experience of those currently working with ethnological materials. Theory and practice are presented in an accessible fashion, making it an ideal companion for the student, the scholar and the interested amateur alike.
Because content and language learning go hand in hand New content standards integrate content and language in ways prior standards have never done. That’s why it’s so critically important that teachers attend to both content and language development when introducing new subject matter, especially for English learners. Here’s your opportunity to get started tomorrow and every day thereafter: Alison Bailey and Margaret Heritage’s all-new Progressing Students’ Language Day by Day. What’s so utterly ground-breaking about this book is Bailey and Heritage’s Dynamic Language Learning Progression (DLLP) process: research-based tools for obtaining much deeper insight into a student’s language progress, then for identifying the most appropriate instructional steps to elevate language proficiency and content knowledge. Step by step, Bailey and Heritage describe how to Engage with students to advance their development of sophisticated, high-leverage language features for explaining content Use the DLLP approach to formative assessment, then plan your teaching in response to assessment evidence Examine words, sentences, and discourse --the three dimensions of language that are part of the DLLP process for cultivating language development Discover how leadership support and communities of practice (CoPs) can facilitate a successful and sustainable implementation of the DLLP process Listen more closely and uncover new ways to advance content learning with Progressing Students’ Language Day by Day directly by your side. "Alison Bailey and Margaret Heritage open our eyes to the often invisible and context-specific language demands embedded in content learning. Understanding the ubiq¬uitous and highly influential role of language in learning takes time and effort but leads to transformative practice. Progressing Students’ Language Learning Day by Day offers an insightful and concrete framework to begin this transformation." — Paola Uccelli, Professor of Education, Harvard University
The Audubon Birdhouse Book is the most authoritative book available for creating safe, sturdy, and easy-to-build homes for many of North America’s favorite birds. This updated second edition includes important new and timely topics including impacts of climate change on birds, nestbox monitoring for community science, native plants, and how birders can help birds. Produced in association with the National Audubon Society, Audubon Birdhouse Book explains how to build and place functional DIY bird homes that are safe and appropriate for more than 20 classic North American species, from wrens to raptors. Each of the easy-to-build boxes and shelves within is accompanied by cut lists, specially created line diagrams, and step-by-step photography, making the projects accessible to those with even the most rudimentary woodworking skills. In addition, this practical and beautifully presented guide is packed with color photography and information about the bird species covered: Wrens, Warblers, Bluebirds, Flycatchers, Swallows, Titmice, Owls, Flickers, Kestrels, Chickadees, Ducks, Mergansers, Swallows, Doves, Swallows, Robins, Finches, Phoebes, Loons, Swifts, Herons, and Ospreys. Detailed information will help you properly place and maintain the homes to attract birds. And because these projects are the product of years of experience and field-testing, you can be sure you’re getting the best advice regarding proper design, safe construction materials, and correct home placement to mitigate exposure to elements, pests, and predators. Finally, beyond the birdhouses, you’ll find out how you can contribute to the larger birding community and even enhance your birding experience.
Why does Jephthah’s daughter weep? This new child-oriented reading reveals that a complex mix of emotional, familial, socio-cultural, and sexual consequences of menarche and menstruation lies behind her tears. There’s more blood flowing in this Judges story than you’ve likely imagined!
For almost two millennia, Jesus' story has been retold in various forms and fashions but in the last century a new way of reimagining the man from Galilee has sprung up in the form of novels about the life ofJesus. While the novels themselves are asvaried as their authors, this work aims to introduce readers to some common literary strategies and theological agendas found in this phenomenon by surveying a few prominent examples. It also explores the question of what happens when we examine theintertextual play between these reimaginings and their Gospel progenitors as we allow these contemporary novels to pose new questions to their ancient counterparts. An intriguing hermeneutical circle ensues as we embark on our quest for the fictional Jesus and accompany his incarnations as they lead us back to re-examine the canonical portraits of Jesus anew.
For many Americans, nuns and sisters are the face of the Catholic Church. Far more visible than priests, Catholic women religious teach at schools, found hospitals, offer food to the poor, and minister to those in need. Their work has shaped the American Catholic Church throughout its history. McGuinness provides the reader with an overview of the history of Catholic women religious in American life, from the colonial period to the present.
Shakespeare's sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this spiritual alchemy is working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work - construed as essential to inspired poetic making - is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems and transforms our understanding of Shakespeare's art.
“Discovering the midlife progress novel, Gullette finds in recent fiction a pervasive tension between decline and a new ideology of aging. Appropriately, she invites the reader to join the writers in their therapeutic discourse.” —Rosemary Franklin, American Literature. “[This] book certainly makes you think. What is it that can happen in middle age to make it, as it is for many people, the clearest and sweetest time of life?” —Frank Conroy, The New York Times
In 2004 Liberal Women was shortlisted for the NSW Premier's History Awards.When Menzies formed the modern Liberal Party out of the squabbling rabble of the UAP in 1944, he had to cede to the women's organisations formal representation and real power. Liberal Women is the story of why. It is a tale of strong, vocal, persistent women who carried the liberal flame across Australia in the first half of the 20th century while the men split and merged, and talked and merged and split again. It is the story of women who grasped the implications of the female suffrage that followed Federation in a way that no others did: winning elections meant winning the female vote; and delivering the female vote gave political power. The Liberal women formed some of the most effective political organisations in the country. Liberal Women is the first detailed account of these women as political pioneers: as power-brokers and factional warriors, as candidates for office, and as members of parliament. Relying on extensive primary research, much of it previously unpublished, Margaret Fitzherbert describes their political organisations and activity amidst a wealth of biographical detail on women such as Enid Lyons, Elizabeth Couchman, Ivy Deakin, Lady Margaret Forrest and Irene Longman.
Margaret Ziolkowski's book comprises a thorough introduction to, skillful translation of, and erudite commentary on the four-hundred-year-old Tale of Boiarynia Morozova. The story of Feodosia Morozova, a member of the Russian aristocratic elite and a major participant in the Russian Othodox Schism, describes one of the most violent ruptures in religious history-the complete destabilization of the bastions of church and society in seventeenth-century Russia. In her explication of this famous text, Ziolkowski examines the hagiography of the Tale, the spiritual asceticism of Morozova in the context of Christian womens' struggles for independence, and the role this prominent female dissident has played as a symbol of resistance to corrupt authority. This work makes a significant contribution to the history of the Orthodox Church, pre-Petrine Russia, women in religion, and the study of medieval Russian literature.
Rivers in Russian Literature focuses on the Russian literary and folkloric treatment of five rivers—the Dnieper, Volga, Neva, Don, and Angara. Each chapter traces, within a geographical and historical context, the evolution of the literary representation of one river. Imagination may endow a river with aesthetic or spiritual qualities; ethnic, national, or racial associations; or commercial or agricultural symbolism of many kinds. Russian literary responses to these five rivers have much to tell us about the society that produced them as well as the rivers they treat. Distributed for UNIVERSITY OF DELAWARE PRESS
& Capturing the most recent research in food science and technology, this book focuses on the science underlying all aspects of food-including the principles that determine safe storage, handling, and preparation. Its clear presentation of scientific principles guides the reader& through complex subject matter and motivates learning. Its logical progression moves & the audience & easily through the study of careers to research basics, to food preparation, to key food components and finally to food safety. Margin definitions, photos, tables and Food for Thought boxes add interesting insights into today's food industry while an accompanying lab manual serves an excellent resource for preparing professionals with their entry into the field. For professionals in the food science, dietetics, or food service industry.
Brief biographies and portraits of wives, sisters, daughters, nieces, and other relatives of Presidents who have served as White House hostesses, from Martha Washington to Hillary Clinton.
Key issues surrounding the composition and recording of folklore include its frequently intensely political aspect and it preoccupation with chimerical cultural authority. These issues are dramatically displayed in Soviet epic compositions of the 1930s and 1940s, the so-called noviny (“new songs”), which took their formal inspiration to a great extent from traditional Russian epic songs, byliny (“songs of the past"), and their narrative content from contemporary political and other events in Stalinist Russia. The story of the noviny is at once complex and comprehensible. While it may be tempting to interpret the excrescences of Stalinism as unique aberrations, the reality was often more complicated. The noviny were not simply the result of political fiat, an episode in an ideological vacuum. Their emergence occurred in part because of specific trends and controversies that marked European folklore collection and publication from at least the late eighteenth century on, as well as because of developments in Russian folkloristics from the mid-nineteenth century on that assumed perhaps exaggerated proportions. The demise of the noviny was equally mediated by a host of political and theoretical considerations. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.
A study of the cultural implications of portraits of Stalin and his era since his death in 1953. This work explores the cultural implications of prominent images in Russian thought and literature devoted to the Stalin era since the dictator's death in 1953. Author of the works discussed include some of the most important Russian writers of the past four decades: Solzhenitsyn, Vasilii Grossman, Vladimir Voinovich, Anatolii Rybackov among others.
From earliest childhood, the author has lived in a rainbow world, surrounded by the astonishment of remarkable and loving adults. She rarely contemplated the realities presented by a polka dot world in which the grey and tan dominated the red and gold. Growing up in the American West where the freedom to achieve appeared unlimited, she reached for it all and embraced both the people and adventures she found at her fingertips. This is the story of her life as it reflects the unfathomable beauty of her childhood blessed by American freedom.
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